Concerto No. 13
Concerto No. 13

Author: Rudolphe Kreutzer

Publisher: Alfred Music

Published: 1999-12-22

Total Pages: 34

ISBN-13: 1457469278

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The 13th concerto of Kreutzer transcribed by Friedrich Hermann. Both violin and piano parts are included.

Student Concerto No. 2
Student Concerto No. 2

Author: Samuel Lifschey

Publisher: Associated Music Pub Incorporated

Published: 1986-11

Total Pages: 16

ISBN-13: 9780793538157

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inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of•Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Concerto in C Major
Concerto in C Major

Author: Antonio Vivaldi

Publisher: Alfred Music

Published: 1999-10-13

Total Pages: 22

ISBN-13: 1457463482

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This piano reduction by Antonio Vivaldi was designed for use with the transcription for band by Alfred Reed.

Student's Concerto
Student's Concerto

Author: Friedrich Seitz

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781016595919

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Structural Novelty and Tradition in the Early Romantic Piano Concerto
Structural Novelty and Tradition in the Early Romantic Piano Concerto

Author: Stephan D. Lindeman

Publisher: Pendragon Press

Published: 1999

Total Pages: 368

ISBN-13: 9781576470008

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Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR