FROM THE CREATOR OF "ATOMIC BLONDE!" BABOUSHKA'S BACK FOR A BRAND-NEW MISSION! "Ghost Stations" are abandoned Soviet bases from the Cold War, long forgotten and useless...or so people think! When an EON agent goes missing on the trail of a Ghost Station in the Swiss mountains, Mr. Clay turns to crime-boss-turned-blackmailed-international-superspy BABOUSHKA to investigateand what she finds is EXPLOSIVE! Collects GHOST STATION ZERO #1-4
The END OF STORY ARC The plot is revealed! The gauntlet is thrown down! Everything explodes or at least, it will if Baboushka can't stop it! Don't get in her way!uth about the pirates' plan is revealed or is it?! Can Baboushka trust anyone? Or is it just safer to shoot everyone and ask questions later? Take a wild guess.
Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.
"A bit of a masterpiece... reminded me of John Le Carré in its very plausible complexity, but a lot more engaging and exciting." — Alan Moore (Watchmen, V for Vendetta, Batman: The Killing Joke) THE ORIGINAL GRAPHIC NOVEL THAT INSPIRED THE MOVIE! November 1989. MI6 spy Lorraine Broughton was sent to Berlin to investigate the death of another agent, and the disappearance of a list revealing every spy working there. She found a powder keg of mistrust, assassinations and bad defections that ended with the murder of MI6's top officer, as the Berlin Wall was torn down. Now Lorraine has returned from the Cold War's coldest city, to tell her story. And nothing is what it seems. Don't miss the thrilling sequel, The Coldest Winter, available now.
"Spufford cunningly maps out a literary genre of his own . . . Freewheeling and fabulous." —The Times (London) Strange as it may seem, the gray, oppressive USSR was founded on a fairy tale. It was built on the twentieth-century magic called "the planned economy," which was going to gush forth an abundance of good things that the lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan and every Lada would be better engineered than a Porsche. It's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending. Red Plenty is history, it's fiction, it's as ambitious as Sputnik, as uncompromising as an Aeroflot flight attendant, and as different from what you were expecting as a glass of Soviet champagne.
Prometheus Deception Robert Ludlum is the acknowledged master of suspense and international intrigue. For over thirty years, in over twenty international bestsellers, he has a set a standard that has never been equaled. Now, with the Prometheus Deception, he proves that he is at the very pinnacle of his craft. Nicholas Bryson spent years as a deep cover operative for the American secret intelligence group, the Directorate. After critical undercover mission went horribly wrong, Bryson was retired to a new identity. Years later, his closely held cover is cracked and Bryson learns that the Directorate was not what it claimed - that he was a pawn in a complex scheme against his own country's interests. Now, it has become increasingly clear that the shadowy Directorate is headed for some dangerous endgame - but no one knows precisely who they are and what they are planning. With Bryson their only possible asset, the director of the CIA recruits Bryson to find, reinfiltrate, and stop the Directorate. But after years on the sidelines, Bryson's field skills are rusty, his contacts unreliable, and his instincts suspect. With everything he thought he knew about his own life in question, Bryson is all alone in a wilderness of mirrors - unsure what is and isn't true and who, if anyone, he can trust - with the future of millions in the balance. Sigma Protocol Ben Hartman is vacationing in Zurich, Switzerland when he chances upon his old friend Jimmy Cavanaugh—a madman who's armed and programmed to assassinate. In a matter of minutes, six innocent bystanders are dead. So is Cavanaugh. But when his body vanishes, and his weapon mysteriously appears in Hartman's luggage, Hartman is plunged into an unfathomable nightmare... Meanwhile, Anna Navarro, field agent for the Department of Justice, has been asked to investigate the sudden, random deaths of eleven men throughout the world. The only thing that connects them? A secret file, over a half-century old, that's linked to the CIA—and is marked with the same puzzling codename: Sigma. As Anna follows the connecting thread—and Hartman finds himself on the run—she ends up in the shadows of a relentless killer who is one step ahead of her...victim by victim. Now, she and Hartman together must uncover the diabolical secrets long held behind Sigma. It will threaten everything they think they know about themselves—and confirm their very worst fears...
Writer ANTONY JOHNSTON and artist STEVEN PERKINS return to Cold War-era Berlin for this prequel to THE COLDEST CITY. After a string of botched assignments for MI6 in Berlin, David Perceval is being sent home. Even his final mission before leaving — the defection of a Soviet scientist — goes badly wrong, as the coldest winter for 30 years descends on Europe. With transport out of Berlin impossible, and the KGB searching everywhere for their lost scientist, Perceval must improvise a deadly game of cat and mouse through the frozen city to keep the Russians at bay, and deliver his own unique brand of revenge!
Archer is a scrappy thief in possession of a certain map heading southward on a small skiff over the Black Waters when he is ambushed by a group of rogue roughnecks (fronted by the mischievous Lee) riding giant man-eating turtles.
This book tells the story of insurgency in Ukraine’s Donbas region from the perspective of the rebels, who sought and continue to seek either independence from Ukraine or unification with Russia. As such, it provides a unique insight into their thinking and motivations, which need to be understood if the conflict is to be resolved. Those making and remaking the conflict are placed in the centre of the story which uses the words of the combatants themselves. It shows how volunteer fighters, driven by a wide and diffuse set of motivations, emerged from Ukraine, Russia, and different parts of the world, stood at the rebellion's heart. The book focuses on the participants’ own voices and personalities, drawing extensively on first-hand research and interviews. Rather than rendering Ukraine a chess piece on the geopolitical board, the rebellion shows that ordinary people, rather than elites, can act as a decisive force. Donbas says something about why large numbers of people make the decision to take part in a collective violent action, when material rewards are low or non-existent, and mortal risks high. It stands as an important text on the study of modern insurgencies, revealing how violent conflicts happen via issues of politicized identity and involvement of non-state actors. This book places this conflict into the context of other conflicts worldwide and demonstrates how ideas and narratives are constructed to provide meaning to a struggle. The insurgency has produced a conflict sub-culture, rich with symbolism, narrative, and communications, made possible by the digital age and a social media-savvy population. These beliefs and ideas have had the power to pull people from different parts of the world. This book follows the stages of assembling different conflict ingredients together, and the rebellion’s zigzagging fortunes after it became apparent that Moscow was not going to repeat the Crimea scenario in Donbas. It analyses the logic of armed struggle and the tactics deployed by warring parties. The book also sheds light on the developments in Moscow, discusses the phenomenon of the Russian Spring movement and concludes with the prospects for a peaceful solution.
