Cinema Eye, Cinema Ear

Cinema Eye, Cinema Ear

Author: John Russell Taylor

Publisher: Routledge

Published: 2015-12-21

Total Pages: 314

ISBN-13: 9781138991316

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Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony. The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Bunuel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French 'New Wave', in particular Francois Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed.


The Camera-Eye Metaphor in Cinema

The Camera-Eye Metaphor in Cinema

Author: Christian Quendler

Publisher: Routledge

Published: 2016-11-18

Total Pages: 448

ISBN-13: 1317434188

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This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?


Heavy Metal Movies

Heavy Metal Movies

Author: Mike McPadden

Publisher: Bazillion Points LLC

Published: 2014

Total Pages: 0

ISBN-13: 9781935950066

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Wherever heavy metal has gone, heavy metal movies have followed, blazing ferocious new celluloid trails; from concert movies and trippy midnight flicks at the dawn of "heaviosity" through inspirational depictions of ancient times and future apocalypses to the raw hand-held video productions of today. "Heavy Metal Movies" rounds up, reviews, and canonizes all known incidents of the heavy metal in motion pictures, from performance films, feature documentaries, occult rock 'n' roll horror, and headbanger characters to soundtrack standouts, namesake inspirations, lyrical references, aesthetic archetypes, and more. As brash, irreverent, and visceral as both the music and the movies themselves, "Heavy Metal Movies" is the ultimate guidebook to the complete molten musical cinema experience.


How to Read a Film

How to Read a Film

Author: James Monaco

Publisher: Oxford University Press, USA

Published: 2000

Total Pages: 678

ISBN-13: 9780195038699

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Explores the medium of film as both art and craft, sensibility and science, tradition and technology.


Film Study

Film Study

Author: Frank Manchel

Publisher: Fairleigh Dickinson Univ Press

Published: 1990

Total Pages: 660

ISBN-13: 9780838634141

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The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.


Film Scripts

Film Scripts

Author: George Garrett

Publisher: Ardent Media

Published: 1989

Total Pages: 504

ISBN-13: 9780829022780

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These scripts from 1964-65 movies are presented to aid in understanding filmmaking. The reader/viewer can study the script and "finished" images to compare film script with movie productions.


Pirate Cinema

Pirate Cinema

Author: Cory Doctorow

Publisher: Tor Teen

Published: 2012-10-02

Total Pages: 386

ISBN-13: 1429943181

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From the New York Times bestselling author of Little Brother, Cory Doctorow, comes Pirate Cinema, a new tale of a brilliant hacker runaway who finds himself standing up to tyranny. Trent McCauley is sixteen, brilliant, and obsessed with one thing: making movies on his computer by reassembling footage from popular films he downloads from the net. In the dystopian near-future Britain where Trent is growing up, this is more illegal than ever; the punishment for being caught three times is that your entire household's access to the internet is cut off for a year, with no appeal. Trent's too clever for that too happen. Except it does, and it nearly destroys his family. Shamed and shattered, Trent runs away to London, where he slowly learns the ways of staying alive on the streets. This brings him in touch with a demimonde of artists and activists who are trying to fight a new bill that will criminalize even more harmless internet creativity, making felons of millions of British citizens at a stroke. Things look bad. Parliament is in power of a few wealthy media conglomerates. But the powers-that-be haven't entirely reckoned with the power of a gripping movie to change people's minds.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.