Comparative Literature East and West

Comparative Literature East and West

Author: Cornelia Niekus Moore

Publisher: University of Hawaii Press

Published: 1989-01-01

Total Pages: 244

ISBN-13: 9780824812478

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This collection of papers inaugurates a new series which will present work from a two-year study at the U. of Hawaii. The research addresses commonalities and differences in topics and methodology, changing values, and the portrayal of the self in different cultures. No index. Annotation copyright B


Literature, Religion, and East/West Comparison

Literature, Religion, and East/West Comparison

Author: Anthony C. Yu

Publisher: University of Delaware Press

Published: 2005

Total Pages: 322

ISBN-13: 9780874138696

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This book pays critical homage to the eminent comparatist of Chinese and Western literature and religion, Anthony C. Yu of The University of Chicago. Broadly comparative, cross-cultural, and interdisciplinary in scope, the volume consists of an introductory essay on Yu's scholarly career, and thirteen additional essays on topics such as literary texts and traditions of varying provenance and periods, ranging from ancient Greece, medieval Europe, and nineteenth- and twentieth-century England and America, to China from the classical to modern periods. The disciplines and areas of research that the essays draw into constructive engagement with one another include comparative literature, religion and literature, history of religions, (or comparative religion), religion and social thought, and the study of myth. Eric Ziolkowski is Professor and Head of the Department of Religious Studies at Lafayette College.


Comparative Journeys

Comparative Journeys

Author: Anthony C. Yu

Publisher: Columbia University Press

Published: 2009

Total Pages: 431

ISBN-13: 0231143265

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Yu's essays juxtapose Chinese and Western texts - Cratylus next to Xunzi,for example - and discuss their relationship to language and subjects, such as liberal Greek education against general education in China. He compares a specific Western text and religion to a specific Chinese text and religion. He considers the Divina Commedia in the context of Catholic theology alongside The Journey to the West as it relates to Chinese syncretism, united by the theme of pilgrimage. Yet Yu's focus isn't entirely tied to the classics. He also considers the struggle for human rights in China and how this topic relates to ancient Chinese social thought and modern notions of rights in the West.


Allegoresis

Allegoresis

Author: Longxi Zhang

Publisher: Cornell University Press

Published: 2018-05-31

Total Pages: 270

ISBN-13: 1501711296

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Why is it that a text, particularly a canonical text, is often said to contain a meaning different from what it literally says? How did allegorical readings arise and develop? By looking at such examples as Jewish and Christian interpretations of the Song of Songs and traditional Chinese commentaries on the Confucian classic Book of Poetry, Zhang Longxi discusses allegorical readings from a broad perspective that bridges the usual East/West cultural divide and examines their social and political implications. His approach is wide-ranging, cross-cultural, and cross-disciplinary, exploring allegoresis with regard to religion, philosophy, and literature. In his inquiry into allegory and allegorical interpretation, Zhang examines the idea of a self-explanatory text of the Bible as conceived by Augustine, Aquinas, and Luther; discusses the importance of the literal basis of textual interpretation; and takes up the question of moral responsibility and political allegiance. Zhang, who regards utopia as an allegory of social and political ideas, explores how utopian visions vary in their Chinese and Western expressions, in the process commenting on contemporary literary theory and political readings of literature past and present.


East West Mimesis

East West Mimesis

Author: Kader Konuk

Publisher: Stanford University Press

Published: 2010-09-21

Total Pages: 316

ISBN-13: 0804775753

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East West Mimesis follows the plight of German-Jewish humanists who escaped Nazi persecution by seeking exile in a Muslim-dominated society. Kader Konuk asks why philologists like Erich Auerbach found humanism at home in Istanbul at the very moment it was banished from Europe. She challenges the notion of exile as synonymous with intellectual isolation and shows the reciprocal effects of German émigrés on Turkey's humanist reform movement. By making literary critical concepts productive for our understanding of Turkish cultural history, the book provides a new approach to the study of East-West relations. Central to the book is Erich Auerbach's Mimesis: The Representation of Reality in Western Literature, written in Istanbul after he fled Germany in 1936. Konuk draws on some of Auerbach's key concepts—figura as a way of conceptualizing history and mimesis as a means of representing reality—to show how Istanbul shaped Mimesis and to understand Turkey's humanist reform movement as a type of cultural mimesis.


Japan's Russia

Japan's Russia

Author: Olga V. Solovieva

Publisher:

Published: 2021

Total Pages:

ISBN-13: 9781621965756

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"The Russian cultural presence in Japan after the Meiji Revolution was immense. Indeed, Japanese cultural negotiations with Russian intellectuals and Russian literature, art, theology and political thought, formed an important basis for modern Japanese transnational intellectual, cultural, literary, and artistic production. And yet, despite the depth and range of "Japan's Russia," this historical phenomenon has been markedly neglected in our studies of modern Japanese intellectual life. This absence may be attributed to the fact that "Japan's Russia" as an idea and a cultural expression developed outside the logic of Western modernity. There has been an interconnected logic behind this ignorance, a systematic lacuna in our historiography that tied method to historical actors, concept to theory. This volume seeks to depart from this logic in order to identify thoughts and practices that helped produce a dynamic transnational cultural phenomenon that we identify as "Japan's Russia." It does so by orchestrating case studies from cutting-edge scholarship originating in multiple disciplines, each with its own methodological and theoretical implications. This study introduces readers to myriad currents in intellectual and cultural interaction between Japan and Russia, from literature to religion, ethnography to anti-nuclear activism. It provides a multilayered, fine-grained history of interactions between artists, intellectuals, political and religious leaders, and other figures from Russia, Japan, China, and several more countries from from the late nineteenth century to the present day"--


Japan, France, and East-West Aesthetics

Japan, France, and East-West Aesthetics

Author: Jan Hokenson

Publisher: Fairleigh Dickinson Univ Press

Published: 2004

Total Pages: 528

ISBN-13: 9780838640104

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Japan, France is the first comprehensive history of the idea of Japan in France, as tracked through close readings of canonical French writers and thinkers from the 1860s to the present. The focus is literary and intellectual, the context cultural. The discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. French writers also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of literary Modernism. Japonisme (the practice of adapting Japanese aesthetics to creative work in the West) became a sustained French tradition, in texts by such writers as Zola and Proust through Barthes and Bonnefoy. Each generation discovered new Japanese arts and genres, commented on the work of their predecessors in this vein, and broke still more ground in East-West aesthetics to innovate in the forms of Western literature and thought. To read literary history in this way unsettles Eurocentric assumptions about many of the French writers who are commonly considered the


East-West Exchange and Late Modernism

East-West Exchange and Late Modernism

Author: Zhaoming Qian

Publisher: University of Virginia Press

Published: 2017-11-07

Total Pages: 236

ISBN-13: 0813940680

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In East-West Exchange and Late Modernism, Zhaoming Qian examines the nature and extent of Asian influence on some of the literary masterpieces of Western late modernism. Focusing on the poets William Carlos Williams, Marianne Moore, and Ezra Pound, Qian relates captivating stories about their interactions with Chinese artists and scholars and shows how these cross-cultural encounters helped ignite a return to their early experimental modes. Qian’s sinuous readings of the three modernists’ last books of verse—Williams’s Pictures from Brueghel (1962), Moore’s Tell Me, Tell Me (1966), and Pound’s Drafts and Fragments of Cantos CX-CXVII (1969)—expand our understanding of late modernism by bringing into focus its heightened attention to meaning in space, its obsession with imaginative sensibility, and its increased respect for harmony between humanity and nature.


Don Juan East/West

Don Juan East/West

Author: Takayuki Yokota-Murakami

Publisher: SUNY Press

Published: 1998-01-01

Total Pages: 244

ISBN-13: 9780791436653

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An essential guide for those who seek to reconsider the theoretical problems of (trans-civilizational) comparative literature, those who are interested in the literary and cultural history of modern East Asian countries, and those with a general interest in issues of sexuality.


Comparative Literature and Comparative Cultural Studies

Comparative Literature and Comparative Cultural Studies

Author: Steven Tötösy de Zepetnek

Publisher: Purdue University Press

Published: 2003

Total Pages: 376

ISBN-13: 9781557532909

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Articles in this volume focus on theories and histories of comparative literature and the field of comparative cultural studies. Contributors are Kwaku Asante-Darko on African postcolonial literature; Hendrik Birus on Goethe's concept of world literature; Amiya Dev on comparative literature in India; Marian Galik on interliterariness; Ernst Grabovszki on globalization, new media, and world literature; Jan Walsh Hokenson on the culture of the context; Marko Juvan on literariness; Karl S.Y. Kao on metaphor; Kristof Jacek Kozak on comparative literature in Slovenia; Manuela Mourao on comparative literature in the USA; Jola Skulj on cultural identity; Slobodan Sucur on period styles and theory; Peter Swirski on popular and highbrow literature; Antony Tatlow on textual anthropology; William H. Thornton on East/West power politics in cultural studies; Steven Totosy on comparative cultural studies; and Xiaoyi Zhou and Q.S. Tong on comparative literature in China. The papers are followed by an index and a bibliography of scholarship in comparative literature and cultural studies compiled by Steven Totosy, Steven Aoun, and Wendy C. Nielsen.