'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Papanikola-Bakirtzis shows how the items found at Serres allow for detailed reconstruction of the processes used by Late Byzantine potters. Charalambos Bakirtzis provides an overview of the cultural setting in which Serres pottery was made.
This book celebrates thirty years of Ceramic Ecology, an international symposium initiated at the 1986 American Anthropological Association. Contributions explore the application of instrumental techniques and experimental studies to analyze ceramics and follow innovative approaches to evaluate methods and theories.
This cohesive edited volume showcases data collected from more than seven thousand ceramic artifacts including pottery, figurines, clay pipes, and other objects from sites across South America. Covering a time span from 900 BC to AD 1500, the essays by leading archaeologists working in South America illustrate the diversity of ceramic provenance investigations taking place in seven different countries. An introductory chapter provides a background for interpreting compositional data, and a final chapter offers a review of the individual projects. Students, scholars, and researchers in archaeological study on the interactions between the indigenous peoples of South America and studies of their ceramics will find this volume an invaluable reference.
Ethnoarchaeology, the study of material culture in a living society by archaeologists, facilitates the extraction of information from prehistoric materials as well. Studies of contemporary pottery-making were initiated in the southwestern United States toward the end of the nineteenth century, then abandoned as a result of changes in archaeological theory. Now a resurgence in ethnoarchaeology over the past twenty-five years offers a new set of directions for the discipline. This volume presents the results of such work with pottery, a class of materials that occurs abundantly in many archaeological sites. Drawing on projects undertaken around the world, in the Phillipines, East Africa, Mesoamerica, India, in both traditional and complex societies, the contributors focus on identifying social and behavioral sources of ceramic variation to show how analogical reasoning is fundamental to archaeological interpretation. As the number of pottery-making societies declines, opportunities for such research must be seized. By bringing together a variety of ceramic ethnoarchaeological analyses, this volume offers the profession a much-needed touchstone on method and theory for the study of pottery-making among living peoples.
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of the interpretation when looking at artefacts. His invigorating study cogently questions many assumptions in material culture studies and offers a whole range of fresh explanations. Archaeologists in particular will welcome the discussion of familiar materials such as pottery rim shapes, body forms and decoration. However, the book will have a broad appeal to researchers in cultural studies, social anthropology and psychology and will attract all those interested in the problem of relating objects and society.
Updated and improved, this revised edition of Michel Barsoum's classic text Fundamentals of Ceramics presents readers with an exceptionally clear and comprehensive introduction to ceramic science. Barsoum offers introductory coverage of ceramics, their structures, and properties, with a distinct emphasis on solid state physics and chemistry. Key equations are derived from first principles to ensure a thorough understanding of the concepts involved. The book divides naturally into two parts. Chapters 1 to 9 consider bonding in ceramics and their resultant physical structures, and the electrical, thermal, and other properties that are dependent on bonding type. The second part (Chapters 11 to 16) deals with those factors that are determined by microstructure, such as fracture and fatigue, and thermal, dielectric, magnetic, and optical properties. Linking the two sections is Chapter 10, which describes sintering, grain growth, and the development of microstructure. Fundamentals of Ceramics is ideally suited to senior undergraduate and graduate students of materials science and engineering and related subjects.
Southwestern ceramics have always been admired for their variety and aesthetic beauty. Although ceramics are most often used for placing the peoples who produced them in time, they can also provide important clues to past economic organization.This volume covers nearly 1000 years of southwestern prehistory and history, focusing on ceramic production in a number of environmental and economic contexts. It brings together the best of current research to illustrate the variation in the organization of production evident in this single geographic area.The contributors use diverse research methods in their studies of vessel form and decoration. All support the conclusion that the specialized production of ceramics for exchange beyond the household was widespread. The first seven chapters focus on ceramic production in specific regions, followed by three essays that re-examine basic concepts and offer new perspectives. Because previous studies of southwestern ceramics have focused more on distribution than production, Ceramic Production in the American Southwest fills a long-felt need for scholars in that region and offers a broad-based perspective unique in the literature. The Southwest lacked high levels of sociopolitical complexity and economic differentiation, making this volume of special interest to scholars working in similar contexts and to those interested in craft production.