Marcia Pullman has been found dead at home in the leafy suburbs of Bulawayo. Chief Inspector Edmund Dube is onto the case at once, but it becomes increasingly clear that there are those, including the dead woman's husband, who do not want him asking questions. The case drags Edmund back into his childhood to when his mother's employers disappeared one day and were never heard from again, an incident that has shadowed his life. As his investigation into the death progresses, Edmund realises the two mysteries are inextricably linked and that unravelling the past is a dangerous undertaking threatening his very sense of self.
"One of the most remarkable creations in recent literature" (USA Today), Flavia de Luce, "part Harriet the Spy, part Violet Baudelaire" (New York Times Book Review) is back in Alan Bradley's captivating internationally bestselling mystery series. Flavia rules! In this internationally bestselling series of enchanting mysteries, youthful chemist and aspiring detective Flavia de Luce once again brings her knowledge of poisons and her indefatigable spirit to solve dastardly crimes—but this time, she leaves behind her beloved English countryside, and takes her sleuthing prowess to the unexpectedly unsavory world of Canadian boarding schools!
"Ursula K. Le Guin, loved by millions for her fantasy and science-fiction novels, ponders life, death and the vast beyond in So Far So Good, an astute, charming collection finished weeks before her death in January, 2018. Fans will recognize some of the motifs here—cats, wind, strong women — as well as her exploration of the intersection between soul and body, the knowable and the unknown. The writing is clear, artful and reverent as Le Guin looks back at key memories and concerns and looks forward to what is next: 'Spirit, rehearse the journey of the body/ that are to come, the motions/ of the matter that held you.'"―Washington Post "Le Guin’s farewell poetry collection, contains all that created her reputation for fiction—sharp insight, restless imagination, humor that is both mordant and humane, and, above all else, that connection to all creation, that 'immense what is'."—New York Journal of Books “It’s hard to think of another living author who has written so well for so long in so many styles as Ursula K. Le Guin.” —Salon “She never loses touch with her reverence for the immense what is.” —Margaret Atwood “There is no writer with an imagination as forceful and delicate as Le Guin’s.” —Grace Paley Legendary author Ursula K. Le Guin was lauded by millions for her ground- breaking science fiction novels, but she began as a poet, and wrote across genres for her entire career. In this clarifying and sublime collection—completed shortly before her death in 2018—Le Guin is unflinching in the face of mor- tality, and full of wonder for the mysteries beyond. Redolent of the lush natural beauty of the Pacific Northwest, with rich sounds playfully echoing myth and nursery rhyme, Le Guin bookends a long, daring, and prolific career. From “How it Seems to Me”: In the vast abyss before time, self is not, and soul commingles with mist, and rock, and light. In time, soul brings the misty self to be. Then slow time hardens self to stone while ever lightening the soul, till soul can loose its hold of self . . . Ursula K. Le Guin is the author of over sixty novels, short fiction works, translations, and volumes of poetry, including the acclaimed novels The Left Hand of Darkness and The Dispossessed. Her books continue to sell millions of copies worldwide. Le Guin died in 2018 in her home in Portland, Oregon.
Acclaimed author Karen Hesse's Newbery Medal-winning novel-in-verse explores the life of fourteen-year-old Billie Jo growing up in the dust bowls of Oklahoma. Out of the Dust joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!"Dust piles up like snow across the prairie. . . ."A terrible accident has transformed Billie Jo's life, scarring her inside and out. Her mother is gone. Her father can't talk about it. And the one thing that might make her feel better -- playing the piano -- is impossible with her wounded hands.To make matters worse, dust storms are devastating the family farm and all the farms nearby. While others flee from the dust bowl, Billie Jo is left to find peace in the bleak landscape of Oklahoma -- and in the surprising landscape of her own heart.
Despite his reluctance jaded private cop, Ris Amadeo, is conned into taking on a search for a missing rich girl who shouldn't be missing. Money and manipulation start a hunt that turns up some moral, immoral and a few amoral characters linked by events no one seems able to stop.
SOONER THAN GOLD is based loosely on the true story of Eliza Alicia Lynch who, in 1848, at the age of 13, fled Ireland to escape the Great Famine; who at 18 was the highest-paid and most sought-after courtesan in all of Paris; who, as mistress of the dictator, Francisco Solano López, became Regent of Paraguay and the richest woman in the world. Together with López, she involved that country in a bloody war, the result of which was total disaster.
When Amber returns to her home in the Australian desert one year after her brother's death, her hope is to move on from her grief, to start again. Invited to do some work in a remote Aboriginal community, she relishes the opportunity to return to country she loves so deeply. She hadn't realised her friend Andrew had a reason to ask her to come back. She begins a three-day road trip on unsealed roads that link a constellation of Aboriginal communities. From the outset, it is as if she has been picked up willy willy on a windless day, and must be carried to the end of it -until the wind decides to drop. During this adventure, her composure is undone by a series of encounters, observations, the country itself, and she learns that grief takes its own time.
Winner of the Christopher Medal and a "heart-wrenching" Al Roker's Book Club selection on the Today Show. Zulaikha hopes. She hopes for peace, now that the Taliban have been driven from Afghanistan; a good relationship with her hard stepmother; and one day even to go to school, or to have her cleft palate fixed. Zulaikha knows all will be provided for her--"Inshallah," God willing. Then she meets Meena, who offers to teach her the Afghan poetry she taught her late mother. And the Americans come to her village, promising not just new opportunities and dangers, but surgery to fix her face. These changes could mean a whole new life for Zulaikha--but can she dare to hope they'll come true?
Is it the dust of death, blowing across a Mediterranean island, and etched by the footprints of a small boy who seems to be a disturbing emblem of his parents' unhappy marriage? Or the fine, but offending dirt that is dealt with so tidily by a diligent hausfrau - almost as tidily as her fellow neighbors rationalize a brutal crime? In Dust to Dust, Timothy Findley is a master of mortality and the powerful, yet often imperceptible bond it forges with memory and reality. In this brilliant new collection of short stories - his first since the highly acclaimed Stones - Timothy Findley weaves his storytelling spell around a thematically linked collection of stories that move. literally, from dust to dust. Readers will remember Vanessa Van Home, the elderly detective from The Telling of Lies, now involved in a murder mystery where a corpse confounds the line between the magical and the mundane. And the unforgettable Rosedale couple from Findleys "Minna and Bragg" stories, who reappear in two more haunting tales. In the stories that make up "All Must Come to Dust," we are taken into the ancient cultures of Europe, and there confronted by our preconceived notions of what constitutes history and memory. Each work in Dust to Dust is a beautifully rendered showcase for Timothy Findley's immense talent in evoking a time, a place and a mood. With their European settings, these stories render a territory formerly unexplored by Findley in his Short Fiction repertoire.
A remarkable memoir by a mother and her autistic daughter who’d long been unable to communicate—until a miraculous breakthrough revealed a young woman with a rich and creative interior life, a poet, who’d been trapped inside for more than two decades. “I have been buried under years of dust and now I have so much to say.” These were the first words twenty-five-year-old Emily Grodin ever wrote. Born with nonverbal autism, Emily’s only means of communicating for a quarter of a century had been only one-word responses or physical gestures. That Emily was intelligent had never been in question—from an early age she’d shown clear signs that she understood what was going on though she could not express herself. Her parents, Valerie and Tom, sought every therapy possible in the hope that Emily would one day be able to reveal herself. When this miraculous breakthrough occurred, Emily was finally able to give insight into the life, frustrations, and joys of a person with autism. She could tell her parents what her younger years had been like and reveal all the emotions and intelligence residing within her; she became their guide into the autistic experience. Told by Valerie, with insights and stories and poetry from Emily, I Have Been Buried Under Years of Dust highlights key moments of Emily’s childhood that led to her communication awakening—and how her ability rapidly accelerated after she wrote that first sentence. As Valerie tells her family’s story, she shares the knowledge she’s gained from working as a legal advocate for families affected by autism and other neurological disorders. A story of unconditional love, faith in the face of difficulty, and the grace of perseverance and acceptance, I Have Been Buried Under Years of Dust is an evocative and affecting mother-daughter memoir of learning to see each other for who they are.
