Chorus Endings

Chorus Endings

Author: David Warwick

Publisher: Troubador Publishing Ltd

Published: 2016-06-09

Total Pages: 272

ISBN-13: 1785892037

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Growing up in a rural Hampshire village during the immediate post-war years, Peter and his companions lead a carefree existence roaming the countryside at will and finding adventures round every corner. Their great hero is an artist living hermit-like on the edge of the forest, universally known as Jimmy the Saint. Jimmy holds them spellbound with tales of the village’s past: Chirper Edwards the ineffectual town-crier; No-Good Naughton and Freddy the Fop, the Squire’s disreputable forebears; Stoyan the Jutish warrior, and Morgana the pagan goddess. How smugglers once swaggered along tunnels beneath the Square, highwaymen shared their loot at Harry’s turnpike and mythical creatures – the grampus, screech-owl and cockatrice – awaited unsuspecting wayfarers in the neighbouring woodland. But all is not as it seems, nor Jimmy the man they’d taken him to be, as Peter – now a university lecturer – discovers by chance some forty years later. He and his wife, Helen, set out to trace such rumours to their source, discover the truth behind the man’s sudden disappearance and the background he’d never discuss. The story that emerges is one of espionage and insanity, homicide and betrayal, with Jimmy implicated at every stage. As the evidence mounts and the pace of the investigation quickens Peter realizes that he, too, has played a part in his hero’s downfall. The clues have been there all along, revealed in Mappa Mundi, Jimmy’s final picture, the search for which uncovers a narrative darker and more sinister than anything the artist himself could have imagined. Chorus Endings is a fast-moving, light-hearted novel with unexpected twists and darkly sinister undertones. As such it will appeal to fans of authors such as Robert Harris and Anne Tyler alike.


Allegory and the Tragic Chorus in Sophocles' Oedipus at Colonus

Allegory and the Tragic Chorus in Sophocles' Oedipus at Colonus

Author: Roger Travis

Publisher: Rowman & Littlefield

Published: 1999

Total Pages: 262

ISBN-13: 9780847696093

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In this book, Roger Travis brings together poetics and psychology to study the tragic chorus in Sophocles' Oedipus at Colonus. Beginning from Quintilian's definition of allegory as extended metaphor, Travis argues that in Oedipus at Colonus the chorus of old men forms an allegorical relationship with the aged Oedipus, which depends in turn upon the chorus's own likeness to the Athenian audience. The play relates Oedipus allegorically to the audience through the tragic chorus and transforms Oedipus' relation to the body of his mother Jocasta into a new relation to the land of Attica. Corresponding readings of Aeschylus' Suppliants and Euripides' Bacchea further explore the chorus's role in expressing the relation of the individual to the maternal body. Employing a flexible combination of Lacanian and object-relations psychoanalytic theory, Travis investigates the tragic text's conception of the problems of human existence. The introduction provides a useful survey of the advantages and disadvantages of various psychological approaches to tragedy, making this an important volume for students and scholars alike.


Feminine Endings

Feminine Endings

Author: Susan McClary

Publisher: U of Minnesota Press

Published: 2002

Total Pages: 246

ISBN-13: 9781452906362

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A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. ". . . this is a major book . . . [McClary's] achievement borders on the miraculous." The Village Voice"No one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals." Choice"Feminine Endings, a provocative 'sexual politics' of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClary's] book presents. All music-lovers should read it, and cheer." The Women's Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books


Theater of the People

Theater of the People

Author: David Kawalko Roselli

Publisher: University of Texas Press

Published: 2011-06-01

Total Pages: 303

ISBN-13: 0292744773

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Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.


An Imperishable Heritage: British Choral Music from Parry to Dyson

An Imperishable Heritage: British Choral Music from Parry to Dyson

Author: Stephen Town

Publisher: Routledge

Published: 2016-04-15

Total Pages: 354

ISBN-13: 1317181875

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The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.


Choral Tragedy

Choral Tragedy

Author: Claude Calame

Publisher: Cambridge University Press

Published: 2024-05-31

Total Pages: 245

ISBN-13: 1316516253

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Explores how Greek tragedy was fundamentally choral and deeply connected to the cultic and ritual contexts of its performance.


Everything in its Right Place

Everything in its Right Place

Author: Brad Osborn Ph.D.

Publisher: Oxford University Press

Published: 2016-10-03

Total Pages: 249

ISBN-13: 0190629258

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More than any rock artist since The Beatles, Radiohead's music inhabits the sweet spot between two extremes: on the one hand, music that is wholly conventional and conforms to all expectations of established rock styles, and, on the other hand, music so radically experimental that it thwarts any learned notions. While averting mainstream trends but still achieving a significant level of success in both US and UK charts, Radiohead's music includes many surprises and subverted expectations, yet remains accessible within a framework of music traditions. In Everything in its Right Place: Analyzing Radiohead, Brad Osborn reveals the functioning of this reconciliation of extremes in various aspects of Radiohead's music, analyzing the unexpected shifts in song structure, the deformation of standard 4/4 backbeats, the digital manipulation of familiar rock 'n' roll instrumentation, and the expected resolutions of traditional cadence structures. Expanding on recent work in musical perception, focusing particularly on form, rhythm and meter, timbre, and harmony, Everything in its Right Place treats Radiohead's recordings as rich sonic ecosystems in which a listener participates in an individual search for meaning, bringing along expectations learned from popular music, classical music, or even Radiohead's own compositional idiolect. Radiohead's violations of these subjective expectation-realization chains prompt the listener to search more deeply for meaning within corresponding lyrics, biographical details of the band, or intertextual relationships with music, literature, or film. Synthesizing insights from a range of new methodologies in the theory of pop and rock, and specifically designed for integration into music theory courses for upper level undergraduates, Everything in its Right Place is sure to find wide readership among scholars and students, as well as avid listeners who seek a deeper understanding of Radiohead's distinctive juxtapositional style.