Collected edition of the compositions of Willem de Fesch (1687-1761): Matthew prior songs
Author: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 36
ISBN-13:
DOWNLOAD EBOOKAuthor: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 140
ISBN-13:
DOWNLOAD EBOOKAuthor: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 62
ISBN-13:
DOWNLOAD EBOOKAuthor: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 38
ISBN-13:
DOWNLOAD EBOOKAuthor: Willem de Fesch
Publisher:
Published: 2004
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: John Denison Champlin
Publisher:
Published: 1893
Total Pages: 508
ISBN-13:
DOWNLOAD EBOOKAuthor: Job IJzerman
Publisher:
Published: 2018
Total Pages: 417
ISBN-13: 0190695005
DOWNLOAD EBOOKA new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.