An alphabetic listing of the major photographers in the collection incorporates information about research materials and makes Original Sources the most comprehensive guide to one of photography's unique repositories."--BOOK JACKET.
An unprecedented and eye-opening examination of the early career of one of America’s most celebrated photographers One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’s artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice—beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.
The distinguished photographer shares his experiences and details the circumstances, methods, and technical and aesthetic problems surrounding the creation of forty of his most famous photographs
Reissue of an acclaimed collection of images from photographer W. Eugene Smith’s time in a New York City loft among jazz musicians. In 1957, Eugene Smith walked away from his longtime job at Life and the home he shared with his wife and four children to move into a dilapidated, five-story loft building at 821 Sixth Avenue in New York City’s wholesale flower district. The loft was the late-night haunt of musicians, including some of the biggest names in jazz—Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them. Here, from 1957 to 1965, he made nearly 40,000 photographs and approximately 4,000 hours of recordings of musicians. Smith found solace in the chaotic, somnambulistic world of the loft and its artists, and he turned his documentary impulses away from work on his major Pittsburg photo essay and toward his new surroundings. Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of this book, no one had seen his extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tales.
In this magnificent volume, Ansel Adams champions the incomparable American landscape and insists that we keep these treasured lands undefiled. A testament of love for the wilderness from our nation's most famous photographer, in 108 duotone illustrations.
Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers. This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man?s shoes, well-used kitchen utensils, and weathered siding. Muncy?s journey of discovery takes the measure of the man he has become and of what he has left behind.
Joan Liftin's third monograph, Water for Tears , is a lyrical memoir. The book is about family and trips, about running away and coming back, short texts and photographs about pleasure in the newness of everyday life. There are layered images from everywhere, like the blind woman feeling her way by a timeworn splattered wall in Mexico or the teenage boys posing with a head of Reagan in the Soviet Union in 1988, while the darkest ones are from the American South's brutality during the struggle of the Civil Rights Movement. Her observations are mysterious, sensuous and often very funny. At the heart of the book is a tender farewell to her life with Charlie, Magnum photographer Charles Harbutt. There are no captions or dates, except in the back of the book, but you know where you are - you are with Joan.