A Collection of Modern Korean Buddhist Discourses consists of twelve articles which were carefully selected from Buddhist journals of the modern period. These articles critically discuss the past and the present of Korean Buddhism and offer the prospect for the future by dealing with various topics in different fields, such as history, religion, literature, politics, society, and culture. The authors include not only renowned scholars of Buddhist studies, such as Gim Beomnin 金法麟 (1899–1964), Kim Yeongsu 金映遂 (1884–1967), Gim Taeheup 金泰洽 (1899–1989), and Baek Seonguk 白性郁(1897–1981), as well as prominent figures in Korean studies and Korean literature, such as Choe Namseon 崔南善 (1890–1957) and Yi Gwangsu 李光洙 (1892–1950). The twelve selected articles are as follows: ① Choe Namseon, “Overview of Korean Buddhism: A Diachronic Approach to Korean Buddhism” (1918) ② Yi Gwangsu, “Buddhism and Korean Literature” (1925) ③ Baek Seonguk, “To Establish a Modern Buddhism” (1926) ④ Gim Taeheup, “Research on Religion and the Development of Social Work” (1926–1928) ⑤ Gim Byeokong, “A Concern for Korean Buddhism: The Words Addressed to All Korean Buddhist Clerics” (1927) ⑥ Choe Namseon, “Korean Buddhism: Its Position in the Cultural History of the East” (1930) ⑦ Yu Yeop, “Buddhism and the Trend of Social Thought” (1931) ⑧ Kang Yumun, “Overview of Korean Buddhism for the Last Hundred Years” (1932) ⑨ Gim Beomnin, “On the Separation of Religion and Politics” (1932) ⑩ Heo Yeongho, “Foundations and Errors of Anti-Religion Movement” (1932) ⑪ Mong Jeongsaeng, “Examining the Causes of Korean Buddhism Facing a Crisis” (1932) ⑫ Gim Yeongsu, “On the Principle Teachings of Korean Buddhism” (1933)
One of Korea’s most eminent Buddhists and political activists in the independence movement during the long years of Japan’s colonization of his country, Han Yongun , otherwise known as Manhae (1879-1944), was a prolific writer and outstanding poet, known especially for his poetry collection Nim ui ch’immuk (‘The Silence of the Lover’). This volume, however, concentrates on translations of his principal non-literary works, which are published here in English for the first time. It focuses on his ideas for the revitalization of Korean Buddhism in the modern world; the nature of Buddhism as a religion; his critique of the atheist movements fashionable among the communists of his time, together with memoirs of his early life and travels. Selected Writings of Han Yongun, published in collaboration with the Academy of Korean Studies, also contains an introductory essay on Manhae’s life, his relationship with socialist ideas as well as the significance of some of the ideas discussed in the translated writings. Students and researchers in Korean Studies, Studies in Buddhism and Comparative Religions will find this collection invaluable.
This project was designed to introduce the intellectual heritage of Korean Buddhism to all over the world by selecting representative works of Korean Buddhist tradition in various fields and publishing them in English. For a six-year period from 2018 to 2023, the Jogye Order of Korean Buddhism supervised the project with the support of the Ministry of Culture, Sports and Tourism, and has been publishing ten representative Buddhist works in English. Buddhism has been the central axis of Korean culture and thought for thousands of years, and has exerted considerable influence to the present. Buddhism, which originated in India and settled here in Korea via China, maintains both local particularity and global universality. Various works on philosophy, history and culture of Korean Buddhism need to be published to introduce the originality and excellence of Korean Buddhism to the world. The Jogye Order of Korean Buddhism previously published The Collected Works of Modern Korean Buddhism(2017): English translations of carefully selected Korean Buddhist works as part of the Globalization Project of Korean Buddhism. Succeeding and further developing upon the previous undertaking, this project aims to inform the world of Korean Buddhism, which not only served as an indispensable spiritual asset for Korean people but also provided them with the locus of universal discourse. The ultimate goal of this project is to expand the worldwide base for Korean studies, promote the globalization of Korean Buddhism, and improve the “brand equity” of Korean tradition.
Uncovering hidden histories, this book focuses on Korean Buddhist nuns and laywomen from the fourth century to the present. Today, South Korea's Buddhist nuns have a thriving monastic community under their own control, and they are well known as meditation teachers and social service providers. However, little is known of the women who preceded them. Using primary sources to reveal that which has been lost, forgotten, or willfully ignored, this work reveals various figures, milieux, and activities of female adherents, clerical and lay. Contributors consider examples from the early days of Buddhism in Korea during the Three Kingdoms and Unified Silla periods (first millennium CE); the Koryŏ period (982–1392), when Buddhism flourished as the state religion; the Chosŏn period (1392–1910), when Buddhism was actively suppressed by the Neo-Confucian Court; and the contemporary resurgence of female monasticism that began in the latter part of the twentieth century.
Tracts on the Modern Reformation of Korean Buddhism consists of four selected works by three writers: Han Yongun’s 韓龍雲 (1879–1944) Treatise on the Restoration of Korean Buddhism (1913) and “Reform Proposals for Korean Buddhism” (1931); Gwon Sangro’s 權相老(1879–1965) “Treatise on the Reformation of Korean Buddhism” (1912-1913); and Yi Yeongjae’s 李英宰(1900–1927) “Treatise on the Renovation of Korean Buddhism” (1922). These works represent modern Buddhist intellectuals’ awareness of social reality and their new visions at the contemporary turning point of modernization. The Treatise on the Restoration of Korean Buddhism emphasizes on superiority of Buddhism, which encompasses both philosophy and religion, and its modern features on the one hand, and argues for the elimination of past evils and a social renovation on the other. This work stresses the urgent necessity of the modern education, studying abroad, and the secured freedom of thought. In “Reform Proposals for Korean Buddhism,” Han advocates for the establishment of a unified institute, the necessity of translation into the Korean language using the Korean script (Han-geul), and the popularization of Buddhism. In “Treatise on the Reformation of Korean Buddhism,” Gwon insists that Korean Buddhism should overcome the old traditions of dependency or obedience as well as its exclusiveness and be radically reformed in the age of religious competition that is based on social evolution theory. The “Treatise on the Renovation of Korean Buddhism” suggests an institutional direction of Buddhist reformation with a critical awareness of the system under the Temple Ordinances issued by the Japanese Colonial Government. This work also proposes the establishment of a religious constitution and an innovative organization following a democratic model that pursues the separation of power. These works emphasize the necessity of socialization, education, institutional, and economical independence of Buddhism.
At the start of the twentieth century, the Korean Buddhist tradition was arguably at the lowest point in its 1,500-year history in the peninsula. Discriminatory policies and punitive measures imposed on the monastic community during the Chosŏn dynasty (1392–1910) had severely weakened Buddhist institutions. Prior to 1895, monastics were prohibited by law from freely entering major cities and remained isolated in the mountains where most of the surviving temples and monasteries were located. In the coming decades, profound changes in Korean society and politics would present the Buddhist community with new opportunities to pursue meaningful reform. The central pillar of these reform efforts was p’ogyo, the active propagation of Korean Buddhist teachings and practices, which subsequently became a driving force behind the revitalization of Buddhism in twentieth-century Korea. From the Mountains to the Cities traces p’ogyo from the late nineteenth to the early twenty-first century. While advocates stressed the traditional roots and historical precedents of the practice, they also viewed p’ogyo as an effective method for the transformation of Korean Buddhism into a modern religion—a strategy that proved remarkably resilient as a response to rapidly changing social, political, and legal environments. As an organizational goal, the concerted effort to propagate Buddhism conferred legitimacy and legal recognition on Buddhist temples and institutions, enabled the Buddhist community to compete with religious rivals (especially Christian missionaries), and ultimately provided a vehicle for transforming a “mountain-Buddhism” tradition, as it was pejoratively called, into a more accessible and socially active religion with greater lay participation and a visible presence in the cities. Ambitious and meticulously researched, From the Mountains to the Cities will find a ready audience among researchers and scholars of Korean history and religion, modern Buddhist reform movements in Asia, and those interested in religious missions and proselytization more generally.
The Gyeongheo Collection is a collection of dharma talks and other literary works by Gyeongheo Seong’u 鏡虛惺牛(1849/1857–1912), one of the representative Korean Seon masters of modern times. Gyeongheo was tonsured at the age of nine, and he studied Buddhist doctrine on the one hand and promoted Ganhwa Seon practice on the other. Geongheo also established a meditation practice society. In his later years Gyeongheo dedicated himself to the edification of the common people in the northern area of the Korean peninsula. Among his prominent disciples are Hyewol 慧月 (1861–1937), Man’gong 滿空 (1871–1946), and Han’am 漢岩 (1876–1951). The Gyeongheo Collection is a significant work in that it enables us to see the process of evolution and transformation of Seon tradition during the period of modernization. This work consists of dharma talks, prefaces, records, letters, accounts of conduct, eulogies offered up to portraits of famous monks, hundreds of Seon verses (in both five character and seven character formats), and so forth. Among the poems written in regulated verses with five logographs per line, “How to Be a Monk” is a guide book of practice for monks and nuns. “The Pure Regulations” includes the rules and regulations of the Seon monastic community. The verses also contain unconventional features of Seon teaching. “The Song of the Way to Enlightenment” is the verse written on Gyeonheo’s attainment of the state of enlightenment. Besides, The Gyeonheo Collection contains essays on various topics, such as the exhaustive realization within one’s mind required in Ganhwa Seon practice, the adoption of Pure Land thought, the importance of monastic precepts and the Pure Rules, societies and movements focused on meditation, the synthesis of practice and doctrine, the edification of the masses and songs such as “Sŏn meditation” (Chamseon gok) introducing the daily life of Seon, the establishment of Seon monastic community and education, and so on. The base script for The Gyeongheo Collection is Han’am’s hand-copied edition (1931), which also includes a brief biography of Gyeongheo written by Han’am himself. For the translation, this script was compared to the printed edition published in 1943 by Jung’ang Seonwoen, which is prefaced by Han Yongun 韓龍雲(1879–1944), the prominent Korean monk and writer.