The author of Hopi Kachinas (page 11), one of Northland's best-selling books, takes an in-depth look at Hopi clowns, their purposes, and their historical backgrounds.
During a Tano kachina ceremony, something in the antics of the dancing koshare, a sacred clown, fills the air with tension. Moments later, the clown is found brutally bludgeoned -- in the same manner that a reservation schoolteacher was killed just days before. In true Navajo style, Officer Jim Chee and Lieutenant Leaphorn of the Tribal Police go back to the beginning to decipher the sacred clown's message to the people of the Tano pueblo. Amid guarded tribal secrets and crooked Indian traders, they find a trail of blood that links a runaway schoolboy, two dead bodies, and the mysterious presence of a sacred artifact.
Traces the history of Hopi kachina dolls as an art form, explains the role of Kachina dolls in Hopi culture, and profiles twenty-seven modern kachina doll carvers
Bad clowns—those malicious misfits of the midway who terrorize, haunt, and threaten us—have long been a cultural icon. This book describes the history of bad clowns, why clowns go bad, and why many people fear them. Going beyond familiar clowns such as the Joker, Krusty, John Wayne Gacy, and Stephen King’s Pennywise, it also features bizarre, lesser-known stories of weird clown antics including Bozo obscenity, Ronald McDonald haters, killer clowns, phantom-clown abductors, evil-clown panics, sex clowns, carnival clowns, troll clowns, and much more. Bad Clowns blends humor, investigation, and scholarship to reveal what is behind the clown’s dark smile.
Contemporary Kachina dolls are beautifully illustrated with over 150 color photos. The lives of the carvers who make them are explored in depth. Twenty-five of today's important Kachina carvers have been interviewed for a first-hand glimpse into their work.
Introduction: The question and its context -- Currents of history -- Oraibi society in the late nineteenth century -- From Oraibi to Bacavi -- Demography, human geopgraphy, and economy -- Kinship and social structure -- Ritual, politics, and some broader contexts -- Hopi analysis and anthropological analysis -- Intentional actors and sociocultural interpretation -- Appendixes: Commissioner Leupp's program for dealing with the existing Hopi troubles -- Letter from Reuben J. Perry to the commissioner of Indian Affairs, 11-17-1906 -- Agreement signed by hostiles returning to Oraibi -- Letter from Horton H. Miller to the commissioner of Indain Affairs, 11-12-1909 -- Telegram from Horton H. Miller to the Commisioner of Indain Affairs, 12-4-1909.
Begun as a pork-barrel project by the federal government in the early 1900s, the Canton Asylum for Insane Indians (also known as the Hiawatha Insane Asylum) quickly became a dumping ground for inconvenient Indians. The federal institution in Canton, South Dakota, deprived many Native patients of their freedom without genuine cause, often requiring only the signature of a reservation agent. Only nine Native patients in the asylum’s history were committed by court order. Without interpreters, mental evaluations, or therapeutic programs, few patients recovered. But who cared about Indians in South Dakota? After three decades of complacency, both the superintendent and the city of Canton were surprised to discover that someone did care, and that a bitter fight to shut the asylum down was about to begin. In this disturbing tale, Carla Joinson unravels the question of why this institution persisted for so many years. She also investigates the people who allowed Canton Asylum’s mismanagement to reach such staggering proportions and asks why its administrators and staff were so indifferent to the misery experienced by their patients. Vanished in Hiawatha is the harrowing tale of the mistreatment of Native American patients at a notorious asylum whose history helps us to understand the broader mistreatment of Native peoples under forced federal assimilation in the nineteenth and early twentieth centuries.