Few writers portray Native American life and history as richly, authentically, and insightfully as Robert J. Conley. Conley represents an important voice of the Cherokee past. The novels in his Real People series combine powerful characters, gripping plots, and vivid descriptions of tradition and mythology to preserve Cherokee culture and history. In Cherokee Dragon, the tenth novel in the series, Robert Conley explores the life if Dragging Canoe, the last great war chief of the united Cherokee tribe. In the late eighteenth century, as the English settlers begin steadily encroaching upon the Cherokee lands, the Nation divided among several towns and many chiefs?unites in a series of battles. But the united front is not one that lasts: Dragging Canoe’s belief that they must fight the settlers to preserve their lands and their culture is far from universal.
Gaming and chiefing. Imposters and freedmen. Distinguished novelist Robert J. Conley examines some of the most interesting facets of the Cherokee world. In 26 essays laced with humor, understatement, even open sarcasm, this popular writer takes on politics, culture, his people’s history, and what it means to be Cherokee. Readers who think they know Conley will find an abundance of surprises in these pages. He reveals historical information not widely known or written about, such as Cherokee Confederate general Stand Watie’s involvement in the infamous Reconstruction treaty forced upon his people in 1866, and he explains his admiration for such characters as Ned Christie and Henry Starr, whom some might consider criminals. From legendary figures Dragging Canoe and Nancy Ward to popular icons like Will Rogers to contemporary “Cherokee Wannabes”—people seeking ancestral roots whether actual or fanciful—Conley traces the dogged persistence of the Cherokee people in the face of relentless incursions upon their land and culture. “Cherokees are used to controversy,” observes Conley; “in fact, they enjoy it.” As provocative as it is entertaining, Cherokee Thoughts will intrigue tribal members and anyone with an interest in the Cherokee people.
In twenty-two original essays, leading historians reveal the radical impulses at the founding of the American Republic. Here is a fresh, new reading of the American Revolution that gives voice and recognition to a generation of radical thinkers and doers whose revolutionary ideals outstripped those of the “Founding Fathers.” While the Founding Fathers advocated a break from Britain and espoused ideals of republican government, none proposed significant changes to the fabric of colonial society. Yet during this “revolutionary” period some people did believe that “liberty” meant “liberty for all” and that “equality” should be applied to political, economic, and religious spheres. Here are the stories of individuals and groups who exemplified the radical ideals of the American Revolution more in keeping with our own values today. This volume helps us to understand the social conflicts unleashed by the struggle for independence, the Revolution’s achievements, and the unfinished agenda it left to future generations to confront.
Once the most powerful indigenous nation in the southeastern United States, the Cherokees survive and thrive as a people nearly two centuries after the Trail of Tears and a hundred years after the allotment of Indian Territory. In Our Fire Survives the Storm, Daniel Heath Justice traces the expression of Cherokee identity in that nation’s literary tradition. Through cycles of war and peace, resistance and assimilation, trauma and regeneration, Cherokees have long debated what it means to be Cherokee through protest writings, memoirs, fiction, and retellings of traditional stories. Justice employs the Chickamauga consciousness of resistance and Beloved Path of engagement—theoretical approaches that have emerged out of Cherokee social history—to interpret diverse texts composed in English, a language embraced by many as a tool of both access and defiance. Justice’s analysis ultimately locates the Cherokees as a people of many perspectives, many bloods, mingled into a collective sense of nationhood. Just as the oral traditions of the Cherokee people reflect the living realities and concerns of those who share them, Justice concludes, so too is their literary tradition a textual testament to Cherokee endurance and vitality. Daniel Heath Justice is assistant professor of aboriginal literatures at the University of Toronto.
New Plains Review is published semiannually in the spring and fall by the University of Central Oklahoma and is staffed by faculty and students. We are committed to publishing high quality poetry, fiction and creative non-fiction by established and emerging writers.New Plains Review started in 1986 as a student publication of the Liberal Arts College of Central State University (now the University of Central Oklahoma). They solicited and published manuscripts from students of the humanities.The publishers of the first issue said, "With zeal and reason, we provide an evocative forum wherein issues of concern to all fields of humanities may be discussed."Over the years, New Plains Review has expanded its range to invite writers beyond the university community. We receive hundreds of submissions from all over the country, and the authors we publish range from the well-known to the soon-to-be-discovered.
Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Diné sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recording thought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the critical impulse, we see how and why various types of contemporary Native literary production are interrelated and draw from long-standing indigenous methods of creative representation. Teuton breaks down the disabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression.
Perfect for fans of Neal Stephenson and Peter F. Hamilton, an epic science-fiction novel from Germany's most successful thriller writer. The first space elevator connects the Earth to the Moon, prompting a breathless race between the Americans and Chinese to get to the Moon's helium-3 - the rare element that promises to solve all the world's energy problems. In Shanghai, cyber-detective Owen Jericho has been hired to find Yoyo, a missing girl, but what started as a routine investigation soon develops into a nightmarish hunt. There's a crazed assassin hot on his heels, all because Yoyo accidentally stumbled onto a secret society called Hydra - and now it's not just her life at risk. Following the Hydra trail takes Jericho and Yoyo round the world and finally to the Gaia, the Moon's very first hotel, where a billionaire entrepreneur is entertaining some of the world's richest and most influential men and women But the secret society that is Hydra has its own plans for the Earth - and the Moon. And nothing and no one will be allowed to stand in its way.
Featuring the work of twenty-five fiction writers and poets, this anthology is a captivating introduction to the finest of contemporary Appalachian literature. Here are short stories and poems by some of the region’s most dynamic and best-loved authors: Barbara Kingsolver, Ron Rash, Nikki Giovanni, Robert Morgan, Lisa Alther, and Lee Smith among others. In addition to compelling selections from each writer’s work, the book includes illuminating biographical sketches and bibliographies for each author. These works encompass a variety of themes that, collectively, capture the essence of Appalachia: love of the land, family ties, and the struggle to blend progress with heritage. Readers will enjoy this book not just for the innate value of good literature but also for the insights it provides into this fascinating area. This book of fiction is an enlightening companion to non-fiction overviews of the region, including the Encyclopedia of Appalachia and A Handbook to Appalachia: An Introduction to the Region, both published by the University of Tennessee Press in 2006. In fact the five sections of this book are the same as those of the Encyclopedia. Educators and students will find this book especially appropriate for courses in creative writing, Appalachian studies and Appalachian literature. Editor George Brosi’s foreword presents an historical overview of Appalachian Literature, while Kate Egerton and Morgan Cottrell’s afterword offers a helpful guide for studying Appalachian literature in a classroom setting. George Brosi is the editor of Appalachian Heritage, a literary quarterly, and, along with his wife, Connie, runs a retail book business specializing in books from and about the Appalachian region. He has taught creative writing, Appalachian studies and Appalachian literature. Kate Egerton is an associate professor of English at Berea College. She has taught Appalachian literature and published scholarship in that field as well as in modern drama. Samantha Cole majored in Appalachian Studies and worked for Appalachian Heritage while a student at Berea College. Morgan Cottrell is a West Virginia native who took Kate Egerton's Appalachian literature class at Berea College.
