Cinematic Comanches engages in a description and critical appraisal of Indigenous hype, visual representation, and audience reception of Comanche culture and history through the 2013 Disney film The Lone Ranger.
This report examines residential development standards in 13 communities in which 18 affordable housing development were recently built. The report, which focuses on single-family detached housing, compares old and revised standards. It also examines the application of these standard in the affordable project that were built.
*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.
Once called the Lords of the Plains, the Comanches were long portrayed as loose bands of marauding raiders who capitalized on the Spanish introduction of horses to raise their people out of primitive poverty through bison hunting and fierce warfare. More recent studies of the Comanches have focused on adaptation and persistence in Comanche lifestyles and on Comanche political organization and language-based alliances. In Comanche Society: Before the Reservation, Gerald Betty develops an exciting and sophisticated perspective on the driving force of Comanche life: kinship. Betty details the kinship patterns that underlay all social organization and social behavior among the Comanches and uses the insights gained to explain the way Comanches lived and the way they interacted with the Europeans who recorded their encounters. Rather than a narrative history of the Comanches, this account presents analyses of the formation of clans and the way they functioned across wide areas to produce cooperation and alliances; of hierarchy based in family and generational relationships; and of ancestor worship and related religious ceremonies as the basis for social solidarity. The author then considers a number of aspects of Comanche life—pastoralism, migration and nomadism, economics and trade, warfare and violence—and how these developed along kinship lines. In considering how and why Comanches adopted the Spanish horse pastoralism, Betty demonstrates clearly that pastoralism was an expression of indigenous culture, not the cause of it. He describes in detail the Comanche horse culture as it was observed by the Spaniards and the Indian adaptation of Iberian practices. In this context, he looks at the kinship basis of inheritance practices, which, he argues, undergirded private ownership of livestock. Drawing on obscure details buried in Spanish accounts of their time in the lands that became known as Comanchería, Betty provides an interpretive gaze into the culture of eighteenth- and nineteenth-century Comanches that offers new organizing principles for the information that had been gathered previously. This is cutting-edge history, drawing not only on original research in extensive primary documents but also on theoretical perspectives from other disciplines.
Comanche Sundown is the story of the great war chief Quanah Parker, a freed slave and cowboy named Bose Ikard, and the women they love. In 1869 Quanah and Bose do their best to kill each other in a brutal fight on horseback in West Texas. But over several years, through the flash and chaos of war and killing they discover that they are friends, not enemies. They change from violent unformed youths into men of courage and decency. The son of the ferocious warrior Nocona and the tragic captive Texan Cynthia Ann Parker, Quanah suffers the wound of being slurred and rejected by many Comanches as someone of impure blood and certain bad luck. When told he cannot marry his youthful love Weckeah, he rides off and joins another band of his people in the canyonlands and plains of the Texas Panhandle. Later, when Quanah has just emerged as a war chief in a daring rout of army cavalry, in defiance of elders and tradition he elopes with Weckeah and leads a following of the wildest Comanche bunch of all. The enslaved son of a white physician, Bose is freed by the Civil War and rides on trail drives of longhorns into New Mexico Territory that are led by the pioneering Charles Goodnight. Bose winds up captured, utilized, and eventually valued by Quanah and his people. That period in young Bose’s life brings him into intoxicating friendship with Quanah’s other wife, To-ha-yea, a Mescalero Apache and born heart-breaker. Comanche Sundown lays out a sprawling and plausible recast of Southwestern history that brings Pat Garrett, Billy the Kid, Bat Masterson, Colonel Ranald “Bad Hand” Mackenzie, and General William T. Sherman into one fray. In the tradition of Thomas Berger’s Little Big Man, William Styron’s The Confessions of Nat Turner, Larry McMurtry’s Lonesome Dove, and Cormac McCarthy’s All the Pretty Horses, Jan Reid’s novel offers a rich blend of historical detail, exquisite eye for the terrain and the animals, and insight into the culture, customs, poetry, and dignity of Native Americans caught up in a desperate fight to survive.
The true story of the US Army’s Comanche Code Talkers, from their recruitment and training to active duty in World War II and postwar life. Among the allied troops that came ashore in Normandy on D-Day, June 6, 1944, were thirteen Comanches in the 4th Infantry Division, 4th Signal Company. Under German fire they laid communications lines and began sending messages in a form never before heard in Europe?coded Comanche. For the rest of World War II, the Comanche Code Talkers played a vital role in transmitting orders and messages in a code that was never broken by the Germans. This book tells the full story of the Comanche Code Talkers for the first time. Drawing on interviews with all surviving members of the unit, their original training officer, and fellow soldiers, as well as military records and news accounts, William C. Meadows follows the group from their recruitment and training to their active duty in World War II and on through their postwar lives up to the present. He also provides the first comparison of Native American code talking programs, comparing the Comanche Code Talkers with their better-known Navajo counterparts in the Pacific and with other Native Americans who used their languages, coded or not, for secret communication. Meadows sets this history in a larger discussion of the development of Native American code talking in World Wars I and II, identifying two distinct forms of Native American code talking, examining the attitudes of the American military toward Native American code talkers, and assessing the complex cultural factors that led Comanche and other Native Americans to serve their country in this way. “Of all the books on Native American service in the U.S. armed forces, this is the best. . . . Readers will find the story of the Comanche Code Talkers compelling, humorous, thought-provoking, and inspiring.” —Tom Holm, author of Strong Hearts, Wounded Souls: Native American Veterans of the Vietnam War
Arsène, the young son of the governor of French Louisiana, disappears in a blizzard on a trading trip in Comanche territory in 1789. For seven years, Jean-Pierre, the boy’s tutor and guardian at the time of his disappearance, searches for him on trading trips into comanchería. At last he finds him, only to discover that he has become a Comanche warrior now known as Amabate (The One Without A Head). Amabate returns to Fort St. Jean Baptiste de Natchitoches, Louisiana Territory, for a reunion with his father, but cannot be convinced to stay. “I am Comanche!” he exclaims. Over the years, Amabate makes unannounced visits to his father’s home, sometimes with Comanche friends and relations, always painted and dressed as a warrior. Meanwhile, Amabate has joined a small band of “wolves,” braves who pledge never to back away from a battle as they roam the plains and ranges west into the mountains of New Mexico. Later he takes three wives and eventually he becomes White-Bear, a respected Comanche chieftain. As an elderly man, Jean-Pierre tells the story of Arsène and his two worlds in a colorful combination of French, Comanche, Spanish, and English. He reflects on the verities of human relationships, his love for Arsène and for Arsène’s father, for the Comanche girl who was for a time Jean-Pierre’s wife, for his French wife, and for his Comanche “brothers.” Set in an authentic historical framework, the narrative explores the mores of two distinct cultures between the 1780s and the 1820s. We learn about the commerce of their days: stolen and traded ponies, war parties, battles with the Osage, love trysts, acts of bravery and revenge, prescient leaders, and prophetic dreams. The French Comanche is grounded in the dramatic sweep of history. The traders’ lives are affected by the French and Indian Wars, the American and French revolutions, Napoleon Bonaparte’s annexation of La Louisiane, and the Louisiana Purchase by the United States. The Comanches, ranging outside of “civilization,” are vulnerable to weather, illness, trade, enemy raids, and, as White-Bear foretells toward the end, the influx of American settlers.