Exploration and examples of colonial interiors from the mid-17th century to the early 19th century, as found in Massachusetts, Connecticut, Maryland, Virginia, New Hampshire, Pennsylvania, Delaware, and Washington, D.C.
A guide to classic colonial style for the modern home covers fabric, furniture, and finishing touches and features photographs of examples of colonial decorating.
This lavishly-illustrated volume provides an unprecedented look at twenty-eight houses (plus eleven barns and other structures) built in the seventeenth and eighteenth centuries by Dutch colonists in the north-eastern United States, primarily in upstate New York and along the Hudson River Valley, on Long Island and Staten Island, and in New Jersey. An authoritative work-- written by eminent experts in the field-- "Dutch Colonial Homes in America" explores the homes in their broader social context by focusing on the historical and religious forces of the times. This book is the first to investigate the meaning of the home and its aesthetics for the Dutch in America, and also the first to look at these homes as a form of art and craft and, importantly, the influence this form and these people had on the shape of the American house to come. The 200 spectacular new color photographs here are beautifully styled in a manner that recalls the paintings of Vermeer and evoke what might have been the ambiance of these homes hundreds of years ago.
Inviting designs that have stood the test of time An idea book for designing beautiful interiors that embody the essence of early American country style--a sense of warmth, comfort, and familiarity. As an advocate that something well designed will stand the test of time, author Tim Tanner has coupled basic design principles with a wealth of examples using wonderful old objects and materials, illuminating effective design ideas for bedrooms, bathrooms, kitchens, living rooms, dining rooms, pantries, and other spaces. Featured homes are from Maine, Vermont, Massachusetts, Connecticut, New York, Ohio, Michigan, Illinois, Kentucky, Virginia, West Virginia, Idaho, and Utah. Tim Tanner is a graphic designer, artist, and freelance illustrator. He currently teaches art and design at Brigham Young University, Idaho. He's been involved in home restoration and reproduction using reclaimed materials for more than thirty years. He lives in Teton Valley, Idaho
Modern Architecture and its Representation in Colonial Eritrea offers a critical assessment of architecture and urbanism constructed in Eritrea during the Italian colonial period spanning from 1890-1941. Drawing together imperial projects, modernist aesthetics, and fascist motives, the book examines how the merger of these three significant influences yielded a complex built environment that served to emulate, if not redefine, Italian colonial pursuits. As Italy’s colonia primogenità or 'first born colony', Eritrea and its capital, Asmara, not only bore witness to the emergence of politicized interiors and international expositions, the colony became a vehicle that polarized issues of race and gender. Exploring discourses of modernity in Africa, this book moves between histories of architecture, urbanism, literature and media to describe how Eritrea and Asmara became a crucial fulcrum for Italy's ill-fated pursuits in Ethiopia and other neighboring countries. Consequently, modern architecture inscribed Eritrean subjectivities while redefining technologies that affected constructions of the colonial interior. Modern Architecture and its Representation in Colonial Eritrea demonstrates how architecture in Asmara reshaped the creation and reception of Italian East Africa.
Since the publication of Edward Said's groundbreaking work Orientalism 35 years ago, numerous studies have explored the West's fraught and enduring fascination with the so-called Orient. Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neglected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios. It explores how furnishings, surface treatments, ornament and music, for example, are deployed to enhance the exoticism and pleasures of oriental spaces, looking across a range of international locations. Organized into three parts, each introduced by the editor, the essays are grouped by theme to highlight critical paths into the intersections between orientalist studies, spatial theory, design studies, visual culture and gender studies, making this essential reading for students and researchers alike.
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.