Volume I in the new series Chora: Intervals in the Philosophy of Architecture explores fundamental questions concerning the practice of architecture and examines the potential of architecture.
The sixth volume in the Institute of Classical Archaeology’s series on the rural countryside (chora) of Metaponto is a study of the Greek settlement at Sant’Angelo Vecchio. Located on a slope overlooking the Basento River, the site illustrates the extraordinary variety of settlements and uses of the territory from prehistory through the current day. Excavators brought to light a Late Archaic farmhouse, evidence of a sanctuary near a spring, and a cluster of eight burials of the mid-fifth century BC, but the most impressive remains belong to a production area with kilns. Active in the Hellenistic, Late Republican, and Early Imperial periods, these kilns illuminate important and lesser-known features of production in the chora of a Greek city and also chronicle the occupation of the territory in these periods. The thorough, diachronic presentation of the evidence from Sant’Angelo Vecchio is complemented by specialist studies on the environment, landscape, and artifacts, which date from prehistory to the post-medieval period. Significantly, the evidence spans the range of Greek site types (farmhouse, necropolis, sanctuary, and production center) as well as the Greek dates (from the Archaic to Early Imperial periods) highlighted during ICA’s survey of the Metapontine chora. In this regard, Chora 6 enhances the four volumes of The Chora of Metaponto 3: Archaeological Field Survey—Bradano to Basento and provides further insight into how sites in the chora interacted throughout its history.
Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum, through early Renaissance subjects such as the treatises of Luca Pacioli on architecture, through to the modern era and explorations on topics ranging from 17th-century Amsterdam to architectural insights that can be found in the works of the poet and mathematician Lewis Carroll. Authors examining contemporary issues seek to explicate the spatial poetics of architecture by invoking other artistic disciplines. Essays in this group include a discussion of the accomplishments of Gordon Matta-Clark, a reading of Alfred Hitchcock's Rear Window, and an analysis of the implications of ethical/formal questions in the work of Ludwig Wittgenstein for architecture.
Priests in Exile is the first comprehensive scholarly opus in English to reconstruct the history of the mysterious Temple of Onias, a Jewish temple built by a Jerusalemite high priest in his Egyptian exile that functioned in parallel with the Temple of Jerusalem. Piotrkowski’s book addresses a topic that is mysterious, important and anomalous: a Jewish community of mercenary priests in the (Egyptian) Diaspora in which the priestly sacrificial ritual was carried out daily over a period of more than two hundred years until the first century CE, outlasting the Jerusalem Temple by about three years. Although the book focuses on the very circumscribed topic of the parallel Temple it casts a wide net, placing the story in the context of Jewish Diaspora life in ancient times. Ancient topics and texts are brought to bear, including papyri, epigraphy, archaeology, as well as the modern literature. Piotrkowski throws new light on a fascinating episode of ancient Jewish history that is usually left in the dark.
Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.
This book presents an archaeological study of Crete in transition from the Neolithic to the Early Bronze Age (c. 4000 to 3000 BC) within the broader South Aegean context. The study, based on the author’s own fieldwork, contains a gazetteer of over 170 sites. The material from these sites will prompt archaeologists in Greece, Turkey, and the Middle East to reconsider their understanding of the foundation of Bronze Age civilization in the Aegean.