Celebration, Entertainment and Theatre in the Ottoman World

Celebration, Entertainment and Theatre in the Ottoman World

Author: Suraiya Faroqhi

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9780857420442

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Celebration, Entertainment and Theatre in the Ottoman World gathers twenty-four original essays exploring a broad range of historical performances in the Ottoman Empire. Offering a reappraisal of research on Ottoman festivities, celebrations and entertainment, the volume also examines the European-style theater that flourished in Istanbul during the last decades of the Ottoman Empire. Contributors address issues such as the use of Istanbul's public space in celebrations, the possibilities for "having fun" in a small Aegean town, and the role of the Ottoman Sultans in promoting both art forms and public amusement. Other essays focus on the connections between puppet theater and early Ottoman comedies, the performance of Ottoman and foreign-style music in Istanbul and the everlasting problems of the sultans' censors. By exploring festivals, ceremonies, and entertainments in their historical context, these essays provide a new approach to historical performances in the age of the Ottoman Empire.--Amazon.com.


Entertainment Among the Ottomans

Entertainment Among the Ottomans

Author: Ebru Boyar

Publisher: BRILL

Published: 2019-05-20

Total Pages: 308

ISBN-13: 9004399232

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Approaching Ottoman social history through the lens of entertainment, this volume considers the multi-faceted roles of entertainment within society. At its most basic level entertainment could be all about pleasure, leisure and fun. But it also played a role in socialisation, gender divisions, social stratification and the establishment of moral norms, political loyalties and social, ethnic or religious identities. By addressing the ways in which entertainment was employed and enjoyed in Ottoman society, Entertainment Among the Ottomans introduces the reader to a new way of understanding the Ottoman world. Contributors are: Antonis Anastasopoulos, Tülay Artan, Ebru Boyar, Palmira Brummett, Kate Fleet, James Grehan, Svetla Ianeva, Yavuz Köse, William Kynan-Wilson, Milena Methodieva and Yücel Yanıkdağ.


Theatre and Modernity

Theatre and Modernity

Author: Ayşın Candan

Publisher: Hollitzer Wissenschaftsverlag

Published: 2024-03-22

Total Pages: 319

ISBN-13: 3990942425

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This study aims to disclose the inner dynamics of the rich and diverse milieu within the Ottoman-Turkish society that created its unique hybrid forms through the scenic arts against an understanding of modernity in terms of a simple import or imitation of Western cultural forms. In the 19th century Armenians pioneered this process with melodramas, necessitating the presence of female performers on the stage; Armenian women thus went onstage with patriotic motives. Among the two leading figures of the Turkish Republic period are Nazim Hikmet, the most prolific but severely censured Turkish dramatist and Muhsin Ertugrul, who founded the subsidised theatres of Ankara and Istanbul. A later phase of modernisation arrives in the sixties with a social awakening towards the conditions of the rural society: Ankara becomes the seat of "popular" theatre after the founding of Ankara Art Theatre, in 1961. Mehmet Ulusoy's work in France in the 1970–1980s crowns the final synthesis.


Theatre History Studies 2016, Vol. 35

Theatre History Studies 2016, Vol. 35

Author: Sara Freeman

Publisher: University of Alabama Press

Published: 2016-12-06

Total Pages: 392

ISBN-13: 0817371109

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Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter / Reviewed by Danny Devlin


The 1720 Imperial Circumcision Celebrations in Istanbul

The 1720 Imperial Circumcision Celebrations in Istanbul

Author: Sinem Erdoğan İşkorkutan

Publisher: BRILL

Published: 2020-09-25

Total Pages: 312

ISBN-13: 9004437568

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This book presents the holistic examination of the 1720 Ottoman imperial circumcision festival through a combined analysis of the hitherto unknown archival sources, contemporary narratives as well as book paintings.


Theatre and Community

Theatre and Community

Author: Emine Fisek

Publisher: Bloomsbury Publishing

Published: 2019-05-25

Total Pages: 87

ISBN-13: 1350315923

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This important contribution to the Theatre And series explores what the possibilities and limits of 'community' contribute to our understanding of theatre, and what theatrical practice and representation reveal about the tensions inherent in community settings. Drawing on case studies from wide-ranging locations, from the Middle East, to Latin America and South Asia, the text underlines the plurality of meanings associated with community, as well as the plurality of ways that theatre has engaged with those meanings. Interdisciplinary in its reach, this is the ideal companion for students of theatre and performance studies with an interest in applied theatre or performance in communities.


The Ottoman Tanbûr

The Ottoman Tanbûr

Author: Hans de Zeeuw

Publisher: Archaeopress Publishing Ltd

Published: 2022-06-09

Total Pages: 144

ISBN-13: 1803271078

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Tanbûrs are long-necked lute-like instruments played in the art, Sûfî, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbûr, its role in Ottoman music, construction and playing technique.


Taming the Messiah

Taming the Messiah

Author: Aslihan Gurbuzel

Publisher: Univ of California Press

Published: 2023-01-10

Total Pages: 331

ISBN-13: 0520388224

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In the history of the Ottoman Empire, the seventeenth century has often been considered an anomaly, characterized by political dissent and social conflict. In this book, Aslıhan Gürbüzel shows how the early modern period was, in fact, crucial to the formation of new kinds of political agency that challenged, negotiated with, and ultimately reshaped the Ottoman social order. By uncovering the histories of these new political voices and documenting the emergence of a robust public sphere, Gürbüzel challenges two common assumptions: first, that the ideal of public political participation originated in the West; and second, that civic culture was introduced only with Westernization efforts in the nineteenth century. Contrary to these assumptions, which measure the Ottoman world against an idealized European prototype, Taming the Messiah offers a new method of studying public political life by focusing on the variety of religious visions and lifeworlds native to Ottoman society and the ways in which they were appropriated and repurposed in the pursuit of new forms of civic engagement.


As Night Falls

As Night Falls

Author: Avner Wishnitzer

Publisher: Cambridge University Press

Published: 2021-07-01

Total Pages: 391

ISBN-13: 1108934390

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In a world that is constantly awake, illuminated and exposed, there is much to gain from looking into the darkness of times past. This fascinating and vivid picture of nocturnal life in Middle Eastern cities shows that the night in the eighteenth-century Ottoman Empire created unique conditions for economic, criminal, political, devotional and leisurely pursuits that were hardly possible during the day. Offering the possibility of livelihood and brotherhood, pleasure and refuge; the darkness allowed confiding, hiding and conspiring - activities which had far-reaching consequences on Ottoman state and society in the early modern period. Instead of dismissing the night as merely a dark corridor between days, As Night Falls demonstrates how fundamental these nocturnal hours have been in shaping the major social, cultural and political processes in the early modern Middle East.


Empire of Salons

Empire of Salons

Author: Helen Pfeifer

Publisher: Princeton University Press

Published: 2024-09-24

Total Pages: 320

ISBN-13: 0691224943

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A history of the Ottoman incorporation of Arab lands that shows how gentlemanly salons shaped culture, society, and governance Historians have typically linked Ottoman imperial cohesion in the sixteenth century to the bureaucracy or the sultan’s court. In Empire of Salons, Helen Pfeifer points instead to a critical but overlooked factor: gentlemanly salons. Pfeifer demonstrates that salons—exclusive assemblies in which elite men displayed their knowledge and status—contributed as much as any formal institution to the empire’s political stability. These key laboratories of Ottoman culture, society, and politics helped men to build relationships and exchange ideas across the far-flung Ottoman lands. Pfeifer shows that salons played a central role in Syria and Egypt’s integration into the empire after the conquest of 1516–17. Pfeifer anchors her narrative in the life and network of the star scholar of sixteenth-century Damascus, Badr al-Din al-Ghazzi (d. 1577), and she reveals that Arab elites were more influential within the empire than previously recognized. Their local knowledge and scholarly expertise competed with, and occasionally even outshone, that of the most powerful officials from Istanbul. Ultimately, Ottoman culture of the era was forged collaboratively, by Arab and Turkophone actors alike. Drawing on a range of Arabic and Ottoman Turkish sources, Empire of Salons illustrates the extent to which magnificent gatherings of Ottoman gentlemen contributed to the culture and governance of empire.