Recovering alcoholic, lover of secrets, and quickly approaching middle-age, Scott discovered his best friend dead in his downtown Dallas apartment. And all fingers point to Scott as the murderer.
In the months and weeks before the fateful November 22nd, 1963, Dallas was brewing with political passions, a city crammed with larger-than-life characters dead-set against the Kennedy presidency. These included rabid warriors like defrocked military general Edwin A. Walker; the world's richest oil baron, H. L. Hunt; the leader of the largest Baptist congregation in the world, W.A. Criswell; and the media mogul Ted Dealey, who raucously confronted JFK and whose family name adorns the plaza where the president was murdered. On the same stage was a compelling cast of marauding gangsters, swashbuckling politicos, unsung civil rights heroes, and a stylish millionaire anxious to save his doomed city. Bill Minutaglio and Steven L. Davis ingeniously explore the swirling forces that led many people to warn President Kennedy to avoid Dallas on his fateful trip to Texas. Breathtakingly paced, Dallas 1963 presents a clear, cinematic, and revelatory look at the shocking tragedy that transformed America. Countless authors have attempted to explain the assassination, but no one has ever bothered to explain Dallas-until now. With spellbinding storytelling, Minutaglio and Davis lead us through intimate glimpses of the Kennedy family and the machinations of the Kennedy White House, to the obsessed men in Dallas who concocted the climate of hatred that led many to blame the city for the president's death. Here at long last is an accurate understanding of what happened in the weeks and months leading to John F. Kennedy's assassination. Dallas 1963 is not only a fresh look at a momentous national tragedy but a sobering reminder of how radical, polarizing ideologies can poison a city-and a nation. Winner of the PEN Center USA Literary Award for Research Nonfiction Named one of the Top 3 JFK Books by Parade Magazine. Named 1 of The 5 Essential Kennedy assassination books ever written by The Daily Beast. Named one of the Top Nonfiction Books of 2013 by Kirkus Reviews.
In New York in the middle of the twentieth century, comic book companies figured out how to make millions from comics without paying their creators anything. In San Francisco at the start of the twenty-first century, tech companies figured out how to make millions from online abuse without paying its creators anything. In the 1990s, Adeline drew a successful comic book series that ended up making her kind-of famous. In 2013, Adeline aired some unfashionable opinions that made their way onto the Internet. The reaction of the Internet, being a tool for making millions in advertising revenue from online abuse, was predictable. The reaction of the Internet, being part of a culture that hates women, was to send Adeline messages like 'Drp slut ... hope u get gang rape.' Set in a San Francisco hollowed out by tech money, greed and rampant gentrification, I Hate the Internet is a savage indictment of the intolerable bullshit of unregulated capitalism and an uproarious, hilarious but above all furious satire of our Internet Age.
For readers of Marieke Nijkamp's This Is Where It Ends, a powerful and timely contemporary classic about the aftermath of a school shooting. Five months ago, Valerie Leftman's boyfriend, Nick, opened fire on their school cafeteria. Shot trying to stop him, Valerie inadvertently saved the life of a classmate, but was implicated in the shootings because of the list she helped create. A list of people and things she and Nick hated. The list he used to pick his targets. Now, after a summer of seclusion, Val is forced to confront her guilt as she returns to school to complete her senior year. Haunted by the memory of the boyfriend she still loves and navigating rocky relationships with her family, former friends, and the girl whose life she saved, Val must come to grips with the tragedy that took place and her role in it, in order to make amends and move on with her life. Jennifer Brown's critically acclaimed novel now includes the bonus novella Say Something, another arresting Hate List story.
Demirsu offers an engaging comparative analysis of antagonistic social actors co-existing in Verona, a mid-sized city in northeast Italy renowned as the fortress of the far-right. This rich multidimensional analysis explores the intersection of space, identity, and social movements, by delving into the evolution of competing actors and their contending positions on identity and belonging as manifested through urban spaces. While the city and its touristic heritage are promoted for a transnational identitarian network, the protracted struggles of grassroots actors demonstrate democratic potentials for the bottom-up realization of inclusive and pluralist possibilities in hostile settings. The book traces the ways in which collective identity and collective action of social actors are shaped by their relationship to the space in which they operate, with ramifications for places beyond.
For fans of I’ll Be Gone in the Dark, the thrilling true story of a would-be terrorist attack against a Kansas farming town’s immigrant community, and the FBI informant who exposed it. In the spring of 2016, as immigration debates rocked the United States, three men in a militia group known as the Crusaders grew aggravated over one Kansas town’s growing Somali community. They decided that complaining about their new neighbors and threatening them directly wasn’t enough. The men plotted to bomb a mosque, aiming to kill hundreds and inspire other attacks against Muslims in America. But they would wait until after the presidential election, so that their actions wouldn’t hurt Donald Trump’s chances of winning. An FBI informant befriended the three men, acting as law enforcement’s eyes and ears for eight months. His secretly taped conversations with the militia were pivotal in obstructing their plans and were a lynchpin in the resulting trial and convictions for conspiracy to use a weapon of mass destruction. White Hot Hate will tell the riveting true story of an averted case of domestic terrorism in one of the most remote towns in the US, not far from the infamous town where Capote’s In Cold Blood was set. In the gripping details of this foiled scheme, we see in intimate focus the chilling, immediate threat of domestic terrorism—and racist anxiety in America writ large.