Church music; its present neglected state, and important reasons for its reformation
Author: James COOPER (Vicar of Garton-on-the-Wolds.)
Publisher:
Published: 1860
Total Pages: 220
ISBN-13:
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Author: James COOPER (Vicar of Garton-on-the-Wolds.)
Publisher:
Published: 1860
Total Pages: 220
ISBN-13:
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Published: 1984
Total Pages: 790
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DOWNLOAD EBOOKAuthor: British Library
Publisher:
Published: 1979
Total Pages: 536
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Published: 1854
Total Pages: 972
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DOWNLOAD EBOOKAuthor: Scotland Church of
Publisher:
Published: 1853
Total Pages: 804
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DOWNLOAD EBOOKAuthor: Robert Nisbet
Publisher:
Published: 1856
Total Pages: 124
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Published: 1924
Total Pages: 32
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Published: 1869
Total Pages: 736
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DOWNLOAD EBOOKAuthor: Hyun-Ah Kim
Publisher: Routledge
Published: 2017-11-20
Total Pages: 219
ISBN-13: 1317019393
DOWNLOAD EBOOKThis volume provides the first printed critical edition of The Praise of Musicke (1586), keeping the original text intact and accompanied by an analytical commentary. Against the Puritan attacks on liturgical music, The Praise of Musicke, the first apologetic treatise on music in English, epitomizes the Renaissance defence of music in civil and religious life. While existing studies of The Praise of Musicke are limited to the question of authorship, the present volume scrutinizes its musical discourse, which recapitulates major issues in the ancient philosophy and theology of music, considering the contemporary practice of sacred and secular music. Through an interdisciplinary analysis of The Praise of Musicke, combining historical musicology with philosophical theology, this study situates the treatise and its author within the wider historical, intellectual and religious context of musical polemics and apologetics of the English Reformation, thereby appraising its significance in the history of musical theory and literature. The book throws fresh light on this substantial but neglected treatise that presents, with critical insights, the most learned discussion of music from classical antiquity to the Renaissance and Reformation era. In doing so it offers a new interpretation of the treatise, which marks a milestone in the history of musical apologetics.