This text discusses the principal political and constitutional questions that have arisen in the states of Bangladesh, India, Pakistan and Sri Lanka following fifty years of independence. In Sri Lanka the pressing problems have been around the inter-ethnic civil war, experiments with constitutional designs, widespread prevalence of corruption and the recrudescence of Buddhist militancy. In India it has been corruption, Hindu nationalism and general political instability. In Bangladesh and Pakistan it has been the role of the military, the state and religion. A general theme is an analysis of the malaise that is prevalent and how and why this was inherited, despite the colonial legacy of parliamentary democracy, the steel framework of a trained bureaucracy, the independence of the judiciary and the rule of law.
Contributing to identity formation in ethnically and religiously diverse postcolonial societies, this book examines the role played by creole identity in Indonesia, and in particular its capital, Jakarta. While, on the one hand, it facilitates transethnic integration and promotes a specifically postcolonial sense of common nationhood due to its heterogeneous origins, creole groups of people are often perceived ambivalently in the wake of colonialism and its demise, on the other. In this book, Jacqueline Knörr analyzes the social, historical, and political contexts of creoleness both at the grassroots and the State level, showing how different sections of society engage with creole identity in order to promote collective identification transcending ethnic and religious boundaries, as well as for reasons of self-interest and ideological projects.
Colonial and Post-Colonial Identity Politics in South Asia analyses the colonial and post–colonial documentation and caste classification among Muslims in India, demonstrating that religion negotiated with regional social customs and local social practices whilst at the same time fostering a shared religious belief. The central question addressed in this is book is how different castes assert their identity for classification and how caste encountered colonial documentation. Identifying the colonial context of the documentation of caste among Muslims, and relying on colonial documentation in various census reports, Gazetteers, government or police records, ethnographic studies and travelogues, the author demonstrates the sheer diversity of attempts and caste among Muslims. The book deconstructs how under Colonialism Muslims were categorized into three broad but overlapping categories - Ashraf, Ajlafs and Arzals - and that Muslims were categorized into Asiatic, Non-Asiatic, Foreign, Mixed and Hindustani –Muslim categories. It argues that few colonial theories applied to Muslims. Finally, the author explores post-colonial documentation of castes among Muslims in various Commission reports, particularly in Backward class commission reports and its interplay in the reservation politics of the contemporary period and examines the growth of various Muslim caste organizations in different parts of India and their role in identity politics. Providing a new perspective on the issue of minorities in India, this book will be of interest to scholars of religion, Islam, history, politics and sociology of India.
This volume explores various new forms, objects and modes of circulation that sustain this renovated form of Orientalism in South Asian culture. The contributors identify and engage with pressing recent debates about postcolonial South Asian identity politics, discussing a range of different texts and films such as The White Tiger, Bride & Prejudice and Kama Sutra: A Tale of Love.
This book presents and analyses the oldest sub-national war of postcolonial South Asia, between the Indian state and the Nagas of Northeast India. It offers a serious and thorough political history on the Naga region over three periods, pre-colonial, colonial, and post-colonial. Drawing on a wealth of primary sources and comparative and theoretical literature, Marcus Franke demonstrates that agency and identity-formation are an on-going process that neither started nor ended with colonialism. Although the interaction of the local population with colonialism produced a Naga national élite, it was the emergence of the Indian political class, with access to superior means of nation and state-building, that was able to undertake the modern Indo-Naga war. This war firmly made the Nagas into a 'nation' and that set them onto the road to independence. War and Nationalism in South Asia fundamentally revises our understanding of the existing 'histories' of the Nagas by exposing them to be influenced by colonial or post-colonial narratives of domination. Furthermore, by placing the region into the longue durée of state formation with its involved technique of imperial rule, the book presents a new approach to the study of nationalism and war in South Asia in general. This book will be of interest to students and scholars of politics, history, anthropology and South Asian studies.
Postcolonial Politics and Theology seeks to reform and reimagine the field of political theology—uprooting it from the colonial soil—using the comparative lenses of postcolonial politics and theology to bring attention to the realities of the Global South. Kwok Pui-lan traces the history of the political impacts of Western theological development, especially developments in the U.S. context, and the need to shift these interlocking fields toward non-Western traditions in theory and practice. A special focus of the book is on the changing sociopolitical realities of American Empire and Sino-American competition, illustrated in Donald Trump's slogan of "Make America Great Again" and Xi Jinping’s hope for a “China Dream.” The shifting of U.S. and Asian relationships highlights the need to move our theological and political categories away from a vision of strongman domination and toward a postmodern, postcolonial, and transnational world, especially exemplified in the Asia Pacific context. Throughout, Kwok overturns the idea of centering one cultural framework and marginalizing others in favor of living into a multiplicity of deeply contextual theologies. She explores how these theologies are being developed in global, postcolonial contexts, through struggles for democracy and civil disobedience in Hong Kong, by efforts to reclaim selfhood and sexual identity from exploitative colonial desire, through the work of interreligious solidarity and peacebuilding, and in the practice of earth care in the face of ecological crisis.
This is a critical survey of contemporary South Asian Britain. The book combines analysis with empirically rich studies to map out the diversity of the British Asian way of life. The contributors provide insights & information on the Asian British experience in its socio-economic & cultural dimensions.
This book contributes to a growing body of scholarship that examines material culture and its relationship between design and its construction of knowledge about multicultural identities in the colonial and postcolonial periods, with a focus on South Asia.
This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature.
