Guest edited by Charles Johnson, this anthology of Black American literature features work by: Jeffery Renard AllenSteven BarnesArthur BurghardtCyrus CassellsLouis Chude-SokeiAaron Colemanceleste doaksRita DoveRachel Eliza GriffithsPeter J. Harris Le Van D. HawkinsTsehaye Geralyn HébertDavid HendersonE. HughesCharles JohnsonJamiel LawClarence MajorJohn McCluskey, Jr.E. Ethelbert MillerYesenia MontillaDavid NicholsonDelia C. PittsMona Lisa SaloySharyn SkeeterClifford ThompsonJerald WalkerJan Willis
Featuring work by: Walid Abdallah * Matt Baca * Gabriella Bedetti * Chris Bentley * Sebastian Bitticks * Don Boes * Don Bogen * Paola Bruni * Jessica Campbell * Kevin Clark * Mark Crimmins * Robbie Curry * Ron Dean * Dante Di Stefano * Raoul Felder * Sonia Feldman * Andy Fogle * Mike Gillis * Farouk Goweda * João Luís Barreto Guimarães * Stephen D. Gutierrez * Samina Hadi-Tabassum * Becky Hagenston * Harrison Hill * Charles Hood * Fred Hood * Julie Jones * Robert Kerwin * Ronald Kovach * Jessie Kraemer * Nasma Kublawi * Lynn Martin * Michela Martini * Bruce McKay * Elizabeth McKenzie * Henri Meschonnic * Tom Miller * Yxta Maya Murray * Jonathan Muzzall * Calvin Olsen * Romeo Oriogun * Derek N. Otsuji * Cassandra Passarelli * Micah Perks * Andrew Porter * Jory Post * Kristel Rietesel-Low * Giacomo Sartori * Vandana Sehrawat * Neal Snidow * Eleanor Spiess-Ferris * Joseph Thomas * Andreas Trolf * Marcos Villatoro * Maria Zoccola
PULITZER PRIZE FINALIST NATIONAL BOOK AWARD FINALIST A NEW YORK TIMES TOP 10 BOOK OF 2018 LOS ANGELES TIMES BOOK PRIZE WINNER ALA CARNEGIE MEDAL WINNER THE STONEWALL BOOK AWARD WINNER Soon to Be a Major Television Event, optioned by Amy Poehler • One of the New York Times’s 100 Best Books of the 21st Century “A page turner . . . An absorbing and emotionally riveting story about what it’s like to live during times of crisis.” —The New York Times Book Review A dazzling novel of friendship and redemption in the face of tragedy and loss set in 1980s Chicago and contemporary Paris In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico’s funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico’s little sister. Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago crisis, she finds herself finally grappling with the devastating ways AIDS affected her life and her relationship with her daughter. The two intertwining stories take us through the heartbreak of the eighties and the chaos of the modern world, as both Yale and Fiona struggle to find goodness in the midst of disaster. Named a Best Book of 2018 by The New York Times Book Review, The Washington Post, NPR, San Francisco Chronicle, The Boston Globe, Entertainment Weekly, Buzzfeed, The Seattle Times, Bustle, Newsday, AM New York, BookPage, St. Louis Post-Dispatch, Lit Hub, Publishers Weekly, Kirkus Reviews, New York Public Library and Chicago Public Library
A landmark book, “brilliant, thoughtful” (The Atlantic) and “raw and gorgeous” (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.
NPR Book of the Year 2020 Electric Literature: One of 55 Books by Women and Nonbinary Writers of Color to Read in 2020 | Lit Hub & The Millions: Most Anticipated Books of 2020 | Ms. Magazine: Anticipated 2020 Feminist Books | Refinery29: Books by Black Women We are Looking Forward To Reading | One of The Millions’ Most Anticipated Reads of 2020 | Amazon Book of the Month Pick | Audible Editor’s Pick | Essence’s Pick| Glamour’s Must Read | Ms. Magazine’s Anticipated Read of 2020 A startling debut about class and race, Lakewood evokes a terrifying world of medical experimentation—part The Handmaid’s Tale, part The Immortal Life of Henrietta Lacks. When Lena Johnson’s beloved grandmother dies, and the full extent of the family debt is revealed, the black millennial drops out of college to support her family and takes a job in the mysterious and remote town of Lakewood, Michigan. On paper, her new job is too good to be true. High paying. No out of pocket medical expenses. A free place to live. All Lena has to do is participate in a secret program—and lie to her friends and family about the research being done in Lakewood. An eye drop that makes brown eyes blue, a medication that could be a cure for dementia, golden pills promised to make all bad thoughts go away. The discoveries made in Lakewood, Lena is told, will change the world—but the consequences for the subjects involved could be devastating. As the truths of the program reveal themselves, Lena learns how much she’s willing to sacrifice for the sake of her family. Provocative and thrilling, Lakewood is a breathtaking novel that takes an unflinching look at the moral dilemmas many working-class families face, and the horror that has been forced on black bodies in the name of science.
Italian novelist, poet, and filmmaker Pier Paolo Pasolini was brutally killed in Rome in 1975, a macabre end to a career that often explored humanity’s capacity for violence and cruelty. Along with the mystery of his murderer’s identity, Pasolini left behind a controversial but acclaimed oeuvre as well as a final quartet of beguiling projects that signaled a radical change in his aesthetics and view of reality. The Resurrection of the Body is an original and compelling interpretation of these final works: the screenplay Saint Paul, the scenario for Porn-Theo-Colossal, the immense and unfinished novel Petrolio, and his notorious final film, Salò or the 120 Days of Sodom, a disturbing adaptation of the writings of the Marquis de Sade. Together these works, Armando Maggi contends, reveal Pasolini’s obsession with sodomy and its role within his apocalyptic view of Western society. One of the first studies to explore the ramifications of Pasolini’s homosexuality, The Resurrection of the Body also breaks new ground by putting his work into fruitful conversation with an array of other thinkers such as Freud, Strindberg, Swift, Henri Michaux, and Norman O. Brown.
Featuring work by: Farah Ali * Mir Anis * Samuel Rafael Barber * Andrew Beckner * Ryan Bloom * David Booth * Brett Busang * Hamida Banu Chopra * Kim Farrar * Bill Gaythwaite * Renny Golden * Deborah Gorlin * Emily Greenberg * Rumi Hara * Harry Hutson * Muhammad Iqbal * Peter Joseph Koch * Michael Lavers * Trudy Lewis * Louise Marburg * Jen Michalski * Jonathan Andrew Perez, Esq. * Andrew Porter * Jory Post * Jane Ratcliffe * Zack Rogow * Malcolm Rothman * Michael R. Schrimper * Eric Severn * Ashley Shelby * Irene Hoge Smith * Robert Solomon * Matthew J. Spireng * Janferie Stone * Hema Surendranathan * Barbara Sutton * Patrick Sylvain * Thomas Wawzenek * Catherine Wong * Alexi Zentner
An essential compendium of James Baldwin’s most powerful nonfiction work, calling on us “to end the racial nightmare, and achieve our country.” Personal and prophetic, these essays uncover what it means to live in a racist American society with insights that feel as fresh today as they did over the 4 decades in which he composed them. Longtime Baldwin fans and especially those just discovering his genius will appreciate this essential collection of his great nonfiction writing, available for the first time in affordable paperback. Along with 46 additional pieces, it includes the full text of dozens of famous essays from such books as: • Notes of a Native Son • Nobody Knows My Name • The Fire Next Time • No Name in the Street • The Devil Finds Work This collection provides the perfect entrée into Baldwin’s prescient commentary on race, sexuality, and identity in an unjust American society.
A study of how ordinary people deal with everyday problems through self-mastery and mental health care practices. Everyday suffering—those conditions or feelings brought on by trying circumstances that arise in everyone’s lives—is something that humans have grappled with for millennia. But the last decades have seen a drastic change in the way we approach it. In the past, a person going through a time of difficulty might keep a journal or see a therapist, but now the psychological has been replaced by the biological: instead of treating the heart, soul, and mind, we take a pill to treat the brain. Chemically Imbalanced is a field report on how ordinary people dealing with common problems explain their suffering, how they’re increasingly turning to the thin and mechanistic language of the “body/brain,” and what these encounters might tell us. Drawing on interviews with people dealing with struggles such as underperformance in school or work, grief after the end of a relationship, or disappointment with how their life is unfolding, Joseph E. Davis reveals the profound revolution in consciousness that is underway. We now see suffering as an imbalance in the brain that needs to be fixed, usually through chemical means. This has rippled into our social and cultural conversations, and it has affected how we, as a society, imagine ourselves and envision what constitutes a good life. Davis warns that what we envision as a neurological revolution, in which suffering is a mechanistic problem, has troubling and entrapping consequences. And he makes the case that by turning away from an interpretive, meaning-making view of ourselves, we thwart our chances to enrich our souls and learn important truths about ourselves and the social conditions under which we live. Praise for Chemically Imbalanced “Chemically Imbalanced is an excellent addition to the works in social sciences and humanities that examine the distress of ordinary Americans from the second half of the twentieth century onward, a period when commercialized pills and the psychology-based notion of self-improvement entered the minds of Americans.” —Metascience “Chemically Imbalanced raises important questions, offers new insight into the power and reach of the biomedical model and neurobiological thinking, and I highly recommend it. I encourage readers to assign it, especially in graduate-level mental health and illness classes—or any class looking for a discussion on people’s experiences with suffering and the broad impacts of biomedical thinking and treatment.” —Social Forces
