The greatest French organist of his day, Widor (1844–1937) composed 10 organ "symphonies" — actually solo compositions usually consisting of 6 or 7 short movements, that treat the organ as a kind of self-contained orchestra. Series I includes Symphonies Nos. 1–4, Op. 13 and Symphonie No. 5, Op. 42. Frequently performed today. Glossary of French terms.
The collection of 59 short works known as "L'Organiste" was written by Cesar Franck in 1889 and 1890 for the harmonium and is most often played on organ. This score is an exact reprint of the original edition published by Enoch (Paris) in 1892.
This classic method for beginners provides a brief history of the instrument, an explanation of organ construction, a discussion of the various stops and their management, a section devoted to practical study, and several pieces.
Louis Vierne (1870-1937), a student of C�sar Franck and Charles-Marie Widor, was organist of the Notre-Dame Cathedral in Paris for 37 years, until his death at the console during a recital. Widor's successor as the organ's great French symphonist - an assessment the passage of time has proved correct - Vierne's music has remained in the repertoire of organists throughout the world, never undergoing the periodic eclipses experienced by his contemporaries. Vierne's autobiography, Mes Souvenirs, originally published serially in the 1930s, is here available in a profusely illustrated, extensively annotated English translation. Rollin Smith's Louis Vierne: Organist of Notre Dame Cathedral is the first major study of the great organist of Notre-Dame and includes chapters on his American tour, recordings, contemporary reminiscences, definitive textual corrections, the organ symphonies, his death and succession, and a thematic catalogue of his organ works.
Suitable for intermediate and experienced organists, this collection features 43 works by J. S. Bach, Guilmant, Vierne, and Widor, as well as pieces by Brahms, Mozart, Schumann, Saint-Saëns, and others.
Widor's ancestry, musical education, and heritage (1844-63) -- The first creative period (1864-79) -- The years of mastery (1880-94) -- The twilight of Widor's compositional career (1895-1909) -- Mr. Widor, member of the Institute of France (1910-37) -- Appendixes. 1. Published literary works. 2. List of musical works. 3. A cross-section of musicians during Widor's life. 4. Chronology
