30 of the artist's finest paintings, among them Tahitian Landscape, Landscape Near Arles, Spirit of the Dead Watching, The Moon and the Earth, and Breton Girls Dancing.
"The evolution of this fascinating encounter between European and Polynesian culture also focuses on the larger development of art in the Pacific in the era following its first European contact. Twelve insightful and original essays about Paul Gauguin and Polynesia, written by eminent scholars in the field of art history and ethnology, present the development of Polynesian art before and after Gauguin's stay in Polynesia at the end of the 19th century. The book presents over 60 works by Paul Gauguin, fully revealing the extent of the influence of Polynesian art and culture on his work, while also highlighting more than 60 works from the Pacific that exemplify the dynamic exchanges of Pacific Island peoples with Europeans throughout the 19th century."--Publisher's website.
30 works -- among them "A Woman with Chrysanthemums," "Dancers Resting," "The Bellelli Family," "The Procession (At the Race Course)," "The Millinery Shop," and "Women Combing Their Hair."
Includes Mary Cassatt's Mother Combing Her Child's Hair, Renoir's At the Concert, and 28 other reproductions of works by Monet, van Gogh, Gauguin, Manet, Pissarro, Morisot, Cezanne, and more great artists.
Famous morale boosters during World Wars I and II, these 30 American posters are now art icons. Reproductions of James Montgomery Flagg's "I Want YOU for U.S. Army," Howard Chandler Christy's "The Spirit of America," as well as works by C. C. Beall, J. Howard Miller, and more from other popular artists.
Thirty illustrations based on works by major artists of the past five centuries include paintings by Pissarro, Renoir, van Gogh, Gauguin, Cézanne, Rousseau, Matisse, and other masters. Illustrations are printed on one side of perforated pages.
An unprecedented exploration of Gauguin's works in various media, from works on paper to clay and furniture Paul Gauguin (1848-1903) was a creative force above and beyond his legendary work as a painter. Surveying the full scope of his career-spanning experiments in different media and formats--clay, works on paper, wood, and paint, as well as furniture and decorative friezes--this volume delves into his enduring interest in craft and applied arts, reflecting on their significance to his creative process. Gauguin: Artist as Alchemist draws on extensive new research into the artist's working methods, presenting him as a consummate craftsman--one whose transmutations of the ordinary yielded new and remarkable forms. Beautifully designed and illustrated, this book includes essays by an international team of scholars who offer a rich analysis of Gauguin's oeuvre beyond painting. By embracing other art forms, which offered fewer dominant models to guide his work, Gauguin freed himself from the burden of artistic precedent. In turn, these groundbreaking creative forays, especially in ceramics, gave new direction to his paintings. The authors' insightful emphasis on craftsmanship deepens our understanding of Gauguin's considerable achievements as a painter, draftsman, sculptor, ceramist, and printmaker within the history of modern art.
The art of Claude Monet reveals a delicately colored world of harbors and beaches, roads and gardens. With this book, serious colorists can create their own versions of this famous Impressionist's lovely landscapes, seascapes, and graceful figures. Thirty works include Water Lilies I, The Regatta at Argenteuil, and others. From great works of the Italian Renaissance to masterpieces from the Impressionist movement, the Dover Masterworks series offers more experienced colorists the opportunity to re-create some of the world's most famous paintings. The illustrations are printed on only one side of perforated pages, making it easy for artists to remove and display their finished pieces. The original paintings are included in full color on the inside covers for reference.
A study of the personal and professional history of van Gogh and Gauguin takes a close-up look at their brief collaboration in Arles in 1888 and discusses the role of each artist in promoting the other's search for a personal style that incorporated the latest artistic developments but remained true to each artist's vision. BOMC.