Sometimes, something happens in your life that changes everything. When Sasha was six, her dad died suddenly and the world changed forever. Now she's twelve, it feels like things are changing all the time: her twin brother hardly talks to her any more, her mum's dating a teacher from school, her best friend Lily keeps going on about boys ... and Sasha doesn't feel ready for any of it. Why can't things just stay the same? The one place she can escape to is Blossom House, her secret place – an old, echoey, overgrown, beautiful, empty mansion, where the only thing that changes is the weather and the flowers in the garden. There's just one problem: it isn't hers. And even a house can have secrets ...
There were eggs in every bird’s nest, the air buzzed with honeybees, and cherry trees blossomed all at once. The poor villagers forgot their cares and gathered in the meadow to sing and dance their time away. But their miserly landlord refused to be happy. Mumbling and grumbling, he sat all alone eating a bowl of cherries and glaring at the merry villagers. Then, quite by accident, he swallowed a cherry pit. The pit began to sprout, and soon the landlord was the wonder of the village—a cherry tree was growing out of the top of his head! What happened to the cherry tree and to the wicked landlord is a favorite joke in Japan. Allen Say tells the story with wit and vitality, and his beautiful drawings complement this classic Japanese tale.
From the author of the critically-acclaimed debut People Who Knew Me comes the story of one man’s determination to abandon his will to live. Jonathan Krause is a man with a plan. He is going to quit his advertising job and, when his money runs out, he is going to die. He just has one final mission: A trip to Japan. It’s a trip he was supposed to take with his girlfriend, Sara. It’s a trip inspired by his regrets. And it’s a trip to pay homage to the Japanese, the inventors of his chosen suicide technique. In preparation for his final voyage, Jonathan enrolls in a Japanese language class where he meets Riko, who has her own plans to visit her homeland, for very different reasons. Their unexpected and unusual friendship takes them to Japan together, where they each struggle to make peace with their past and accept that happiness, loneliness, and grief come and go—just like the cherry blossoms. Haunted by lost love, Jonathan must decide if he can embrace the transient nature of life, or if he must choose the certainty of death.
Following the seventieth anniversary of the atomic bombing of Hiroshima, this is a new, very personal story to join Sadako and the Thousand Paper Cranes. Yuriko was happy growing up in Hiroshima when it was just her and Papa. But her aunt Kimiko and her cousin Genji are living with them now, and the family is only getting bigger with talk of a double marriage! And while things are changing at home, the world beyond their doors is even more unpredictable. World War II is coming to an end, and since the Japanese newspapers don’t report lost battles, the Japanese people are not entirely certain of where Japan stands. Yuriko is used to the sirens and the air-raid drills, but things start to feel more real when the neighbors who have left to fight stop coming home. When the bombs hit Hiroshima, it’s through Yuriko’s twelve-year-old eyes that we witness the devastation and horror. This is a story that offers young readers insight into how children lived during the war, while also introducing them to Japanese culture. Based loosely on author Kathleen Burkinshaw’s mother’s firsthand experience surviving the atomic bombing of Hiroshima, The Last Cherry Blossom hopes to warn readers of the immense damage nuclear war can bring, while reminding them that the “enemy” in any war is often not so different from ourselves.
Dreams are a window into the subconscious, and for those who understand their meanings, they are also a crucial step in self-understanding. In this comprehensive volume, author Cassandra Eason shares her decades of study on the subject. From visions of angels to trips to the zoo, from buying a dream home to escaping from demons, Eason catalogs 1,001 scenarios, exploring different types of dreams, practical symbolic meanings, dreams’ psychological underpinnings and spiritual significance, and all the ways in which dreams can be interpreted as warnings or indicators of events to come. Along with a fascinating introduction to dreams and the history of dreaming, this is an essential reference.
From Milk Morinaga, the author of the New York Times bestselling manga Girl Friends! When the cherry blossoms bloom it means the start of another school year—and for the girls at Sakuraki High, it signals the birth of new dreams, fears, and relationships. In "Even If We're Not Friends," Nana and Hitomi have been dear friends since childhood, but when Nana gets into the exclusive Sakuraki High while Hitomi doesn't, their true feelings for each other emerge. In "The Summer Closest to Heaven," Natsuka is a ghost who resides at the school, still in love with one of the former students who is now the school nurse. In "A Kiss, Love, and a Prince," Narumi gets her first kiss from Tachiba in the school play, and is shocked at being kissed by a girl. Fourteen stories of blossoming romance between girls are interspersed throughout this heartfelt and adorably illustrated manga collection.
'" It''s time for Yamada''s university entrance exams, and she''s super nervous! All her hard work is about to be put to the test. Will she get to follow her dreams and join Kase-san in Tokyo come spring? "'
But haiku is not limited to nature; it is a form that can delve deep into the human heart. In "Poems from the Heart," you will also encounter poems that explore the spectrum of human emotions, from love and longing to sorrow and introspection. These haikus are like mirrors reflecting the complexity of the human experience most succinctly and poignantly. "Poems from the Heart" is not just a collection of poems; it is an invitation to slow down, observe the world around you, and savor the beauty in simplicity. It is a reminder that even during our busy lives, there are moments of grace and wonder waiting to be discovered if we take the time to look. This book is a tribute to the countless haiku poets who have drawn inspiration from the natural world, from their own experiences, and the rich tapestry of human existence. It is a celebration of the profound impact that a few carefully chosen words can have on our hearts and minds.
Cherry Blossom Epiphany - the poetry and philosophy of a flowering tree - a selection, translation and lengthy explication of 3000 haiku, waka, senryû and kyôka about a major theme from I.P.O.O.H. (In Praise Of Olde Haiku)by robin d. gill 1. Haiku -Translation from Japanese to English 2. Japanese poetry - 8c-20c - waka, haiku and senryû 3. Natural History - flowering cherries 4. Japan - Culture - Edo Era 5. Nonfiction - Literature 6. Translation - applied 7. You tell me! If the solemn yet happy New Year's is the most important celebration of Japanese (Yamato) ethnic culture, and the quiet aesthetic practice of Moon-viewing in the fall the most elegant expression of Pan-Asian Buddhism=religion, the subject of this book, Blossom-viewing - which generally means sitting down together in vast crowds to drink, dance, sing and otherwise enjoy the flowering cherry in full-bloom - is less a rite than a riot (a word originally meaning an 'uproar'). The major carnival of the year, it is unusual for being held on a date that is not determined by astronomy, astrology or the accidents of history as most such events are in literate cultures. It takes place whenever the cherry trees are good and ready. Enjoyed in the flesh, the blossom-viewing, or hanami, is also of the mind, so much so, in fact, that poetry is often credited with the spread of the practice over the centuries from the Imperial courts to the maids of Edo. Nobles enjoyed link-verse contests presided over by famous poet-judges. Hermits hung poems feting this flower of flowers (to say the generic "flower" = hana in Japanese connotes "cherry!") on strips of paper from the branches of lone trees where only the wind would read them. In the Occident, too, flowers embody beauty and serve as reminders of mortality, but there is no flower that, like the cherry blossom, stands for all flowers. Even the rose, by any name, cannot compare with the sakura in depth and breadth of poetic trope or viewing practice. In Cherry Blossom Epiphany, Robin D. Gill hopes to help readers experience, metaphysically, some of this alternative world. Haiku is a hyper-short (17-syllabet or 7-beat) Japanese poem directly or indirectly touching upon seasonal phenomena, natural or cultural. Literally millions of these ku have been written, some, perhaps, many times, about the flowering cherry (sakura), and the human activity associated with it, blossom-viewing (hanami). As the most popular theme in traditional haiku (haikai), cherry-blossom ku tend to be overlooked by modern critics more interested in creativity expressed with fresh subjects; but this embarrassment of riches has much to offer the poet who is pushed to come up with something, anything, different from the rest and allows the editor to select from what is, for all practical purposes, an infinite number of ku. Literary critics, take note: Like Rise, Ye Sea Slugs! (2003) and Fly-ku! (2004), this book not only explores new ways to anthologize poetry but demonstrates the practice of multiple readings (an average of two per ku) as part of a composite translation turned into an object of art by innovative clustering. Book-collectors might further note that while Cherry Blossom Epiphany may not be hardback, it takes advantage of the many symbols included with Japanese font to introduce design ornamentation (the circle within the circle, the reverse (Buddhist) swastika, etc.) hitherto not found in English language print. It is a one-of-a-kind work of design by the author.
The most complete edition of Sigmund Freud’s classic work on the psychology and significance of dreams. What are the most common dreams and why do we have them? What does a dream about death mean? What do dreams of swimming, failing, or flying symbolize? First published in 1899, Sigmund Freud's groundbreaking book The Interpretation of Dreams explores why we dream and why dreams matter in our psychological lives. Delving into theories of manifest and latent dream content; the special language of dreams; dreams as wish fulfillments; the significance of childhood experiences; and much more, Freud offers an incisive and enduringly relevant examination of dream psychology. Encompassing dozens of case histories and detailed analyses of actual dreams, this landmark work grants us unique insight into our sleeping experiences. Renowned for translating Freud's German writings into English, James Strachey―with the assistance of Freud's daughter Anna―first published this edition in 1953. Incorporating all textual alterations made by Freud over a period of thirty years, it remains the most complete translation of the work in print.
