First published in 1912, this was the first work to inquire into the many musical references in Dickens's works and the interesting light those references shed on ordinary musical life in the English household, the various instruments to be found there, certain songs and singers, and the place of church music in the home. Includes six valuable lists of musical references in Dickens and his times. This examination of the various musical references in Dickens' works is of the utmost importance from the historical point of view, for they reflect the general condition of ordinary musical life in England during the middle of the 19th century. This title is cited and recommended by the Cambridge Bibliography of English Literature.
"Charles Dickens and Music" by James T. Lightwood. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Excerpt from Charles Dickens and Music For many years I have been interested in the various musical references in Dickens' works, and have had the impression that a careful examination of his writings would reveal an aspect of his character hitherto unknown, and, I may add, unsuspected. The centenary of his birth hastened a work long contemplated, and a first reading (after many years) brought to light an amount of material far in excess of what I anticipated, While a second examination convinced me that there is, perhaps, no great writer who has made a more extensive use of music to illustrate character and create incident than Charles Dickens. From an historical point of View these references are of the utmost importance, for they reflect to a nicety the general condition of ordinary musical life in England during the middle of the last century. We do not, of course, look to Dickens for a history of classical music during the period those who want this will find it in the newspapers and magazines; but for the story of music in the ordinary English home, for the popular songs of the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book Excerpt: wilderness of shrubs, in the centre of the square.... Sounds of gruff voices practising vocal music invade the evening's silence, and the fumes of choice tobacco scent the air. There, snuff and cigars and German pipes and flutes, and violins and violoncellos, divide the supremacy between them. It is the region of song and smoke. Street bands are on their mettle in Golden Square, and itinerant glee singers quaver involuntarily as they raise their voices within its boundaries. We have another picture in the description of Dombey's house, where-- the summer sun was never on the street but in the morning, about breakfast-time.... It was soon gone again, to return no more that day, and the bands of music and the straggling Punch's shows going after it left it a prey to the most dismal of organs and white mice. As a Singer Most of the writers about Dickens, and especially his Read More
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Dickens, Journalism, Music presents the first full analysis of the articles on music published in the two journals conducted by Charles Dickens, Household Words and its successor, All the Year Round. Robert Bledsoe examines the editorial influence of Dickens on articles written by a range of writers and what it reveals about his own developing attitude to music and its social role in parks, community singing groups, music halls and on the streets. The book also looks at the difference between the two journals and how the greater coverage of classical music and opera in All the Year Round reflects the increasing importance of music to Dickens in his later life.
