Author:

Publisher: ATF Press

Published: 2020-02-03

Total Pages: 331

ISBN-13: 1925371573

This book, a collection of ancient Chinese cultural relics, is from the Ming Dynasty, 1368 to 1644. There are 379 relics. At the end of the Yuan Dynasty, a series of crises broke out after years of accumulated unrest, and uprisings against the regime erupted everywhere. The Yuan Dynasty was on the edge of collapse. Many separate regimes emerged all over the country. Eventually the Han and Dazhou regimes were overthrown by an insurrectionary army led by Zhu Yuanzhang, who proclaimed himself Emperor Nanjing in1368 and he gave his new dynasty the name 'Ming'. Over the following close on 300 years, the new dynasty would witness reunification and reconstruction in the early years, followed by economic and cultural prosperity in the Jiajing and Wanli eras, and political corruptions, internal disorder and foreign invasions in the latter period. The Ming Dynasty would represent a zenith of feudal society in Chinese history. The Ming Dynasty gained access to rich jade resources and jade ware became more diversified. The emphasis was on exquisite items of daily use, ornaments, and ornamental furnishings. The period also saw the development of porcelain making., building on the foundation of the Song and Yuan Dynasties. The Jingdezhen Kiln, built in the Five Dynasties, became the domestic centre of porcelain making. Over-glazed colour techniques experienced rapid development, with under-glaze blue and white porcelain became prominent. Calligraphy continued in the style of the Somng and Yuan Dynasties, but many new genres developed: 'Three Songs', 'Two Shens', 'Three Calligraphers of the Wu School', and the 'Four Masters'. Paintings in this period continued to develop with three different stages: 'imperial court decorative painting', and the 'Zhe school' and the 'Four Pillars of the Wu School; and 'Xieyi'. This book, the seventh in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 379 descriptions.

Author:

Publisher: ATF Press

Published: 2020-02-03

Total Pages: 327

ISBN-13: 1925371417

A collection of ancient Chinese Cultural Relics from the period of the Three Kingdoms, Western and Eastern Jin Dynasties and Southern and Northern Dynasties, 220 to 589. It covers jade and bronze ware, gold and silver ware, porcelain, painting, calligraphy, stone carving, and handicrafts. The books covers jade and bronze ware, gold and silver ware, porcelain, painting, calligraphy, stone carving and handicrafts from the period of the Three Kingdoms, Western and Eastern Jin Dynasties and the Southern and Northern Dynasties, 220 to 589. Unified ancient China during the Qin and Han Dynasties ended with political division into the Three Kingdoms of the three states of Wei, Shu and Wu. Subsequent centuries witnessed frequent shifts in power, including the Western and Eastern Jin Dynasties of the Song, Qi, Liang and Chen, and Northern Dynasties of Northern Wi, Eastern Wi, Western Wei, Northern Qi and Northern Zhou. National reunification was finally achieved again in 589 when the Sui Dynasty overthrew the state of Chen. The break-up of the nation amid social unrest resulted in economic stagnation, greatly affecting the development of the jade manufacturing sector, having a direct contact with rituals and funerals. Changes in ideology and culture also led to people developing different ideas on the use of jades. Certainly, the development of Chinese jade reached its nadir during the period from the Wei and Jin to Southern and Northern Dynasties. The bronze ware that enjoyed a vogue from the Shang Dynasty also declined in popularity and usage. From the variety of art works to their style characteristics, hey basically continued the traditions of the Han Dynasty, but were rather poorly made compared with those produced during the Han period. National integration, however, led the people of various ethnic groups to learn from each other and helped form some common cultural characteristics. This can be found through the casting of bronze ware. Moreover, some bronze vessels also reflect the unique customs of certain ethnic groups to some extent. This book, the fourth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 367 descriptions.

Author: Wang Guozhen

Publisher: ATF Press

Published: 2020-03-31

Total Pages: 331

ISBN-13: 1925371336

In about the 11th century BC, the Shang Dynasty declined in national strength, and was destroyed by King Wu of Zhou and a capital was established in Haojing- west of what is now Xi'an, in Shanxi Province. This period is known as the Western Zhou Dynasty. Handicrafts were monopolised by the royal family and were characterised by more extensive distribution than the Shang Dynasty with more workshops and finer division of labour. Jade was only one of the many handicrafts and as something of value was very popular among royals and vassals. The pieces of importance were artefacts are: the Y3 Tomb of the Gongyu State in Baoji of Shaanxi, Guo State Tombs in Sanenxia, Luoyang, Henan Province and the Jing State tomb of Gong Yu State in Houma of Shanxi. From this period there are also bronze wares and ceramics. In this period bronze wares changed in type, shape and inscription, emblazonary and casting. Ceramics developed significantly and hand stamped hand-made pottery flourished. This book, the second in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 383 descriptions.

Author:

Publisher: ATF Press

Published: 2020-02-03

Total Pages: 331

ISBN-13: 1925371492

This book, a collection of ancient Chinese cultural relics from the Northern and Southern Dynasties from 960 to 1279. It covers jade and bronze ware, gold and silver ware and porcelain ware, pottery, porcelain, painting, calligraphy, and handicrafts. There are 363 relics in the book. In 960, Zhao Kuangtin, commander of the imperial guard troops of the later Zhou Dynasty staged a mutiny at Chenqiao and proclaimed himself emperor. He named his new dynasty the Song Dynasty and chose Dongling Kaifeng for the capital. This dynasty now called the Northern Song in history, gradually eliminated rival regimes and ended the separation of the Five Dynasties and Ten Kingdoms, co-existing with the Liao Regime established by the Qidan ethic group and Western Xia Regime established by the Dangxian ethic group. In 1127 Emperors Huizong and Quinzong were taken captive by the Jin Dynasty established by the Jurchen people, thus ending the Northern Song Dynasty. In the same year, Zhao Gou, then King King, established the imperial court of Song and moved the capital to Linhan (present day Hangzhou City in Zhejiang). This is what history calls the Southern Song Dynasty, and formed a glance at the Jin and Western Xia. In this period, thanks to easy politics and a relatively emancipated ideology, great achievements were obtained in various scientific technologies, theoretical trends, academic schools, religious thought and literary creation and the arts also showed an unprecedented prosperous science. Jade ware penetrated various aspects of social life, and he shapes, decorations and patterns all showed a distinctive secularisation. The invasion of northern nomads introduced a new cultural atmosphere to the Central Plains. The porcelain kilns could be found everywhere and finally developed into eight major systems: Ding, Yaozhou, Cizhou, Jun, Yuezhou, Longquan, Jingdezhen blueish white porcelain and Jian kilns. As well, there were four major royal kilns: Ru Kiln and Jun Kiln of the Northern Song Dynasty and Xiunesisi Kiln and Jiaotanxia Kiln of the Southern Dynasty. The arts of calligraphy and painting were typical representatives of the flourishing culture in the Song Dynasty. During this period an imperial art academy was founded, enlisting folk artists and a large number of professional painters were trained. Calligraphers of the Northern and Southern Song Dynasties inherited previous styles but also emphasised the representation of the individual subjective will. Other handicrafts developed: gold and silver ware tended to be light, handy and graceful. In the Song Dynasty, people has less costly funerals so less jade has been unearthed. Those that have are in: Sichuan, Zhejiang and Jiangxis. The emphasis is on practical utensils, drinking vessels, dress adornments and accessories. At the same time, there was progress in the technologies of jade carving: layered piercing and large-scale jade ware. This book, the sixth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 363 descriptions.

Author:

Publisher: ATF Press

Published: 2020-02-03

Total Pages: 331

ISBN-13: 1925371654

The second volume dealing with ancient Chines cultural relics in the Qing Dynasty, 1644 to 1911. There are 375 relics. A continuation of Volume 9, dealing with the Qing Dynasty and describes paintings, calligraphy, embroidery and brocade, gold and silver ware and metal enamel ware and clocks. Paintings in this period can be divided into the early, middle and late stages. Early stage: Four Wangs painting school: Wang Shimin, Wang Jian, Wang Hui and Wang Yuanqi. Midle stage: representative artists include: Jiao Bingzhenb, Leng Mei, Tang Dai during Kangxi's reign,and Ding Guanpeng, Jin Tingbiao, Xu Yang, Zhang Zongcang, Jian Tingxi and Zou Yigui in Qianlong's reign. Late stage paintings of literati gradually declined. When the newly developed business cities such as Shanghai and Guangzhou, opened as trading ports, changes were made in themes and styles. New schools formed: 'Secoast School' in Shanghai and 'Ling,an School' in Guangzhou. The former group artists included: Xu Gu, Zhao Zhiqian, Wu Changshuo, while the other school included: Su Liupeng, Su Ren Sahn, Ju Chao and Ju Lian. This book, the tenth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 375 descriptions.