Classic of music criticism provides detailed studies of 23 of Mozart's piano concertos, offering 417 musical examples and authoritative information on the works' form, tone, style, and balance.
The author of the widely acclaimed "The Symphony" offers a wonderfully informative look at the standard concerto repertory, covering 122 works from Bach to John Adams. 23 music examples.
This reference book is an invaluable resource for teachers, students and performers for evaluating and selecting piano solo literature. Concise and thoroughly researched, thousands of works, from the Baroque through the Contemporary periods, have been graded and evaluated in detail. Includes an alphabetical list of composers, explanations of works and much more.
An “entertaining and informative” comprehensive guide to 240 classical composers and their music—from the medieval era to the modern age (Library Journal). Music, according to Aaron Copland, can thrive only if there are “gifted listeners.” But today’s listeners must choose between classical and rock, opera and rap, and the choices can seem overwhelming at times. In The Essential Canon of Classical Music, David Dubal comes to the aid of the struggling listener and provides a cultural-literacy handbook for classical music. Dubal identifies the 240 composers whose works are most important to an understanding of classical music and offers a comprehensive, chronological guide to their lives and works. He has searched beyond the traditional canon to introduce readers to little—known works by some of the most revered names in classical music—Bach, Haydn, Mozart, Schubert—as well as to the major works of lesser-known composers. In a spirited and opinionated voice, Dubal seeks to rid us of the notion of “masterpieces” and instead to foster a new generation of master listeners. The result is an uncommon collection of the wonders classical music has to offer.
These Opera Guides are ideal com-panions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original.This famous opera ends, after the hero is dragged down to hell, with a warning that evil shall not go unpunished. 'Hardly', as Michael F. Robinson notes, 'one's usual idea of a "e;comic"e; subject!' So this guide opens with a brief look at what is actually comic about it. David Wyn Jones gives an overall view of the score: he shows how the musical keys are arranged so that the dramatic momentum over two long acts is maintained and discusses orchestration and dramatic pacing in the most important scenes. Christopher Raeburn contributes a lively portrait of the 'libertine librettist' who, after his Vienna triumphs, was hounded out of London for his debts and eventually died in New York - 'revered as the father of Italian studies in America'. The full original text is given, with a pointed modern translation.
From Simon & Schuster, What to Listen for in Mozart is Robert Harris' essential introduction to the world's most popular composer. An introduction to the music of Wolfgang Amadeus Mozart explores the essentials of his work, examining his place in the aristocratic society of the late eighteenth century, and discusses his life and death.
The Philadelphia Orchestra is the most-recorded orchestra in the United States, and its recordings have contributed much to its reputation as “The World’s Greatest Orchestra.” In The Philadelphia Orchestra: An Annotated Discography, Richard A. Kaplan documents more than 2,000 commercial recordings made by the Philadelphia Orchestra over almost a century. The discography contains a chronological list of recordings, detailing works performed, conductors, soloists, dates, venues, producers, and matrix information for 78-rpm recordings. Each entry lists all issues of the recordings, including 78- and 45-rpm discs, long-playing records, and compact discs. The discography documents for the first time the recordings made by Columbia on sixteen-inch lacquer discs during the 1940s and ‘50s. Opening with an overview of the Orchestra's relationships with recording companies and the search for suitable recording venues, chapters cover anonymously and pseudonymously-published recordings, including those of the Robin Hood Dell Orchestra of Philadelphia, the experimental 1931-32 Bell Labs recordings, videos and movies in which the Philadelphia Orchestra performed, live recordings, and recordings of ensembles of the Philadelphia Orchestra. A separate chapter lists live-concert downloads made available directly through the Philadelphia Orchestra Association. Appendixes cross-reference the recordings by composer, conductor, and soloists; a final appendix lists the many Philadelphia Orchestra LP collections published by Columbia and RCA. This book is a valuable resource for collectors, scholars, and anyone interested in recording history and the history of the Philadelphia Orchestra.