Charting Women's Journeys is about the meaning of addiction and recovery in the lives of twenty-five Appalachian women who have been practicing abstinence from the use of alcohol and/or drugs for eighteen months or more in a small rural community in the United States. The empirical focus is on the ways in which these women's lives have been transformed through the processes of addiction to and abstinence from these substances.
This anthology is a collaborative effort in giving a voice to remarkable women who have struggled with pain, sorrow, disappointment and life challenges. Yet, they are able to stand in their power and stay focused on their dreams and desires. They have built doors when they were faced with a wall. It is our hope that the future generations know they are worthy and capable of moving mountains.
The Heroine’s Journey describes contemporary woman’s search for wholeness in a society where she has been defined according to masculine values. Drawing on cultural myths and fairy tales, ancient symbols and goddesses, and the dreams of contemporary women, Murdock illustrates the need for—and the reality of—feminine values in Western culture. This special anniversary edition, with a new foreword by Christine Downing and preface by the author, illuminates that this need is just as relevant today as it was when the book was originally published thirty years ago.
The debate between the Old and New perspectives on Paul has reached a stalemate. But what if Paul's own theological perspective developed over time? Starting with the teaser that "both 'camps' are right, but not all the time," Garwood Anderson unfolds a new proposal for overcoming the deadlock, infusing new energy into the quest for understanding Paul's mind and letters.
The 3 charts in this book guide us in helping determine by our free will, our Choices, which gives us the Consequences and Conditions for our summit climb to Spiritual Knowledge and ultimate 3rd Journey for our Soul.
This edited collection brings together established global scholars and new thinkers to outline fresh concepts and theoretical perspectives for criminological research and analysis in the 21st century. Criminologists from the UK, USA, Canada and Australia evaluate the current condition of criminological theory and present students and researchers with new and revised ideas from the realms of politics, culture and subjectivity to unpack crime and violence in the precarious age of global neoliberalism. These ideas range from the micro-realm of the ‘personality disorder’ to the macro-realm of global ‘power-crime’. Rejecting or modifying the orthodox notion that crime and harm are largely the products of criminalisation and control systems, these scholars bring causes and conditions back into play in an eclectic yet thematic way that should inspire students and researchers to once again investigate the reasons why some individuals and groups elect to harm others rather than seek sociability. This collection will inspire new criminologists to both look outside their discipline for new ideas to import, and to create new ideas within their discipline to reinvigorate it and further strengthen its ability to explain the crimes and harms that we see around us today. This book will be of particular interest to academics and both undergraduate and postgraduate students in the field of criminology, especially to those looking for theoretical concepts and frameworks for dissertations, theses and research reports.
Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wider Mediterranean region. The presence of Mediterranean minority groups such as Arabs, Armenians, Jews and Turks within commedia dell' arte is marked on stage and 'backstage' where they were collaborators in the creative process. In addition, gendered performances by the first female actors participated in 'staging' the Mediterranean by using the female body as a canvas for cartographical imaginings. By focusing attention on the various communities involved in the making of theatre, a central preoccupation of the book is to question the dynamics of 'exchange' as it materialized within a spectrum inclusive of both cultural collaboration but also of taxation and coercion.
Criminology is at a crossroads. In the last two decades it has largely failed to produce the kind of new intellectual frameworks and empirical data that might help us to explain the high levels of crime and interpersonal violence that beset inner city areas and corrode community life. Similarly, it has failed to adequately explain forms of antisocial behaviour that are just as much a part of life in corporate boardrooms as they are in the ghettos of north America and the sink estates of Britain. Criminology needs to rethink the problem of crime and re-engage its audience with strident theoretical analysis and powerful empirical data. In New Directions in Crime and Deviancy some of the world’s most talented and polemical critical criminologists come together to offer new ideas and new avenues for analysis. The book contains chapters that address a broad range of issues central to 21st century critical criminology: ecological issues and the new green criminology; the broad impact of neoliberalism upon our cultural and economic life; recent signs of political resistance and opposition; systemic and interpersonal forms of violence; growing fear and enmity in cities; the backlash against the women’s movement; the subjective pathology of the serial killer; computer hacking and so on. Based on key papers presented at the historic York Deviancy Conferences, this cutting-edge volume also contains important critical essays that address criminological research methods and the production of criminological knowledge. It is key reading material for those with an academic interest in critical, cultural and theoretical criminology, and crime and deviance more generally.
Approaching postcolonial theory through cultural analysis, this book offers an accessible and concrete appraisal of current developments in postcolonial criticism. Detailed readings of a range of Anglophone Caribbean migrant women's texts from the late 1980s and 1990s lead to sharp insights into three issues that are crucial to an understanding of the field: place, voice, and silence. The discussion of these issues allows us to trace current feminist, postmodern, and postcolonial debates about the nature of the speaking subject, as it is emerging from today's postcolonial cultural practices. Postcolonial criticism often understands this subject as hybrid and multiple. This book shows how the specifics of this multiplicity must be acknowledged through analysis of the power structures and the violence through which this multiple subject is established. The book is also a consistent inquiry into reading positions. The argument about the differences between postcolonialist, black and Caribbean feminist, white feminist, and postmodern criticism is conducted as a discussion about the effects, insights, and blindnesses produced by these different ways of reading Caribbean migrant women's writing. Scrutinizing the grain of these texts encourages us to move beyond the kind of general statements for which postcolonial theory has been severely criticized. The author also extends her critique of reading positions to issues of methodology, using these approaches to direct her interpretation. Narratology is supplemented by an analysis of the interdiscursive processes through which texts are created, and psychoanalytic concepts are used to explore the ambiguous merits of postcolonial reading. Above all, In Praise of New Travelers celebrates the vigorous, subversive, and liberating creativity of an accomplished generation of Caribbean migrant women writers.
