This volume brings together for the first time the important work of W.M. (Terence) Gorman, a major figure in the development of economics during the past 40 years. His publications on separability, aggregation, duality and demand are recongized as fundamental contributions to economic theory.
Elegantly written and filled with lush, full-color photos, this is the first in-depth portrait of H.H. Richardson, the greatest American architect of the 19th century and a man whose magnetic, colorful personality was equal to his genius. 150 photos, 100 in full color.
The instant #1 New York Times, Wall Street Journal, and USA Today bestseller The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
Twenty years in the making, this internationally acclaimed photographer's epic project features carefully selected young men - not big or overly built - who exemplify for Gorman a perfected state, allowing him to frame grace, beauty and elegance in the form of the male nude. Included amongst the 212 portraits are many of Gorman's friends and acquaintances, as well as professional models. The cumulative effect of As I See It is a pleasurable zone of contmeplation, allowing the viewer to reexamine the precepts of beauty within a refreshing framework of exalted maleness.
At his new school, Jerry Flack is determined to stop being a dork and start being a cool guy—but does this science nerd really have what it takes to be popular? Jerry Flack is starting middle school in a new town where no one knows him and he can be anybody he wants. Jerry has a plan: He is finally going to be cool. But that turns out to be easier said than done. As his lies begin to pile up, Jerry knows he’s going to slip up soon, and everyone will see him for who he really is. Can Jerry keep the act going? Or is it possible that a dork can actually be . . . well, cool?