A Manga Anthology,British and European comic fans are swiftly,embracing Manga, the unique Japanese graphic novel,art form. This new collection selects the best,from the Manga underground presenting material,from the leading artists that is unlikely to be,seen outside of Japan. Outrageous, mind-bending,and 'adult,' this is nihilistic humour at its very,best.
From the surreally beautiful to the graphically gruesome, the selections in this anthology represent the best of manga fiction. Chosen by the former editor of Garo, Japan's standard-bearer of underground comics, the artists in this collection are the latest generation of manga taboo-breakers from the '80s and '90s.
Japan's output of manga is massive, accounting for a staggering forty percent of everything published each year in the country.Outside Japan, there has been a global boom in sales, with the manga aesthetic spreading from comics into all areas of Western youth culture through film, computer games, advertising, and design. Manga: Sixty Years of Japanese Comics presents an accessible, entertaining, and highly-illustrated introduction to the development and diversity of Japanese comics from 1945 to the present. Featuring striking graphics and extracts from a wide range of manga, the book covers such themes as the specific attributes of manga in contrast to American and European comics; the life and career of Osamu Tezuka, creator of Astro Boy and originator of story manga; boys' comics from the 1960s to the present; the genres and genders of girls' and women's comics; the darker, more realistic themes of gekiga -- violent samurai, disturbing horror and apocalyptic science fiction; issues of censorship and protest; and manga's role as a major Japanese export and global influence.
A true cornerstone of the Japanese underground scene of the 1960s Seiichi Hayashi produced Red Colored Elegy between 1970 and 1971, in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet, melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others. While Ichiro attempts to make a living from his comics, Sachiko’s parents are eager to arrange a marriage for her, but Ichiro doesn’t seem interested. Both in their relationship and at work, Ichiro and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words. Red Colored Elegy is informed as much by underground Japanese comics of the time as it is by the French nouvelle vague, and its cultural referents range from James Dean to Ken Takakura. Its influence in Japan was so great that Morio Agata, a prominent Japanese folk musician and singer/songwriter, debuted with a love song written and named after it.
In an era of Galactic Empire rule, as the last of the Jedi are hunted and eliminated, a fledgling rebellion begins to take form. On the planet Lothal, con artist Ezra makes a living stealing Empire goods to sell on the black market, but one heist doesn’t go as planned...Suddenly, this teen’s solitary ways are challenged by a band of ragtag rebels—the crew of the starship Ghost! Based on the animated series!
The epic autobiography of a manga master Acclaimed for his visionary short-story collections The Push Man and Other Stories, Abandon the Old in Tokyo, and Good-Bye--originally created nearly forty years ago, but just as resonant now as ever--the legendary Japanese cartoonist Yoshihiro Tatsumi has come to be recognized in North America as a precursor of today's graphic novel movement. A Drifting Life is his monumental memoir eleven years in the making, beginning with his experiences as a child in Osaka, growing up as part of a country burdened by the shadows of World War II. Spanning fifteen years from August 1945 to June 1960, Tatsumi's stand-in protagonist, Hiroshi, faces his father's financial burdens and his parents' failing marriage, his jealous brother's deteriorating health, and the innumerable pitfalls that await him in the competitive manga market of mid-twentieth-century Japan. He dreams of following in the considerable footsteps of his idol, the manga artist Osamu Tezuka (Astro Boy, Apollo's Song, Ode to Kirihito, Buddha)--with whom Tatsumi eventually became a peer and, at times, a stylistic rival. As with his short-story collection, A Drifting Life is designed by Adrian Tomine.
From the sugar rush of Tokyo's idol subculture to the discordant polyrhythms of its experimental punk and indie scenes, this book by Japan Times music columnist Ian F. Martin offers a witty and tender look at the wide spectrum of issues that shape Japanese music today. With unique theories about the evolution of J-pop as well as its history, infrastructure and (sub)cultures, Martin deconstructs an industry that operates very differently from counterparts overseas. Based partly on interviews with influential artists, label owners and event organisers, Martin's book combines personal anecdotes with cultural criticism and music history. An accessible and humorous account emerges of why some creative acts manage to overcome institutional pressures, without quitting their bands. Ian Martin's writing about Japanese music has appeared in The Japan Times, CNN Travel and The Guardian among other places. Martin is based in Tokyo, where he also runs Call And Response Records.
In this haunting work of journalistic investigation, Haruki Murakami tells the story of the horrific terrorist attack on Japanese soil that shook the entire world. On a clear spring day in 1995, five members of a religious cult unleashed poison gas on the Tokyo subway system. In attempt to discover why, Haruki Murakmi talks to the people who lived through the catastrophe, and in so doing lays bare the Japanese psyche. As he discerns the fundamental issues that led to the attack, Murakami paints a clear vision of an event that could occur anytime, anywhere.
The Complete Hate is a three-volume set that includes the original 1990-1998 30-issue run, the nine subsequent Hate Annuals, and tons of other Hate-related comics, illustrations, and ephemera created for books, magazines, comics, toys, and other merchandise. Bagge combined his cartoony drawing style with uncomfortably real Gen X characters, and the comic books resonated with readers. Book One (Hate 1-15), focuses on young Buddy Bradley's travails in early 1990s Seattle. Book Two focuses on Buddy and his girlfriend Lisa Leavenworth's move back to Buddy's native New Jersey (and a switch from black-and-white to full color). Book Three features the final arc of Bagge's magnum opus, as Buddy and Lisa become parents (and buy a garbage dump).