They call Adelaide the City of Churches. What they forget is that every church has a graveyard and every graveyard is full of skeletons. Welcome to Adelaide, a city where transvestite, pro-wrestling truck drivers are beheaded and dismembered by lesbian prostitutes; where husbands stab and mutilate their wives and are forgiven; where former psychiatrists transform into delusional assassins and murder their co-workers in cold blood. We trust you'll enjoy your stay. In this compelling collection of true-crime stories, award-winning journalist Sean Fewster guides the reader through the darkest excesses of the City of Churches. He goes beyond the high-profile cases you know already. These are the crimes that happen in Adelaide every week - the bizarre, the unbalanced, the warped. No crime is committed in the southern capital without a macabre twist, an uncomfortable and disconcerting surprise worthy of a splatter film or suspense thriller. Truth is stranger than fiction and these are the everyday horror stories of South Australia.
(Guitar Recorded Versions). All 11 tracks from the 2005 release by this California heavy metal band. Includes: Bat Country * Burn It Down * M.I.A. * Seize the Day * Sidewinder * Trashed and Scattered * The Wicked End * and more. PARENTAL ADVISORY FOR EXPLICIT LYRICS
Based on Sam Raimi¿s 80s cult classic films, EVIL DEAD tells the tale of 5 college kids who travel to a cabin in the woods and accidentally unleash an evil force. And although it may sound like a horror, it's not! The songs are hilariously campy and the show is bursting with more farce than a Monty Python skit. EVIL DEAD: THE MUSICAL unearths the old familiar story: boy and friends take a weekend getaway at abandoned cabin, boy expects to get lucky, boy unleashes ancient evil spirit, friends turn into Candarian Demons, boy fights until dawn to survive. As musical mayhem descends upon this sleepover in the woods, ¿camp¿ takes on a whole new meaning with uproarious numbers like ¿All the Men in my Life Keep Getting Killed by Candarian Demons,¿ ¿Look Who¿s Evil Now¿ and ¿Do the Necronomicon.¿
A rookie cop and a resourceful young woman in search of her brother venture into Raccoon City on the very night that a horrifying viral outbreak has transformed every man, woman, and child into one of the living dead.
Welcome to Italian police detective Nic Costa's Rome: the side of the city the tourist board does not want you to see. "Hewson does more than provide a thrilling read. He saves you the airfare to Italy. When you turn the last page, you'll think you've been there" LINWOOD BARCLAY "David Hewson's Rome is dark and tantalizing, seductive and dangerous, a place where present-day crimes ring with the echoes of history" TESS GERRITSEN "David Hewson is one of the finest thriller writers working today" STEVE BERRY "No author has ever brought Rome so alive for me - nor made it seem so sinister" PETER JAMES _______________________ A grisly discovery in the heart of Rome. A desperate chase. An untouchable prime suspect . . . Inside a deserted studio, in a seedy area of Rome best known for prostitution, an art expert from the Louvre is found dead in front of one of the most beautiful paintings that Detective Nic Costa has ever seen - an unknown Caravaggio masterpiece. This death is just the start. Before long, tragedy strikes Costa far closer to home . . . and the hunt to find the killer becomes deeply personal. But while the main suspect's identity is known, he remains untouchable - protected in his grand palazzo by a fleet of lawyers and a sinister cult known as the Ekstasists. Teaming with an art expert, Costa follows clues hidden in the mysterious Caravaggio canvas. As he moves through a maze of history, he begins to make stunning connections to the present case. And each discovery brings him closer and closer to a terrifying conspiracy dating back four hundred years - and to men who will stop at nothing to protect their own private garden of evil. Fans of Donna Leon's Commissario Brunetti, Andrea Camilleri's Inspector Montalbano and Michael Dibdin's Aurelio Zen, as well as Louise Penny, Jeffey Siger and Martin Walker, will love this thrilling mystery series - perfect for readers who enjoy dark and complex character-led mysteries with multiple twists. PRAISE FOR THE GARDEN OF EVIL: "Opens with a shocker that will have series fans reeling . . . Arturo Perez-Reverte has long set the gold standard for mixing history, mystery, and modern life into literary stews of mouthwatering flavor and incredible subtlety, but it's time to agree that Hewson now shares that position-and is on the verge of claiming it outright" Booklist Starred Review "A dark jewel of a thriller" Publishers Weekly Starred Review "A thought-provoking blend of art history and mystery . . .A treat for readers who like their entertainment literate" Richmond Times-Dispatch "This one took my breath away . . . Worth a read if you love art, history, the renaissance or police procedurals, especially if you love a mixture of all three" Kirsten, 5* GoodReads review "I could not recommend a book in this genre more highly. For me it is right up there with Donna Leon's wonderful series featuring Venetian Detective, Guido Brunetti" Blair, 5* GoodReads review "I've enjoyed all of Hewson's Nic Costa series but this one proved to be my favourite so far" Vivienne, 5* GoodReads review "One of the best crime series out there, and this volume, to date, is the best of the series" Linda, 5* GoodReads review THE NIC COSTA MYSTERIES, IN ORDER: 1. A Season for the Dead 2. The Villa of Mysteries 3. The Sacred Cut 4. The Lizard's Bite 5. The Seventh Sacrament 6. The Garden of Evil 7. Dante's Numbers (aka The Dante Killings) 8. City of Fear (aka The Blue Demon) 9. The Fallen Angel 10. The Savage Shore
The war that erupted in Star Wars: Episode II Attack of the Clones is nearing its boiling point, as the dauntless Separatist forces continue their assault on the teetering Republic–and the diabolical triumvirate of Count Dooku, General Grievous, and their Master, Darth Sidious, fine-tune their strategy for conquest. In Episode III Revenge of the Sith the fates of key players on both sides of the conflict will be sealed. But first, crucial events that pave the way to that time of reckoning unfold in a labyrinth of evil. . . . Capturing Trade Federation Viceroy–and Separatist Councilmember–Nute Gunray is the mission that brings Jedi Knights Obi-Wan Kenobi and Anakin Skywalker, with a squad of clones in tow, to Neimoidia. But the treacherous ally of the Sith proves as slippery as ever, evading his Jedi pursuers even as they narrowly avoid deadly disaster. Still, their daring efforts yield an unexpected prize: a unique holotransceiver that bears intelligence capable of leading the Republic forces to their ultimate quarry, the ever-elusive Darth Sidious. Swiftly taking up the chase, Anakin and Obi-Wan follow clues from the droid factories of Charros IV to the far-flung worlds of the Outer Rim . . . every step bringing them closer to pinpointing the location of the Sith Lord–whom they suspect has been manipulating every aspect of the Separatist rebellion. Yet somehow, in the escalating galaxy-wide chess game of strikes, counterstrikes, ambushes, sabotage, and retaliations, Sidious stays constantly one move ahead. Then the trail takes a shocking turn. For Sidious and his minions have set in motion a ruthlessly orchestrated campaign to divide and overwhelm the Jedi forces–and bring the Republic to its knees.
The way in which mainstream human rights discourse speaks of such evils as the Holocaust, slavery, or apartheid puts them solidly in the past. Its elaborate techniques of "transitional" justice encourage future generations to move forward by creating a false assumption of closure, enabling those who are guilty to elude responsibility. This approach to history, common to late-twentieth-century humanitarianism, doesn't presuppose that evil ends when justice begins. Rather, it assumes that a time before justice is the moment to put evil in the past. Merging examples from literature and history, Robert Meister confronts the problem of closure and the resolution of historical injustice. He boldly challenges the empty moral logic of "never again" or the theoretical reduction of evil to a cycle of violence and counterviolence, broken only once evil is remembered for what it was. Meister criticizes such methods for their deferral of justice and susceptibility to exploitation and elaborates the flawed moral logic of "never again" in relation to Auschwitz and its evolution into a twenty-first-century doctrine of the Responsibility to Protect.
From its growth in Europe in the nineteenth century, detective fiction has developed into one of the most popular genres of literature and popular culture more widely. In this monograph, Mary Evans examines detective fiction and its complex relationship to the modern and to modernity. She focuses on two key themes: the moral relationship of detection (and the detective) to a particular social world and the attempt to restore and even improve the social world that has been threatened and fractured by a crime, usually that of murder. It is a characteristic of much detective fiction that the detective, the pursuer, is a social outsider: this status creates a complex web of relationships between detective, institutional life and dominant and subversive moralities. Evans questions who and what the detective stands for and suggests that the answer challenges many of our assumptions about the relationship between various moralities in the modern world.
Suddenly able to see demons and the Darkhunters who are dedicated to returning them to their own dimension, fifteen-year-old Clary Fray is drawn into this bizarre world when her mother disappears and Clary herself is almost killed by a monster.
