Changing Images of Law in Film & Television Crime Stories

Changing Images of Law in Film & Television Crime Stories

Author: Timothy O. Lenz

Publisher: Politics, Media, and Popular Culture

Published: 2003

Total Pages: 212

ISBN-13:

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One of the most important legal developments in the last half of the twentieth century was the change from criminal justice policies shaped primarily by liberal ideas to those shaped primarily by conservative ideas. This book examines images of law in Hollywood films and television crime dramas to better understand this conservative revolution in thinking about crime. The crime stories depicted in popular legal fiction provide interesting as well as insightful perspectives on law in American society, particularly changing images of justice and its administration as well as individual rights.


Framing Law and Crime

Framing Law and Crime

Author: Caroline Joan "Kay" S. Picart

Publisher: Rowman & Littlefield

Published: 2016-04-01

Total Pages: 539

ISBN-13: 1611477069

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This cutting-edge edited collection brings together 17 scholarly essays on two of cinema and television’s most enduring and powerful themes: law and crime. With contributions by many of the most prominent scholars in law, sociology, criminology, and film, Framing Law and Crime offers a critical survey of a variety of genres and media, integrating descriptions of technique with critical analysis, and incorporating historical and socio-political critique. The first set of essays brings together accounts of the history of the Law and Cinema Movement; the groundbreaking genre of “post-apocalyptic fiction;” and the policy-setting genesis of a Canadian documentary. The second section of the book turns to the examination of a range of international or global films, with an eye to assessing the strengths, frailties, and possible functions of law, as depicted in fictional cinema. After an international focus in the second section, the third section focuses on law and crime in American film and television, inclusive of both fictional and documentary modes of narration. This section’s expansion beyond film narratives to include television series attempts to broaden the scope of the edited collection, in terms of media discussed; it is also a nod to how the big screen, although still a dominant force in American popular culture, now has to compete, to some extent, with the small screen, for influence over the collective American popular cultural imaginary. The fourth section, titled brings together various chapters that attempt to instantiate how a “Gothic Criminology” could be useful, as an interpretative framework in analyzing depictions of law and crime in film and television. The fifth and final section covers issues of pedagogy, epistemology, and ethics in relation to moving images of law and crime. Merging wide-ranging analyses with nuanced scholarly interpretations, Framing Law and Crime examines key concepts and showcases original research reflecting the latest interdisciplinary trends in the scholarship of the moving image. It addresses, not only scholars, but also fans, and will heighten the appreciation of connoisseurs and newcomers to these topics alike.


Law on the Screen

Law on the Screen

Author:

Publisher: Stanford University Press

Published: 2005-03-29

Total Pages: 294

ISBN-13: 9780804767675

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The proliferation of images of law, legal processes, and officials on television and in film is a phenomenon of enormous significance. Mass-mediated images are as powerful, pervasive, and important as are other early twenty-first-century social forces--e.g. globalization, neo-colonialism, and human rights--in shaping and transforming legal life. Yet scholars have only recently begun to examine how law works in this new arena and to explore the consequences of the representation of law in the moving image. Law on the Screen advances our understanding of the connection between law and film by analyzing them as narrative forms, examining film for its jurisprudential content--that is, its ways of critiquing the present legal world and imagining an alternative one--and expanding studies of the representation of law in film to include questions of reception.


Crime in TV, the News, and Film

Crime in TV, the News, and Film

Author: Beth E. Adubato

Publisher: Rowman & Littlefield

Published: 2022-05-20

Total Pages: 233

ISBN-13: 1793628696

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Crime in TV, the News, and Film provides a fresh look at the interplay between criminal events and the media outlets that cover them. The authors’ diverse backgrounds— a criminologist researcher, a documentarian and media professor, a police officer, and a criminologist who is a former TV reporter— allow for frank discussion. Combining field experience with criminological research, the book gives insight to the everyday media operations that can produce most people’s views on crime and profoundly influence public opinion— public opinion that often frames public policy. Viewers of crime dramas and consumers of news will gain a new understanding of the way their programs are produced. Readers will become more aware of the issues and biases that sometimes cloud perceptions of crime and criminals. Finally, both experts and scholars interested in the subject will improve their discernment of media stories and media depictions, shining a light on crime in a hazy field. This book can be used in the classroom for an array of courses in the fields of media and communications, criminology, sociology, and more.


Law and Justice as Seen on TV

Law and Justice as Seen on TV

Author: Elayne Rapping

Publisher: NYU Press

Published: 2003-11-01

Total Pages: 309

ISBN-13: 0814777198

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Law and Justice as Seen on TV examines the impact, significance, and social and political problems raised by the enormous onslaught of law-related television programming, both fiction and nonfiction, in the years since the rise of live televised trials as major media events. The book weaves together the various strands—media history and analysis, legal history and policy, and the national turn to the political right in the last decades—which gave birth to this trend and has kept it thriving and growing, by leaps and bounds, to the present day. Beginning with the history of courtroom drama on TV and its various contradictions and shifts, since the late 1940s to the present, the book analyzes the various entertainment series and genres that have so proliferated in recent years, giving special attention to such popular and influential series as "Law and Order" and "Cops." The second section begins by charting the complex and contested history of the coming of cameras to the courtroom and the way in which that legal decision led to televised trials and to the rise of Court TV. It examines as especially interesting and important the major trials—such as those of the Menendez brothers, O.J. Simpson, and Timothy McVeigh—which helped to shape the way television came to frame trials and their social implications for public consumption. From there it examines major social issues—gender violence, youth crime, family dysfunction, victims' rights which, with the rise of the courtroom as a major political and television arena, have come to be viewed largely as legal issues to be discussed and determined in legal terms by Americans in general. Accessible and lucid, Law and Justice as Seen on TV concludes with an examination of the broad implications of this social and cultural trend, closing with some thoughts about its expansion, on television and in the actual legal arena, during the "war on terrorism" in the wake of 9/11.


Law and Justice on the Small Screen

Law and Justice on the Small Screen

Author: Peter Robson

Publisher: Bloomsbury Publishing

Published: 2012-08-01

Total Pages: 488

ISBN-13: 1847319947

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'Law and Justice on the Small Screen' is a wide-ranging collection of essays about law in and on television. In light of the book's innovative taxonomy of the field and its international reach, it will make a novel contribution to the scholarly literature about law and popular culture. Television shows from France, Canada, the United Kingdom, Germany, Spain and the United States are discussed. The essays are organised into three sections: (1) methodological questions regarding the analysis of law and popular culture on television; (2) a focus on genre studies within television programming (including a subsection on reality television), and (3) content analysis of individual television shows with attention to big-picture jurisprudential questions of law's efficacy and the promise of justice. The book's content is organised to make it appropriate for undergraduate and graduate classes in the following areas: media studies, law and culture, socio-legal studies, comparative law, jurisprudence, the law of lawyering, alternative dispute resolution and criminal law. Individual chapters have been contributed by, among others: Taunya Banks, Paul Bergman, Lief Carter, Christine Corcos, Rebecca Johnson, Stefan Machura, Nancy Marder, Michael McCann, Kimberlianne Podlas and Susan Ross, with an Introduction by Peter Robson and Jessica Silbey.


A Critique of Judgment in Film and Television

A Critique of Judgment in Film and Television

Author: S. Panse

Publisher: Springer

Published: 2014-04-24

Total Pages: 467

ISBN-13: 1137014180

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A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment.


True Stories of Law & Order

True Stories of Law & Order

Author: Kevin Dwyer

Publisher:

Published: 2007-04

Total Pages: 0

ISBN-13: 9780786294503

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Presents twenty-five true crime stories behind the television show "Law and Order."


Law's Moving Image

Law's Moving Image

Author: Leslie Moran

Publisher: Routledge

Published: 2012-12-06

Total Pages: 335

ISBN-13: 1135311722

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This book is an essential introduction to the complex issues and debates in the field of law and film. It explores interconnections that are usually ignored between law and film through three main themes: A Fantastic Jurisprudence explores representations of law in law Law, Aesthetics and Visual Technologies focuses on the visual aspects of law's moving image Regulation: Histories, Cultures, Practices brings together work on different dimensions and contexts of regulation, censorship, state subsidies and intellectual property to explore the complex inter-relationship between the state, industry and private regulation. Law's Moving Image is an innovative, multi-disciplinary contribution to the rapidly growing fields of study in law and film, law and visual culture, law and culture, criminology, social and cultural studies. It will be of interest to students and academics involved in these areas.