What a Way to Go

What a Way to Go

Author: Geoffrey Abbott

Publisher: Macmillan

Published: 2007-04-17

Total Pages: 358

ISBN-13: 9780312366568

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"In this wickedly humorous book, Geoffrey Abbott describes the effectiveness of instruments of torture and reveals the macabre origins of familiar phrases such as 'gone west' or 'drawn a blank'. Covering everything from the preparation of the victim to the disposal of the body 'What a Way to Go' is everything you ever wanted to know about the ultimate penalty--and a lot you never thought to ask."--Publisher's description


Fair Game

Fair Game

Author: Stephen Leather

Publisher: Hodder & Stoughton

Published: 2011-07-21

Total Pages: 475

ISBN-13: 1444708333

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The eighth book in the bestselling Dan 'Spider' Shepherd series. Kidnapping is one of the cruellest crimes - lives are put at risk for cold, hard cash. But when Somali pirates seize the crew of a yacht off the coast of Africa, they bite off more than they can chew. One of the hostages has friends in high places and Spider Shepherd is put on the case. He goes deep undercover in an audacious plan to bring an end to the pirate gang's reign of terror. But as Shepherd closes in on his quarry he realises that there's much more at stake than the lives of the hostages and that the pirates are involved in a terrorist plot that will strike at the heart of London.


VANITY FAIR

VANITY FAIR

Author: WILLIAM MAKEPEACE THACKERAY

Publisher: BEYOND BOOKS HUB

Published: 2023-04-25

Total Pages: 799

ISBN-13:

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As the manager of the Performance sits before the curtain on the boards and looks into the Fair, a feeling of profound melancholy comes over him in his survey of the bustling place. There is a great quantity of eating and drinking, making love and jilting, laughing and the contrary, smoking, cheating, fighting, dancing and fiddling; there are bullies pushing about, bucks ogling the women, knaves picking pockets, policemen on the look-out, quacks (OTHER quacks, plague take them!) bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind. Yes, this is VANITY FAIR; not a moral place certainly; nor a merry one, though very noisy. Look at the faces of the actors and buffoons when they come off from their business; and Tom Fool washing the paint off his cheeks before he sits down to dinner with his wife and the little Jack Puddings behind the canvas. The curtain will be up presently, and he will be turning over head and heels, and crying, "How are you?" A man with a reflective turn of mind, walking through an exhibition of this sort, will not be oppressed, I take it, by his own or other people's hilarity. An episode of humour or kindness touches and amuses him here and there—a pretty child looking at a gingerbread stall; a pretty girl blushing whilst her lover talks to her and chooses her fairing; poor Tom Fool, yonder behind the waggon, mumbling his bone with the honest family which lives by his tumbling; but the general impression is one more melancholy than mirthful. When you come home you sit down in a sober, contemplative, not uncharitable frame of mind, and apply yourself to your books or your business. I have no other moral than this to tag to the present story of "Vanity Fair." Some people consider Fairs immoral altogether, and eschew such, with their servants and families: very likely they are right. But persons who think otherwise, and are of a lazy, or a benevolent, or a sarcastic mood, may perhaps like to step in for half an hour, and look at the performances. There are scenes of all sorts; some dreadful combats, some grand and lofty horse-riding, some scenes of high life, and some of very middling indeed; some love-making for the sentimental, and some light comic business; the whole accompanied by appropriate scenery and brilliantly illuminated with the Author's own candles. What more has the Manager of the Performance to say?—To acknowledge the kindness with which it has been received in all the principal towns of England through which the Show has passed, and where it has been most favourably noticed by the respected conductors of the public Press, and by the Nobility and Gentry. He is proud to think that his Puppets have given satisfaction to the very best company in this empire. The famous little Becky Puppet has been pronounced to be uncommonly flexible in the joints, and lively on the wire; the Amelia Doll, though it has had a smaller circle of admirers, has yet been carved and dressed with the greatest care by the artist; the Dobbin Figure, though apparently clumsy, yet dances in a very amusing and natural manner; the Little Boys' Dance has been liked by some; and please to remark the richly dressed figure of the Wicked Nobleman, on which no expense has been spared, and which Old Nick will fetch away at the end of this singular performance. And with this, and a profound bow to his patrons, the Manager retires, and the curtain rises...


Vanity Fair

Vanity Fair

Author: Thackeray, William

Publisher: Aegitas

Published: 2017-02-13

Total Pages: 951

ISBN-13: 1773137417

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Vanity Fair is an English novel by William Makepeace Thackeray which follows the lives of Becky Sharp and Emmy Sedley amid their friends and families during and after the Napoleonic Wars. It was first published as a 19-volume monthly serial from 1847 to 1848, carrying the subtitle Pen and Pencil Sketches of English Life, reflecting both its satirisation of early 19th-century British society and the many illustrations drawn by Thackeray to accompany the text. It was published as a single volume in 1848 with the subtitle A Novel without a Hero, reflecting Thackeray's interest in deconstructing his era's conventions regarding literary heroism. It is sometimes considered the "principal founder" of the Victorian domestic novel. The story is framed as a puppet play and the narrator, despite being an authorial voice, is notoriously unreliable. Late in the narrative, it is revealed that the entire account has been 2nd- or 3rd-hand gossip the writer picked up "years ago" from Lord Tapeworm, British charge d'affaires in one of the minor German states and relative of several of the other aristocrats in the story but none of the main characters: "the famous little Becky puppet", "the Amelia Doll", "the Dobbin Figure", "the Little Boys", and "the Wicked Nobleman, on which no expense has been spared".[3] Despite her many stated faults and still worse ones admitted to have been passed over in silence, Becky emerges as the "hero"—what is now called an antihero—in place of Amelia because Thackeray is able to illustrate that "the highest virtue a fictional character can possess is interest."