Traditional Chinese Toggles
Traditional Chinese Toggles

Author: Margaret Duda

Publisher: Editions Didier Millet

Published: 2011

Total Pages: 275

ISBN-13: 9814260614

DOWNLOAD EBOOK

This volume is a much-needed reference guide to the historical and cultural significance of Chinese toggles or zhuizi - carved pieces of jade, ivory, bone, wood, shell and semi-precious stones used by the Chinese in ancient times as counterweights to secure personal effects like tobacco pipes and money pouches to their belts. Over time, toggles became treasured objects of identity and expression, believed to bring the bearer good luck, happiness, fertility, longevity and health. The book explains how toggles were used in daily and ceremonial life, and interprets the designs that are fundamental to understanding these artefacts. Accompanied by stunning photography and detailed descriptions, Traditional Chinese Toggles: Counterweights and Charms will be the definitive illustrative guide to this little-known Chinese art form.

Chinese Art
Chinese Art

Author: Patricia Bjaaland Welch

Publisher: Tuttle Publishing

Published: 2013-02-19

Total Pages: 300

ISBN-13: 1462906893

DOWNLOAD EBOOK

With over 630 striking color photos and illustrations, this Chinese art guide focuses on the rich tapestry of symbolism which makes up the basis of traditional Chinese art. Chinese Art: A Guide to Motifs and Visual Imagery includes detailed commentary and historical background information for the images that continuously reappear in the arts of China, including specific plants and animals, religious beings, mortals and inanimate objects. The book thoroughly illuminates the origins, common usages and diverse applications of popular Chinese symbols in a tone that is both engaging and authoritative. Chinese Art: A Guide to Motifs and Visual Imagery is an essential reference for collectors, museum-goers, guides, students and anyone else with a serious interest in the culture and history of China.

Chinese Ideas About Nature and Society
Chinese Ideas About Nature and Society

Author: Charles Le Blanc

Publisher: Hong Kong University Press

Published: 1987-05-01

Total Pages: 361

ISBN-13: 962209189X

DOWNLOAD EBOOK

The universe, in Chinese eyes, is a harmonious organism; its pattern of movement is inherent and not imposed from without; and the world of man, being a part of the universe, follows a similar pattern. (Derk Bodde, Harmony and Conflict in Chinese Philosophy). The main theme that pervades this Festschrift, written by fellow-scholars and students of Bodde for his seventy-fifth birthday, is that of the proper ordering of the universe as it obtains in the Chinese tradition.

Chinese Furniture
Chinese Furniture

Author: Karen Mazurkewich

Publisher: Tuttle Publishing

Published: 2024-05-14

Total Pages: 236

ISBN-13: 1462906923

DOWNLOAD EBOOK

The international market for antique Chinese furniture is booming, and masterpieces from the Ming and Qing dynasties are now worth hundreds of thousands of dollars. Chinese Furniture is a survey of these collectibles--from the very best hardwood pieces featured to standard softwood specimens still available on the Asian market. This antique furniture book presents an overview of carving styles, wood types, regional variations, class distinctions and restoration techniques. It includes detailed chapters on various types of wooden furniture cover chairs, stools and benches, tables and desks, beds, cabinets and bookshelves, doors and screens and household accessories. With this renewed interest in antique furniture, a forgery market has emerged. Thousands of factories in southern China are churning out brand new or refurbished furniture and passing them off as Chinese antiques. Chinese Furniture unearths these forgeries and serves as an indispensable reference guide for collectors of antique wood furniture.

Chinese Popular Prints
Chinese Popular Prints

Author: John Lust

Publisher: BRILL

Published: 2021-12-06

Total Pages: 390

ISBN-13: 9004490906

DOWNLOAD EBOOK

Chinese Popular Prints ventures into the world of Chinese blockprint illustration that had its assured niche in the rich history of Chinese popular culture from the 17th to the early 20th centuries. These prints were not considered high art in China, but were produced for the urban and rural populations. The book deals with all aspects of the Chinese popular print. In the first two chapters its invention, origins, powerful traditions and its history are described. Classical art and the Ming illustrated book were important impetuses. Three major centres of north and central China emerged. Finally the popular print took on something of the roles of the modern cinema or television. In the following four chapters the main themes are: the printmakers and printshops; society, symbolism and visual pun; categories of popular prints and their display; technical terms. A description of the workshops and their techniques, figure drawing and colouring, gives a good insight in the technical side of the print. A varied popular culture and a certain realism are strands in it, as are spirit protection of the house, recalls of the past, hopes for the future, the hold of the theatre, etc. Two elaborate appendices provide much detailed information about persons, symbols, as well as about some images in the lore of the print. A special section of 28 illustrations (8 full colour) demonstrates the potentialities of the Chinese blockprint illustration.

Dictionary of Chinese Symbols
Dictionary of Chinese Symbols

Author: Wolfram Eberhard

Publisher: Routledge

Published: 2006-12-05

Total Pages: 418

ISBN-13: 1134988656

DOWNLOAD EBOOK

This unique and authoritative guide describes more than 400 important Chinese symbols, explaining their esoteric meanings and connections. Their use and development in Chinese literature and in Chinese customs and attitudes to life are traced lucidly and precisely. `An ideal reference book to help one learn and explore further, while simultaneously giving greater insight into many other aspects of Chinese life ... the most authoritative guide to Chinese symbolism available to the general reader today ... a well-researched, informative and entertaining guide to the treasure trove of Chinese symbols.' - South China Morning Post

The Ultimate Netsuke Bibliography
The Ultimate Netsuke Bibliography

Author:

Publisher:

Published: 1999

Total Pages: 420

ISBN-13:

DOWNLOAD EBOOK

The Ultimate Netsuke Bibliography is a comprehensive bibliography of more than 4,400 bibliographic print and non-print entries covering all aspects of Japanese netsuke, the miniature carvings which Japanese men used to suspend various items from the sash belt that fastened their kimono. It is organized into 15 major and 5 minor categories. Each category is further divided into 11 subcategories. Additional features include four indices (Author, Journal, Place, and Subject), and a variety of appendices. It contains 2,196 books, 1,861 journal articles (457 from the Netsuke Kenkyukai Study Journal), 367 from the Journal of the International Netsuke Collectors Society 1,494 auction catalogs, 431 items in French, 254 items in Japanese, 60 items prior to 1900, including 9 auction catalogs. Includes most materials published through the end of 1998. A section of Late Arrivals, including last minute submissions and items in early 1999, is listed as well. This volume is a necessity for every netsuke collector, bibliophile, art library and museum.

Through a Forest of Chancellors
Through a Forest of Chancellors

Author: Anne Burkus-Chasson

Publisher: BRILL

Published: 2020-10-26

Total Pages: 412

ISBN-13: 1684170508

DOWNLOAD EBOOK

Liu Yuan’s Lingyan ge, a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. Liu accompanied each figure, presented under the guise of a bandit, with a couplet; the poems, written in various scripts, are surrounded by marginal images that allude to a contemporary novel. Religious icons supplement the portrait gallery. Liu’s re-creation is fraught with questions. This study examines the dialogues created among the texts and images in Lingyan ge from multiple perspectives. Analysis of the book’s materialities demonstrates how Lingyan ge embodies, rather than reflects, the historical moment in which it was made. Liu unveiled and even dramatized the interface between manuscript and printed book in Lingyan ge. Authority over the book’s production is negotiated, asserted, overturned, and reinstated. Use of pictures to construct a historical argument intensifies this struggle. Anne Burkus-Chasson argues that despite a general epistemological shift toward visual forms of knowledge in the seventeenth century, looking and reading were still seen as being in conflict. This conflict plays out among the leaves of Liu Yuan’s book.