A reprint of the 1984 original, in which mime Kamin examines Chaplin's performance techniques. Foreword by Marcel Marceau. Annotation copyrighted by Book News, Inc., Portland, OR
From his early shorts in the 1910s through his final film in 1967, Charlie Chaplin's genius embraced many arts: mime, dance, acting, music, writing, and directing. The Comedy of Charlie Chaplin: Artistry in Motion examines Chaplin's fusion of these arts in his films, providing new understanding of how movement communicates, how comedy routines are structured, and how stage skills can be translated to the screen. An acclaimed comic performing artist himself, Dan Kamin brings a unique insider's perspective to the subject. He explores how Chaplin's physical virtuosity led him to create the timeless visual comedy that brought silent films to their peak. Kamin uncovers the underlying principles behind the filmmaker's gags, illuminating how Chaplin conjured comedy from the fundamental physical laws of movement. He then presents provocative new interpretations of the comedian's sound films, showing how Chaplin remained faithful to his silent comedy roots even as he kept reinventing his art for changing times. Kamin also offers new insights into how Chaplin achieved rapport with audiences and demonstrates how comedy created nearly a century ago is still fresh today. Lavishly illustrated with many never-before-published images, The Comedy of Charlie Chaplin provides the only in-depth analysis of Chaplin as a movement artist and physical comedian. Revealing the inner working of Chaplin's mesmerizing art, this book will appeal not just to Chaplin fans but to anyone who loves comedy. This paperback edition features an annotated bibliography and a foreword by Scott Eyman, author of Empire of Dreams: The Epic Life of Cecil B. DeMille and Print the Legend: The Life and Times of John Ford.
A study of Charlie Chaplin, considered the world's greatest cinematic comedian and a man said to be one of the most influential screen artists in movie history.
Examining the legendary actor's life, art, and controversial politics within the context of their times, Lynn presents a fresh and definitive portrait of Chaplin.
"This book is a visual and oral history, telling the story of Chaplin's pursuit of beauty, and how he captured it on film. Compiled primarily from documents in the Charlie Chaplin archives, as well as other archives around the world, this book shows how Chaplin's work was not only inspired by his early poverty-stricken life in London, but also by his working life in the music halls of Britain and on the vaudeville stages of America."--Introduction, page 9.
Drawing on research and interviews with those who knew Chaplin, Jeffrey Vance presents an illustrated account which captures Chaplin's fascinating life and his creative process, as well as describing in detail the main themes and ideas that persist through the major Chaplin films.
Film star Charlie Chaplin spent February 1931 through June 1932 touring Europe, during which time he wrote a travel memoir entitled “A Comedian Sees the World.” This memoir was published as a set of five articles in Women’s Home Companion from September 1933 to January 1934 but until now had never been published as a book in the U.S. In presenting the first edition of Chaplin’s full memoir, Lisa Stein Haven provides her own introduction and notes to supplement Chaplin’s writing and enhance the narrative. Haven’s research revealed that “A Comedian Sees the World” may very well have been Chaplin’s first published composition, and that it was definitely the beginning of his writing career. It also marked a transition into becoming more vocally political for Chaplin, as his subsequent writings and films started to take on more noticeably political stances following his European tour. During his tour, Chaplin spent time with numerous politicians, celebrities, and world leaders, ranging from Winston Churchill and Mahatma Gandhi to Albert Einstein and many others, all of whom inspired his next feature films, Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and A King in New York (1957). His excellent depiction of his experiences, coupled with Haven’s added insights, makes for a brilliant account of Chaplin’s travels and shows another side to the man whom most know only from his roles on the silver screen. Historians, travelers, and those with any bit of curiosity about one of America’s most beloved celebrities will all want to have A Comedian Sees the World in their collections. Available only in the USA and Canada.
By the end of 1914, Charlie Chaplin had become the most popular actor in films, and reporters were clamoring for interviews with the comedy sensation. But no reporter had more access than Fred Goodwins. A British actor who joined Chaplin’s stock company in early 1915, Goodwins began writing short accounts of life at the studio and submitted them to publications. In February 1916 the British magazine Red Letter published the first of what became a series of more than thirty-five of Goodwins’s articles. Written in breezy prose, the articles cover a two-year period during which Chaplin’s popularity and creativity reached new heights. Only one copy of the complete series is known to exist, and its recent rediscovery marks a significant find for Chaplin fans. Charlie Chaplin’s Red Letter Days: At Work with the Comic Genius is a vivid account of the ebb and flow of life at the Chaplin studio. Goodwins was an astute observer who deepens our understanding of Chaplin’s artistry and sheds new light on his personality. He also provides charming and revealing portraits of Chaplin’s unsung collaborators, such as his beloved costar Edna Purviance, his burly nemesis Eric Campbell, and other familiar faces that populate his films. Goodwins depicts Chaplin in the white heat of artistic creation, an indefatigable imp entertaining and inspiring the company on the set. He also describes gloomy, agonizing periods when Chaplin was paralyzed with indecision or exhaustion, or simply frustrated that it was raining and they couldn’t shoot. Reproduced here for the first time, the articles have been edited by film historian David James and annotated by Chaplin expert Dan Kamin to highlight their revelations. Illustrated with a selection of rare images that reflect the Chaplin craze, including posters, sheet music, and magazine covers, Charlie Chaplin’s Red Letter Days provides a fascinating excursion into the private world of the iconic superstar whose films move and delight audiences to this day. It will appeal to movie fans, comedy buffs, and anyone who wants to know what really went on behind the scenes with Chaplin and his crew.
Many remember Charlie Chaplin's comic masterpiece, The Gold Rush, as the finest blend of comedy and farce ever brought to the screen. Far fewer remember its heroine, Georgia Hale (1900-1985). Seventy years after the film's appearance, Heather Kiernan brings Georgia Hale back to life in this edition of her hitherto unpublished memoirs. Research work embodied in her perceptive introduction clears up many uncertainties about Hale's life and provides an outline of her most significant years. Hale's own chief purpose was to describe her long and close relationship with Chaplin and his dual personality, which made the relationship at times a love-hate one. As Chaplin's constant companion during the years 1928-1931, she became a part of his social circle, meeting people as diverse as Marion Davies, Sergei Eisenstein, Ralph Barton, and Albert Einstein. The memoir effectively ends with Chaplin's marriage in June 1943 to Oona O'Neill. This unique book contains illustrations from the Chaplin archive, most of which are published here for the first time.
Expert novelizations of ten early Chaplin films include The Bank, A Woman, Work, The Champion, His New Job, By the Sea, A Night Out, The Tramp, In the Park, and A Jitney Elopement.