Programs help at-risk youth develop good work habits and self-esteem. Curricular and extracurricular programs provide non-competitive physical activity that adapts to the needs of children. Academic programs produce professional performers. This title studies the circus training programs.
#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.
Collaboration is the most important facet of any theatrical company. From the performers on stage to the choreographers, designers and technicians working behind the scenes, this book considers all departments working on a production and instructs them on how to unify their individual skills towards a shared goal. From Vaudeville to classical opera, this book establishes the skills that each specialist brings to the production process before demonstrating how each individual contribution can be utilized in tandem with all other creative teams. With particular focus on enhancing interdepartmental communication, Collaborating Backstage examines all the challenges that may befall artistic companies and projects made up of many different parts. This book explains how to understand technical jargon within teams that speak a variety of languages and come from different cultural backgrounds; how to recognise and follow the 'unwritten rules' of theatre; and how best to achieve the ultimate creative potential of a team working completely in sync. Underpinned by incisive theories on performance, communication and creativity, Collaborating Backstage is full of helpful illustrations and innovative methods to achieve effective working relationships in the theatre.
This book, “THE MEROLA’S” is the story of my ancestors including both my maternal and paternal grandparents and their voyage to America on the same ship. It provides current and future generations of our family with both the Petrizzi and the Merola Family Trees. It also gives a little information about the Adessio family. It covers seven generations of my family, contains little snippets of their life and many photographs and documents of the families through the ages. It includes an illustration of the S.S. Neustria on which they traveled fromItaly toAmerica, highlighting part of the ship’s manifest. The book contains photographs fromItaly and theUnited States over a period of nearly one hundred twenty-five years, from 1890 to 2012. My maternal grandfather and his two cousins arrived in America in 1886. They found the streets were not paved in gold, but they could earn a good living and support a family here. After two years they returned to Italyto find wives and came back to America in 1890 with their new brides. This book is their story. I had for many years wanted to create a family tree for the young people in the family, many of whom live out of state, those who as you spoke to them, usually said, “Who are you speaking about. Are they related, and if so, how are they related?” I created an extensive Family Tree. I went back seven generations, beginning in Italy and culmination in the United States. I decided that I wanted to tell the young people a little bit about their ancestors, so I included mini-biographies of my grandparents, aunts and uncles and some of my cousins who are no longer with us. I also included some short stories about them. At this point, I decided the younger members of the family now knew where they fitted in the family, and a little bit about their relative’s lives, but they couldn’t visualize what these people looked like, so I included photographs of these ancestors. I was able to collaborate with two of my cousins. I wrote the bios of the relatives and e-mailed them to these cousins and my sister for their clarification of what I had written. I had copies of documents and many photos of the family which I included. I then called my sister, making her crazy saying, “Momma had a photograph of so and so, and it looked like this, see if you can find it and mail it to me.” She always did. The information in this book was not obtained using Ancestory.com, which is not the most reliable source; rather, the stories and facts were handed down to us by our aunts and uncles over the years and as we recalled some of our experiences growing up. It depicts the life of a family of Italian immigrants, their pursuit of citizenship, the hardships and the challenges they faced. In reading the book you can see how times and concepts change, as well as the struggles of our ancestors and how they handled adversity and dealt with any obstacles they encountered. It shows how with perseverance and determination they prospered and became valued citizens. These people, my relatives, became doctors, lawyers, a District Attorney, clothing designers, pharmacists, CPAs, and a U.N. Representative to name a few. There were also many teachers, bookkeepers, business owners and managers, builders, architects, photo-engravers and engineers. It took me about two years to complete this project and deal with a publisher, but I finally achieved my goal. I had my book published, purchased the quantity I required and upon receiving the copies, sent them to all of my relatives and gave a few copies to close friends. It truly was a labor of love. It was very gratifying to receive notes, letters, phone calls and e-mails from my cousin&
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
A history of the circus from its origins in the Roman times, through its establishment in Western Europe, and to the modern day circus—absolutely diverse and captivating Circuses have existed since Roman times, but centuries later, the circus world has never been more diverse and captivating, the global success of Cirque du Soleil testament to its enduring and universal appeal. Traditional family circuses for kids, arty cirque-style shows for adults, circuses in tents or in theaters, circuses with animals or without, cabaret-style hybrids on the burlesque circuit—this is an expert guide to their extraordinary history and culture. The circus requires a unique type of performer, people who blend the discipline of sports stars with the razzmatazz of showbiz; itinerant but clannish entertainers who have often had circus blood in their families for generations; world class gymnasts who risk death twice daily and help take down the big top afterwards. This history offers a journey into this unique world, each chapter an access-all-areas pass to a different circus, talking to the trapeze flyers, clowns, animal trainers, and showmen about their lives, work, families, customs, and traditions.
The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible. The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm—the “circus family.” Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers’ lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class. As a study in sport and social history, Childress’s account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy. MICAH D. CHILDRESS received his PhD in history from Purdue University and currently works as a Realtor® in Grand Rapids, Michigan. His articles have appeared in Popular Entertainment Studies and American Studies.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.