This critical examination of Maoriland literature argues against the former glib dismissals of the period and focuses instead on the era’s importance in the birth of a distinct New Zealand style of writing. By connecting the literature and other cultural forms of Maoriland to the larger realms of empire and contemporary criticism, this study explores the roots of the country’s modern feminism, progressive social legislation, and bicultural relations.
Fifty-two of Henry Lawson's stories and sketches that he had first published in newspapers and magazines from 1888 onwards were gathered in his collection While the Billy Boils (Angus & Robertson, 1896). Lawson was not responsible for their ordering and he had to give ground on their texts, especially on his idiosyncratic presentation of wordings that helped to breathe life into his characters and situations. The present edition dismantles the fait accompli of 1896 by presenting the individual items in the chronological order of their first publication and with their original newspaper texts. This will allow a new appreciation of Lawson's writing, one that is attentive to his developing powers. The edition also facilitates a close study of Lawson's collaboration with the producers of the collection in 1896, in particular with his copy-editor Arthur W. Jose and publisher George Robertson. Facsimile images (available online) of the printer's copy that they prepared for While the Billy Boils supplement the edition's listing of the alterations that each of them made, revealing the textual history of each story or sketch.
Images of 'the beach' pervade Australian popular culture. However the deeper significance of the experience of 'the beach', and its influence on Australian culture generally, have not yet been seriously explored. How, why and when did the beach become part of the Australian way of life? In Sand in our Souls Leone Huntsman describes the forces and pressures that encouraged or impeded Australians' enjoyment of sand and surf, from early enjoyment of bathing, through nearly a century of repressive restrictions, to freedom won in the face of drawn-out opposition. The ways in which artists, writers, film-makers and the advertising industry have depicted the beach are examined for the light they throw on the beach's significance. She traces the development of a distinctively Australian way-of-being-at-the-beach, suggesting that the beach experience has been absorbed into our emerging culture and continues to shape it in subtle ways. Huntsman's provocative arguments will stimulate debate on the concept of 'national identity' appropriate for a new Australian century, and promote a deeper understanding of an aspect of life in Australia that is cherished by many of those who live here.
This book offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals in the poetry.
Other Renaissances is a collection of twelve essays discussing renaissances outside the Italian and Italian prompted European Renaissance of the fifteenth and sixteenth centuries. The collection proposes an approach to reframing the Renaissance in which the European Renaissance becomes an imaginative idea, rather than a particular moment in time
Biography of a Book traces the life of an iconic Australian literary work in the lead-up to, and for a century after, its initial publication: Henry Lawson's 1896 collection While the Billy Boils. Paul Eggert follows Lawson's gradual development of a pared-back bush realism in the early 1890s, as he struggled to forge a career, writing short stories and sketches for the newspapers. Lawson's famous collection came out at a decisive moment for the development of a fully professional Australian literary publishing industry, then in its infancy in Sydney. The volume's editing, design and production were collaborative events that changed the feel and nature of Lawson's writing. He had to give ground on his texts and their sequencing. The collection went on to be reprinted and repackaged countless times. Its production and reception histories act like a geological cross-section, revealing the contours of successive cultural formations in Australia. In unravelling the life of Lawson's classic work Eggert's book-historical approach challenges and clarifies established understandings of crucial moments in Australian literary history and of Lawson himself
