Concerto in D Minor

Concerto in D Minor

Author: Édouard Lalo

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 52

ISBN-13: 9781457475054

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A Cello solo with Piano Accompaniment composed by Édouard Lalo.


Cello Concerto, Opus 33

Cello Concerto, Opus 33

Author: Camille Saint-Saëns

Publisher: Alfred Music

Published: 1999-08-26

Total Pages: 44

ISBN-13: 9781457478369

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A solo, for Viola with Piano Accompaniment, composed by Camille Saint-Saëns and transcribed for the Viola.


High School of Cello Playing, Op. 73

High School of Cello Playing, Op. 73

Author: David Popper

Publisher: Alfred Music

Published: 1900

Total Pages: 92

ISBN-13: 9781457478789

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Op. 73 by David Popper has long been a staple for cellists to master technique and be able to play with fluidity on the instrument. This new edition is made with the Friedrich Hofmeister plates from 1901-1905. This is the original printing as Popper himself would have viewed it.


Technical Studies (Complete)

Technical Studies (Complete)

Author: Julius Klengel

Publisher: Alfred Music

Published: 2001-12-14

Total Pages: 99

ISBN-13: 1457470802

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Cellists will enjoy this book of complete technical studies, offering scales, arpeggios, phrasing, tone production, and much more. A must for all advancing students. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.


Six Suites for Violoncello Solo

Six Suites for Violoncello Solo

Author: David Starkweather

Publisher:

Published: 2009-03-01

Total Pages:

ISBN-13: 9781429105590

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This edition of the Bach Cello Suites is appealing to both the scholar and the performer. The genesis of this edition was the alignment of the relevant manuscripts for easy comparison and study using a line-by-line layout. It has resulted in the ultimate scholarly approach to the study of these manuscripts and has led to many discoveries concerning notes, trills, dots, dynamics, and rhythm. In the scordatura version of "Suite No. 5," pitch names are given above the notes for the re-tuned top string, clarifying confusing elements in the notation. Fingerings and bowings in this edition reflect those used on the DVD set of Starkweather's performance of the suites (item number 730150). Reference to the manuscript edition makes it possible to visually assess the ambiguity of many of the slurs and to reach one's own conclusions.


Cello Practice, Cello Performance

Cello Practice, Cello Performance

Author: Miranda Wilson

Publisher: Rowman & Littlefield

Published: 2015-05-27

Total Pages: 155

ISBN-13: 1442246782

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What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists—college-bound high school students, undergraduate and graduate students, educators, and professional performers—and teaches them how to be their own best teachers.


Guilhermina Suggia: Cellist

Guilhermina Suggia: Cellist

Author: Anita Mercier

Publisher: Routledge

Published: 2017-07-05

Total Pages: 184

ISBN-13: 1351564765

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Born in 1885 in Porto, Portugal, to a middle-class musical family, Guilhermina Suggia began playing cello at the age of five. A child prodigy, she was already a seasoned performer when she won a scholarship to study with Julius Klengel in Leipzig at the age of sixteen. Suggia lived in Paris with fellow cellist Pablo Casals for several years before World War I, in a professional and personal partnership that was as stormy as it was unconventional. When they separated Suggia moved to London, where she built a spectacularly successful solo career. Suggia's virtuosity and musicianship, along with the magnificent style and stage presence famously captured in Augustus John's portrait, made her one of the most sought-after concert artists of her day. In 1927 she married Dr Jos asimiro Carteado Mena and settled down to a comfortable life divided between Portugal and England. Throughout the 1930s, Suggia remained one of the most respected musicians in Europe. She partnered on stage with many famous instrumentalists and conductors and completed numerous BBC broadcasts. The war years kept her at home in Portugal, where she focused on teaching, but she returned to England directly after the war and resumed performing. When Suggia died in 1950, her will provided for the establishment of several scholarship funds for young cellists, including England's prestigious Suggia Gift. Mercier's study of Suggia's letters and other writings reveal an intelligent, warm and generous character; an artist who was enormously dedicated, knowledgeable and self-disciplined. Suggia was one of the first women to make a career of playing the cello at a time when prejudice against women playing this traditionally 'masculine' instrument was still strong. A role model for many other musicians, she was herself a fearless pioneer.


The Concerto

The Concerto

Author: Stephan D. Lindeman

Publisher: Routledge

Published: 2006-11-06

Total Pages: 666

ISBN-13: 1135922055

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Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.