Ceramics of Ancient America

Ceramics of Ancient America

Author: Yumi Park Huntington

Publisher: University Press of Florida

Published: 2018-09-12

Total Pages: 385

ISBN-13: 0813052416

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This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies. Contributors from a variety of backgrounds in these fields explore what ceramics can reveal about ancient social dynamics, trade, ritual, politics, innovation, iconography, and regional styles. Essays identify supernatural and humanistic beliefs through formal analysis of Lower Mississippi Valley "Great Serpent" effigy vessels and Ecuadorian depictions of the human figure. They discuss the cultural identity conveyed by imagery such as Andean head motifs, and they analyze symmetry in designs from locations including the American Southwest. Chapters also take diachronic approaches—methods that track change over time—to ceramics from Mexico’s Tarascan State and the Valley of Oaxaca, as well as from Maya and Toltec societies. This volume provides a much-needed multidisciplinary synthesis of current scholarship on Ancient American ceramics. It is a model of how different research perspectives can together illuminate the relationship between these material artifacts and their broader human culture. Contributors: | Dean Arnold | George J. Bey III | Michael Carrasco | David Dye | James Farmer | Gary Feinman | Amy Hirshman | Yumi Park Huntington | Johanna Minich | Shelia Pozorski and Thomas Pozorski | Jeff Price | Sarahh Scher | Dorothy Washburn | Robert F. Wald


Ceramic Production in the American Southwest

Ceramic Production in the American Southwest

Author: Barbara J. Mills

Publisher:

Published: 1995

Total Pages: 328

ISBN-13:

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Southwestern ceramics have always been admired for their variety and aesthetic beauty. Although ceramics are most often used for placing the peoples who produced them in time, they can also provide important clues to past economic organization.This volume covers nearly 1000 years of southwestern prehistory and history, focusing on ceramic production in a number of environmental and economic contexts. It brings together the best of current research to illustrate the variation in the organization of production evident in this single geographic area.The contributors use diverse research methods in their studies of vessel form and decoration. All support the conclusion that the specialized production of ceramics for exchange beyond the household was widespread. The first seven chapters focus on ceramic production in specific regions, followed by three essays that re-examine basic concepts and offer new perspectives. Because previous studies of southwestern ceramics have focused more on distribution than production, Ceramic Production in the American Southwest fills a long-felt need for scholars in that region and offers a broad-based perspective unique in the literature. The Southwest lacked high levels of sociopolitical complexity and economic differentiation, making this volume of special interest to scholars working in similar contexts and to those interested in craft production.


American Art Pottery

American Art Pottery

Author: Alice Cooney Frelinghuysen

Publisher: Metropolitan Museum of Art

Published: 2018-09-25

Total Pages: 392

ISBN-13: 1588395960

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p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} At the height of the Arts and Crafts era in Europe and the United States, American ceramics were transformed from industrially produced ornamental works to handcrafted art pottery. Celebrated ceramists such as George E. Ohr, Hugh C. Robertson, and M. Louise McLaughlin, and prize-winning potteries, including Grueby and Rookwood, harnessed the potential of the medium to create an astonishing range of dynamic forms and experimental glazes. Spanning the period from the 1870s to the 1950s, this volume chronicles the history of American art pottery through more than three hundred works in the outstanding collection of Robert A. Ellison Jr. In a series of fascinating chapters, the authors place these works in the context of turn-of-the-century commerce, design, and social history. Driven to innovate and at times fiercely competitive, some ceramists strove to discover and patent new styles and aesthetics, while others pursued more utopian aims, establishing artist communities that promoted education and handwork as therapy. Written by a team of esteemed scholars and copiously illustrated with sumptuous images, this book imparts a full understanding of American art pottery while celebrating the legacy of a visionary collector.


Ceramics of Iran

Ceramics of Iran

Author: Oliver Watson

Publisher: Yale University Press

Published: 2020-11-24

Total Pages: 529

ISBN-13: 0300254288

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A beautifully illustrated showcase of the rich and varied ceramic tradition of Iran Featuring a broad selection of objects from one of the most distinguished collections of Iranian art, this volume brings together over 1,000 years of Persian Islamic pottery. With more than 500 illustrations, authoritative technical treatises, and insightful commentary, Ceramics of Iran assembles a collection of rarely seen treasures from the Persian world and presents a collective history of its renowned ceramic tradition. Included among its comprehensive catalogue entries are numerous translations of the object’s inscriptions, providing readers with a richer and more detailed understanding of the cultural heritage from which these items are derived. In addition, the book contains new research and material from previously unknown sites. Featuring all new photography of nearly 250 objects, Ceramics of Iran brings the extraordinary contributions of Persian art into a wider historical context, along with a wealth of images to demonstrate the full scope of its intricate beauty.


Ceramics in America 2020

Ceramics in America 2020

Author: Robert Hunter

Publisher:

Published: 2021

Total Pages:

ISBN-13: 9780986385780

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The 2020 volume of Ceramics in America is a celebration of the depth and diversity of ceramics in the American context. Beautifully illustrated articles explore the use of clay from the most basic building bricks to refined earthenwares promoting the political and economic issues of the American Revolution. Of special interest is the origin of the ceramic manufacturing spark in America, looking at the Franklin Institute in Philadelphia cited by historians and connoisseurs as the height of recognition of achievement for ceramic production in the United States. The archaeological discovery of rare "black delft" teapot fragments from Charleston's Drayton Hall is recounted in an exciting collector's narrative. Other articles will include a profile of North Carolina potter David Stuempfle who continues the old-age tradition of producing wood fired stoneware, a study of Thomas Jefferson's Chinese porcelain, and Pueblo pottery collected by a German Museum in the early twentieth century.


Alternative American Ceramics, 1870-1955

Alternative American Ceramics, 1870-1955

Author: Ken Forster

Publisher: Schiffer Limited

Published: 2010

Total Pages: 0

ISBN-13: 9780764336102

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A study of pottery not made for profit. Details recreational, therapeutic, governmental, philanthropic, academic, and other non-commercial programs in pottery.


Ceramic and Glass Materials

Ceramic and Glass Materials

Author: James F. Shackelford

Publisher: Springer Science & Business Media

Published: 2008-04-12

Total Pages: 209

ISBN-13: 0387733620

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This is a concise, up-to-date book that covers a wide range of important ceramic materials used in modern technology. Chapters provide essential information on the nature of these key ceramic raw materials including their structure, properties, processing methods and applications in engineering and technology. Treatment is provided on materials such as alumina, aluminates, Andalusite, kyanite, and sillimanite. The chapter authors are leading experts in the field of ceramic materials. An ideal text for graduate students and practising engineers in ceramic engineering, metallurgy, and materials science and engineering.


American Studio Ceramics

American Studio Ceramics

Author: Martha Drexler Lynn

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 433

ISBN-13: 0300212739

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A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art


A Century of Ceramics in the United States, 1878-1978

A Century of Ceramics in the United States, 1878-1978

Author: Garth Clark

Publisher: New York : E. P. Dutton

Published: 1979

Total Pages: 430

ISBN-13:

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From the Inside Cover: The history of American ceramics from the celebration of the Centennial (1876) to the present day is rich, varied, and relatively undocumented. It is a period studded with men and women of genius, uncompromising ethical standards, and engaging eccentricity. The purpose of the exhibition at the Everson Museum of Art, Syracuse, New York, and this book based on it is to present the history of American ceramics, its aesthetic and its influence, and so provide a perspective. Comprised of over 400 pieces, the majority of which are illustrated in this book, the exhibition and book span one hundred years of creative endeavor. In the decade-by-decade presentation, a variety of styles, philosophies, and techniques of ceramic artists is shown in this first study focusing on the role of ceramics in the modern, decorative, and fine arts of the United States. The journey of self-discovery and purpose that is surveyed here is an extraordinary one. It takes the ceramic medium in the United States from an imitative, exploratory stance in the late nineteenth century to a vanguardist role in the 1950s and beyond. The achievement is twofold. On the one hand, the American ceramists had established a beachhead for a traditional craft medium in the fine arts, redefining the vessel aesthetic and presenting ceramic sculpture as an intimate and meaningful alternative to the cerebral quality of postwar metal sculpture. More broadly, however, it reflects the triumph of a nation that has been able to achieve a cultural voice and identity through the arts in the brief space of one hundred years.