Choir Stalls in Architecture and Architecture in Choir Stalls
Choir Stalls in Architecture and Architecture in Choir Stalls

Author: Maria Dolores Teijeira Pablos

Publisher: Cambridge Scholars Publishing

Published: 2015-10-28

Total Pages: 515

ISBN-13: 1443885665

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Misericordia International was founded by Elaine C. Block (Professor of the City University of New York) as an association dedicated to the study of choir stalls and their relation to other artistic manifestations during the Middle Ages, and the dissemination of research. From its beginnings, Misericordia International has promoted a bi-annual international conference as a place for scientific exchange among members of the research community interested in this topic (and in Medieval iconography in general) from a multidisciplinary approach. The most recent conference was a collaboration between the Universities of Cantabria, Oviedo and Leon in Spain. Titled “Choir Stalls in Architecture and Architecture in Choir Stalls”, it highlighted the importance that choir stalls had in the conceptualisation of space within cathedrals and how sculptors and carvers tested formal, stylistic and constructive motifs, models and solutions that were later reflected in architectural works. This book brings together the papers presented at this conference, and is divided into four thematic parts, namely “Space, liturgy and architectural conception”; “Symbolism and iconography”; “Study of outstanding examples”; and “Destructions, interventions and restorations”.

Choir Stalls and their Workshops
Choir Stalls and their Workshops

Author: Willy Piron

Publisher: Cambridge Scholars Publishing

Published: 2017-11-06

Total Pages: 329

ISBN-13: 152750428X

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Misericordia International was founded by Elaine C. Block as an association dedicated to the study of choir stalls and their relation to other artistic manifestations during the Middle Ages, and the dissemination of research. From its beginnings, Misericordia International has promoted a bi-annual international conference as a place of scientific exchange among members of the research community interested in this topic from a multidisciplinary perspective. The most recent conference was held from 23 to 26 June 2016 at the Ernst-Moritz-Arndt-University in Greifswald, Germany. The theme of the conference was the workshop context of medieval choir stalls in its broadest sense. Where the iconography of choir stalls has enjoyed a lot of attention from researchers, the process and circumstances of the making of these complex objects have often been rather neglected. Choir stalls were not produced by an individual artist, but were created by a group of craftsmen. This factor raises all kinds of questions. The conference in Greifswald covered an obvious need for research and therefore included much hitherto unknown research material and additional first results based on initial research. In addition to questions about substantive and economic mechanisms of the production of choir stalls, the conference dealt with basic knowledge of craftsmanship. This publication presents the papers held at the conference and is divided into five thematic parts, namely Workshop practices; Early modern choir stalls – Traditions or restart?; Stalls of stone – A forgotten furniture; Travelling craftsmen; and Group of works.

The Cambridge History of Fifteenth-Century Music
The Cambridge History of Fifteenth-Century Music

Author: Anna Maria Busse Berger

Publisher: Cambridge University Press

Published: 2015-07-16

Total Pages: 1058

ISBN-13: 1316298299

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Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

The Art and Architecture of English Benedictine Monasteries, 1300-1540
The Art and Architecture of English Benedictine Monasteries, 1300-1540

Author: Julian M. Luxford

Publisher: Boydell Press

Published: 2005

Total Pages: 244

ISBN-13: 1843831538

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Highly Commended in the Longman-History Today Book of the Year Prize 2007 The patronage of Benedictine art and architecture, and the circumstances that made it possible and desirable, reveal much about the ambitions, beliefs and allegiances of both the order and those who interacted with it; moreover, analysis of such patronage also improves our understanding of some of the most important and beautiful buildings, sculpture, illuminated manuscripts, stained glass and other artefacts surviving from the middle ages.In this survey, focussing on the Benedictine monasteries and nunneries in south-west England (including Glastonbury) during the 240 years leading up to the dissolution of the religious orders under Henry VIII, the author discusses the question in terms of 'internal' practice, initiated by Benedictine monks and nuns, and 'external' practice, for which non-monastic agents were responsible; and analyses the historical circumstances affecting the commission and the purchase of art and architecture. Throughout, he takes care to situate the study of buildings and their embellishment within the broader context of Benedictine culture. The text is lavishly illustrated with forty-five black and white plates of art, architecture and documents, many of which have not previously been reproduced. Dr JULIAN M. LUXFORD is Lecturer at the School of Art History, St Andrews University.

The Grove Encyclopedia of Medieval Art and Architecture
The Grove Encyclopedia of Medieval Art and Architecture

Author: Colum Hourihane

Publisher:

Published: 2012

Total Pages: 4064

ISBN-13: 0195395360

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This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

"Architecture, Art and Identity in Venice and its Territories, 1450?750 "

Author: Nebahat Avcioglu

Publisher: Routledge

Published: 2017-07-05

Total Pages: 326

ISBN-13: 1351575953

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Cities are shaped as much by a repertoire of buildings, works and objects, as by cultural institutions, ideas and interactions between forms and practices entangled in identity formations. This is particularly true when seen through a city as forceful and splendid as Venice. The essays in this volume investigate these connections between art and identity, through discussions of patronage, space and the dissemination of architectural models and knowledge in Venice, its territories and beyond. They celebrate Professor Deborah Howard?s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice. Based on an examination and re-interpretation of a wide range of archival material and primary sources, the contributing authors approach the notion of identity in its many guises: as self-representation, as strong sub-currents of spatial strategies, as visual and semantic discourses, and as political and imperial aspirations. Employing interdisciplinary modes of interpretation, these studies offer ground-breaking analyses of canonical sites and works of art, diverse groups of patrons, as well as the life and oeuvre of leading architects such as Jacopo Sansovino and Andrea Palladio. In so doing, they link together citizens and nobles, past and present, the real and the symbolic, space and sound, religion and power, the city and its parts, Venice and the Stato da Mar, the Serenissima and the Sublime Port.