Cognitive Aesthetics in Classical German Philosophy

Cognitive Aesthetics in Classical German Philosophy

Author: Andrej Démuth

Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften

Published: 2019

Total Pages: 0

ISBN-13: 9783631794975

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The authors focus on the reconsideration and re-evaluation of the legacy of the aesthetics of German classical idealism and the demonstration of its viability in the contemporary neuroaesthetic and cognitive scientific discourse.


Aesthetic Judgment and the Moral Image of the World

Aesthetic Judgment and the Moral Image of the World

Author: Dieter Henrich

Publisher: Stanford University Press

Published: 1992

Total Pages: 116

ISBN-13: 9780804723671

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This is a collection of four essays on aesthetic, ethical, and political issues by Dieter Henrich, the preeminent Kant scholar in Germany today. Although his interests have ranged widely, he is perhaps best known for rekindling interest in the great classical German tradition from Kant to Hegel. The first essay summarizes Henrich's research into the development of the Kant's moral philosophy, focusing on the architecture of the third Critique. Of special interest in this essay is Henrich's intriguing and wholly new account of the relations between Kant and Rousseau. In the second essay, Henrich analyzes the interrelations between Kant's aesthetics and his cognitive theories. His third essay argues that the justification of the claim that human rights are universally valid requires reference to a moral image of the world. To employ Kant's notion of a moral image of the world without ignoring the insights and experience of this century requires drastic changes in the content of such an image. Finally, in Henrich's ambitious concluding essay, the author compares the development of the political process of the French Revolution and the course of classical German philosophy, raise the general question of the relation between political processes and theorizing, and argues that both the project of political liberty set in motion by the French Revolution, and the projects of classical German philosophy remain incomplete.


Metaphysics as a Science in Classical German Philosophy

Metaphysics as a Science in Classical German Philosophy

Author: Robb Dunphy

Publisher: Taylor & Francis

Published: 2023-09-01

Total Pages: 396

ISBN-13: 1000913686

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This volume is dedicated to questions about the nature and method of metaphysics in Classical German Philosophy. Its chapters offer original investigations into the metaphysical projects of many of the major figures in German philosophy between Wolff and Hegel. The period of Classical German Philosophy was an extraordinarily rich one in the history of philosophy, especially for metaphysics. It includes some of the highest achievements of early modern rationalism, Kant’s critical revolution, and the various significant works of German Idealism that followed in Kant’s wake. The contributions to this volume critically examine certain common themes among metaphysical projects across this period, for example, the demand that metaphysics amount to a science, that it should be presented in the form of a system, or that it should proceed by means of demonstration from certain key first principles. This volume also includes material on influential criticisms of metaphysical projects of this kind. Metaphysics as a Science in Classical German Philosophy is a useful resource for contemporary metaphysicians and historians of philosophy interested in engaging with the history of the methodology and epistemology of metaphysics.


The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)

The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)

Author: Immanuel Kant

Publisher: Good Press

Published: 2024-01-09

Total Pages: 319

ISBN-13:

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Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.


The Concept of Drive in Classical German Philosophy

The Concept of Drive in Classical German Philosophy

Author: Manja Kisner

Publisher: Springer Nature

Published: 2021-11-24

Total Pages: 337

ISBN-13: 303084160X

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This volume gathers a collection of fourteen original articles discussing the concept of drive in classical German philosophy. Its aim is to offer a comprehensive historical overview of the concept of drive at the turn of the 19th century and to discuss it both historically and systematically. From the 18th century onward, the concept of drive started to play an important role in emerging disciplines such as biology, anthropology, and psychology. In these fields, the concept of drive was used to describe the inner forces of organic nature, or, more particularly, human urges and desires. But it was in the period of classical German philosophy that this concept developed into an important philosophical concept crucial to Kant’s and post-Kantian idealistic systems. Reflecting the complexity of this concept, the volume first discusses historical sources of drive theories in Leibniz, Reimarus, and Blumenbach. Afterwards, the volume presents the philosophical accounts of drives in Kant, Fichte, Schelling, and Hegel, and also gives a systematic overview of other important drive theories that were formed around 1800 by Herder, Goethe, Jacobi, Novalis, Reinhold, Schiller, and Schopenhauer.


Perception, Cognition and Aesthetics

Perception, Cognition and Aesthetics

Author: Dena Shottenkirk

Publisher: Routledge

Published: 2019-04-29

Total Pages: 312

ISBN-13: 0429870272

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This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-temporal, unit of perception, a challenge to the traditional divide between perception and cognition, and a challenge to the traditional divide between unconscious and conscious intentionality. Additionally, the chapters discuss the content of perceptual experience, the value of traditional notions of content, disjunctivism, adverbialism, and phenomenal experience. The final section of essays dealing with perception and cognition in aesthetics features work in experimental aesthetics and unique perspectives from artists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art.


Wittgenstein and Classical German Philosophy

Wittgenstein and Classical German Philosophy

Author: Alexander Berg

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2024-11-04

Total Pages: 326

ISBN-13: 3110698498

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The contributors in this volume situate Wittgenstein’s philosophy within the context of Kant, Hegel, Fichte, and Schelling. They show how his philosophy both stands in the tradition of German idealism while breaking new ground. The topics of logic and language make this tension especially palpable and allow the authors to reveal new connections and offer critical perspectives.


The Imagination in German Idealism and Romanticism

The Imagination in German Idealism and Romanticism

Author: Gerad Gentry

Publisher: Cambridge University Press

Published: 2019-06-13

Total Pages: 281

ISBN-13: 1107197708

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Explores imagination and human rationality in a crucial period of philosophy, from hermeneutics and transcendental logic to ethics and aesthetics.