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Author: Bryan R. Simms
Publisher: Schirmer G Books
Published: 1999
Total Pages: 354
ISBN-13:
DOWNLOAD EBOOKComposers on Modern Musical Culture focuses on issues of composition and style through a collection of original writings by major 20th century composers. Students are engaged by the wide spectrum of issues and composers that are represented.
Author: Henry Pleasants
Publisher:
Published: 1967
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOKAuthor: Alex Ross
Publisher: Farrar, Straus and Giroux
Published: 2007-10-16
Total Pages: 706
ISBN-13: 1429932880
DOWNLOAD EBOOKWinner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Robert Fleisher
Publisher: Wayne State University Press
Published: 2018-02-05
Total Pages: 334
ISBN-13: 0814344240
DOWNLOAD EBOOKTwenty of Israel's leading art-music composers discuss the interaction of inspiration, method and cultural context in their work, revealing both international and national influence and scope. Israel’s contemporary art music reflects a modern society that is an intricate fabric of national and ethnic origins, languages and dialects, customs and traditions—a heterogeneous culture of cultures. It is a rich and distinctive environment—at once ancient and modern, spiritual and secular, traditional and progressive. Twenty Israeli Composers, the first published collection of interviews with Israeli composers, explores this developing and distinctive music culture. The featured composers have earned distinction in Israel and abroad, and reflect the pluralism of Israeli art music, culture, and society. In first-person narrative, they discuss the interaction of inspiration, method, and cultural context in their work, revealing both international and national influence and scope. Three generations of contemporary composers-immigrants from Central and Eastern Europe, North and South America, and naïve sabras- share their ideas about music, the creative process, and their experiences as artists living and working in Israel. Robert Fleisher furnishes a biographical sketch of each composer, followed by a summary of recent accomplishments. The book also includes a bibliography, discography, and information for further study.
Author:
Publisher:
Published: 2009
Total Pages: 354
ISBN-13:
DOWNLOAD EBOOKAuthor: Carol J. Oja
Publisher: Oxford University Press, USA
Published: 2000
Total Pages: 510
ISBN-13: 0195162579
DOWNLOAD EBOOKThis book recreates an exciting and productive period in which creative artists felt they were witnessing the birth of a new age. Aaron Copland, Henry Cowell, George Gershwin, Roy Harris, and Virgil Thomson all began their careers then, as did many of their less widely recognized compatriots. While the literature and painting of the 1920's have been amply chronicled, music has not received such treatment. Carol Oja's book sets the growth of American musical composition against parallel developments in American culture, provides a guide for the understanding of the music, and explores how the notion of the concert tradition, as inherited from Western Europe, was challenged and revitalized through contact with American popular song, jazz, and non-Western musics.
Author:
Publisher:
Published: 1918
Total Pages: 366
ISBN-13:
DOWNLOAD EBOOKAuthor: Patrick Kavanaugh
Publisher: Zondervan
Published: 1996
Total Pages: 260
ISBN-13: 0310208068
DOWNLOAD EBOOKThis is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Author: Ernst Toch
Publisher: Courier Corporation
Published: 1977-01-01
Total Pages: 291
ISBN-13: 0486233464
DOWNLOAD EBOOKA masterful and original classical composer as well as a renowned composer of film scores, Ernst Toch (1887 1964) made a permanent contribution to music in this important and widely praised book. Based on a series of lectures given at Harvard in 1944 and first published in 1948, this book is a brilliant examination of the materials and concepts that are the basic building blocks of music harmony, melody, counterpoint, and form. An admirable reconciliation of traditional and modern (mainly 12-tone) trends in composition, this book shows all types of writing must respond to psychological wants of the listener and how similar goals may be achieved in seemingly opposed styles. Illustrating his discussion with 390 musical examples, Toch not only introduces new ideas and approaches, but examines many age-old problems with clarity and precision consonance and dissonance, form versus number, and more. His analysis of the expanding harmonic universe, the wave line of melody, and the formative influence of movement are particularly penetrating. New to this edition are a biological introduction by Toch's grandson, Lawrence Weschler; a previously unpublished letter from Thomas Mann to Toch about this book (in English translation); and a complete checklist of Toch's compositions. Intended for all those who have a minimum understanding of musical notation and theory, this book will appeal to music lovers, practical musicians and amateurs, and incipient composers."
Author: Bonnie C. Wade
Publisher: University of Chicago Press
Published: 2014-01-13
Total Pages: 282
ISBN-13: 022608549X
DOWNLOAD EBOOKWhen we think of composers, we usually envision an isolated artist separate from the orchestra—someone alone in a study, surround by staff paper—and in Europe and America this image generally has been accurate. For most of Japan’s musical history, however, no such role existed—composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture. Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them—or that they forged—during Japan’s astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.
