On the heels of the stunning success of the award-winning Brooklyn Noir, here comes the second volume of this groundbreaking series of original noir anthologies. The city of Chicago has spent much time and money over the last decade marketing itself as a tourist-friendly destination for the whole family. The stories in this anthology reclaim a Chicago where people struggle to survive and where, for many, crime is the only means for their survival - a Chicago once depicted by James Farrell and Nelson Algren.
“If ever a city was made to be the home of noir, it’s Chicago. These writers go straight to Chicago’s noir heart” (Aleksandar Hemon, National Book Award finalist and New York Times–bestselling author of The Lazarus Project). Chicago’s rough-and-tumble tough-guy reputation may have been replaced in recent years by the image of a tourist- and family-friendly town—but that original city isn’t gone. The hard-bitten streets once represented by James Farrell and Nelson Algren may have shifted locales, and they may be populated by different ethnicities, but Chicago is still a place where people struggle to survive and where, for many, crime is the only means for their survival. The stories in Chicago Noir reclaim that territory, in tales of hired killers and jazz men, drunks and dreamers, corrupt cops and ticket scalpers and junkies, of a place where hard cases face their sad fates, and pay for their sins in blood. Brand new stories by Neal Pollack, Achy Obejas, Alexai Galaviz-Budziszewski, Adam Langer, Joe Meno, Peter Orner, Kevin Guilfoile, Bayo Ojikutu, Jeffery Renard Allen, Luciano Guerriero, Claire Zulkey, Andrew Ervin, M.K. Meyers, Todd Dills, C.J. Sullivan, Daniel Buckman, Amy Sayre-Roberts, and Jim Arndorfer. “Chicago Noir is a legitimate heir to the noble literary tradition of the greatest city in America.” —Stephen Elliott, author of Happy Baby
What transforms a person into a killer? Can it be something as small as a suggestion? Turn this page, and you may forfeit your entire life. With My Annihilation, Fuminori Nakamura, master of literary noir, has constructed a puzzle box of a narrative in the form of a confessional diary that implicates its reader in a heinous crime. Delving relentlessly into the darkest corners of human consciousness, My Annihilation interrogates the unspeakable thoughts all humans share that can be monstrous when brought to life, revealing with disturbing honesty the psychological motives of a killer.
Part thinking-man's fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh
Discover the darker side of the Garden State with this anthology of gritty mystery stories. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each volume is compromised of all-new stories, each one set in a distinct location within the geographical area of the book. In New Jersey Noir, a star-studded cast of authors sifts through the hidden dirt of the Garden State. Featuring brand-new stories (and a few poems) by Joyce Carol Oates, Jonathan Safran Foer, Robert Pinsky, Edmund White & Michael Carroll, Richard Burgin, Pulitzer Prize–winner Paul Muldoon, Sheila Kohler, C.K. Williams, Gerald Stern, Lou Manfredo, S.A. Solomon, Bradford Morrow, Jonathan Santlofer, Jeffrey Ford, S.J. Rozan, Barry N. Malzberg & Bill Pronzini, Hirsh Sawhney, and Robert Arellano. Praise for New Jersey Noir “Oates’s introduction to Akashic’s noir volume dedicated to the Garden State, with its evocative definition of the genre, is alone worth the price of the book . . . Highlights include Lou Manfredo’s “Soul Anatomy,” in which a politically connected rookie cop is involved in a fatal shooting in Camden; S.J. Rozan’s “New Day Newark,” in which an elderly woman takes a stand against two drug-dealing gangs; and Jonathan Santlofer’s “Lola,” in which a struggling Hoboken artist finds his muse . . . . Poems by C.K. Williams, Paul Muldoon, and others—plus photos by Gerald Slota—enhance this distinguished entry.” —Publishers Weekly “It was inevitable that this fine noir series would reach New Jersey. It took longer than some readers might have wanted, but, oh boy, was it worth the wait . . . More than most of the entries in the series, this volume is about mood and atmosphere more than it is about plot and character . . . It should go without saying that regular readers of the noir series will seek this one out, but beyond that, the book also serves as a very good introduction to what is a popular but often misunderstood term and style of writing.” —Booklist, Starred Review “A lovingly collected assortment of tales and poems that range from the disturbing to the darkly humorous.” —Shelf Awareness
“All the heavy hitters, from Michael Connelly in Los Angeles to Joyce Carol Oates in suburban New Jersey . . . an important anthology.”—The New York Times Book Review (Editors’ Choice) Features Dennis Lehane’s story “Animal Rescue,” the inspiration for the movie The Drop starring Tom Hardy. Launched with the summer 2004 award-winning bestseller Brooklyn Noir, the groundbreaking Akashic Noir series now includes over sixty volumes and counting. The stories in USA Noir “represent the best of the U.S.-based anthologies, and the list of contributors include virtually anyone who’s made the best-seller list with a work of crime fiction in the last decade . . . a must-have anthology” (Booklist, starred review). Featuring stories by: Dennis Lehane, Don Winslow, Michael Connelly, George Pelecanos, Susan Straight, Jonathan Safran Foer, Laura Lippman, Pete Hamill, Joyce Carol Oates, Lee Child, T. Jefferson Parker, Lawrence Block, Terrance Hayes, Jerome Charyn, Jeffery Deaver, Maggie Estep, Bayo Ojikutu, Tim McLoughlin, Barbara DeMarco-Barrett, Reed Farrel Coleman, Megan Abbott, Elyssa East, James W. Hall, J. Malcolm Garcia, Julie Smith, Joseph Bruchac, Pir Rothenberg, Luis Alberto Urrea, Domenic Stansberry, John O’Brien, S.J. Rozan, Asali Solomon, William Kent Krueger, Tim Broderick, Bharti Kirchner, Karen Karbo, and Lisa Sandlin. One of Zoom Street Magazine’s Favorite Books of 2014 One of “100 Best Books for Readers Young and Old,” HispanicBusiness.com “Perhaps the single most impressive feature of the collection is its range of voices, from Joyce Carol Oates’ faux innocent young family to Megan Abbott’s impressionable high school kids to the chorus of peremptory voices S.J. Rozan plants in a haunted thief’s head. Eat your heart out, Walt Whitman: These are the folks who hear America singing, and moaning and screaming.”—Kirkus Reviews
A collection of sinister stories set in Kansas City features contributions from such noted mystery authors as Daniel Woodrell, Nancy Pickard, and J. Malcolm Garcia.
Thought necessarily reflects the times. Following the tragedy of the Holocaust, this fact became ever more clear. And it may be the reason postwar philosophical texts are so difficult to understand, since they confront incomprehensibly traumatic experiences. In this first English-language translation of any of his books, Miroslav Petříček — one of the most influential and erudite Czech philosophers, and a student of Jan Patočka — argues that to exist in the second half of the twentieth century and beyond, Western philosophy has had to rewrite its tradition and its discourse, radically transforming itself. Should philosophy be capable of bearing witness to the time, Petříček contends, this metamorphosis in philosophy is necessary. Offering an original Central European perspective on postwar philosophical discourse that reflects upon the historical underpinnings of pop culture phenomena and complex philosophical schools — including Adorno, Agamben, Benjamin, Derrida, Husserl, Kracauer, and many others — Philosophy en noir is a record of this transformation
This unique anthology of Iraqi noir fiction collects fourteen original stories of crime, conspiracy, regret, and revenge in the capital of Iraq. The centuries-old city of Baghdad has known many rulers, many troubles, and many crimes. But while most Iraqis would agree that their life has always been noir, there has not been a literary tradition to capture this aspect of the culture. By commissioning the fourteen stories collected here—most by Iraqi writers, all by authors familiar with Baghdad—editor Samuel Shimon and Akashic Books have created what may be the first anthology of Iraqi crime fiction ever assembled. Here you will read of life in Baghdad both during and after the Saddam Hussein era, with stories of fear in the shadow of a ruthless dictator; kidnappings in the time of U.S. occupation; detectives who investigate political conspiracies; and tales of revenge, assassination, mental illness, and family struggle in the war-torn City of Peace. Baghdad Noir includes brand-new stories by Sinan Antoon, Ali Bader, Mohammed Alwan Jabr, Nassif Falak, Dheya al-Khalidi, Hussain al-Mozany, Layla Qasrany, Hayet Raies, Muhsin al-Ramli, Ahmed Saadawi, Hadia Said, Salima Salih, Salar Abdoh, and Roy Scranton.
Malice and mayhem simmer beneath the surface of one of America's favorite vacation areas. “Youthful alienation and despair dominate the 13 stories in Akashic’s noir volume devoted to Cape Cod. [It] will satisfy those with a hankering for a taste of the dark side.” —Publishers Weekly “David L. Ulin has put together a malicious collection of short stories that will stay with you long after you return home safe.” —The Cult: The Official Chuck Palahniuk Website Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: William Hastings, Elyssa East, Dana Cameron, Paul Tremblay, Adam Mansbach, Seth Greenland, Lizzie Skurnick, David L. Ulin, Kaylie Jones, Fred G. Leebron, Ben Greenman, Dave Zeltserman, and Jedediah Berry. From the introduction by David L. Ulin: “Here, we see the inverse of the Cape Cod stereotype, with its sailboats and its presidents. Here, we see the flip side of the Kennedys, of all those preppies in docksiders eating steamers, of the whale watchers and bicycles and kites. Here, we see the Cape beneath the surface, the Cape after the summer people have gone home. It doesn’t make the other Cape any less real, but it does suggest a symbiosis, in which our sense of the place can’t help but become more complicated, less about vacation living than something more nuanced and profound . . . "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began. There are lines here, lines that get crossed and lines that never get crossed, the kinds of lines that form the web of noir. Call it what you want—summer and smoke is how I think of it—but that’s the Cape Cod at the center of this book.“
