Orate Fratres
Author:
Publisher:
Published: 1926
Total Pages: 428
ISBN-13:
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Sacred Music and Liturgical Reform
Author: Rev. Anthony Ruff, O.S.B.
Publisher: LiturgyTrainingPublications
Published: 2022-01-07
Total Pages: 802
ISBN-13: 1618330306
DOWNLOAD EBOOKAnthony Ruff, O.S.B., has written a brilliant, comprehensive, well-researched book about the treasures of the Church's musical tradition, and about the transformations brought about by liturgical reform. The liturgy constitution Sacrosanctum Concilium stated many revolutionary principles of liturgical reform. Regarding liturgical music, the Council's decrees mandated, on the one hand, the preservation of the inherited treasury of sacred music, and on the other hand, advocated adaptation and expansion of this treasury to meet the changed requirements of the reformed liturgy. In clear, precise language, he retrieves the Council's neglected teachings on the preservation of the inherited music treasury. He clearly shows that this task is not at odds with good pastoral practice, but is rather an integral part of it. The book proposes an alternate hermeneutic for understanding the Second Vatican Council's teachings on worship music.
Music in Catholic Worship
Author: Bishops' Committee on the Liturgy
Publisher:
Published: 1972
Total Pages: 22
ISBN-13:
DOWNLOAD EBOOKPamphlets are located in the pamphlet section, in the box labeled with the first heading listed below under Subjects. Pamphlets are for in library use only. Special permission to borrow the pamphlets may be granted by the librarians.
Reforming Music
Author: Chiara Bertoglio
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2017-03-06
Total Pages: 871
ISBN-13: 3110520818
DOWNLOAD EBOOKFive hundred years ago a monk nailed his theses to a church gate in Wittenberg. The sound of Luther’s mythical hammer, however, was by no means the only aural manifestation of the religious Reformations. This book describes the birth of Lutheran Chorales and Calvinist Psalmody; of how music was practised by Catholic nuns, Lutheran schoolchildren, battling Huguenots, missionaries and martyrs, cardinals at Trent and heretics in hiding, at a time when Palestrina, Lasso and Tallis were composing their masterpieces, and forbidden songs were concealed, smuggled and sung in taverns and princely courts alike. Music expressed faith in the Evangelicals’ emerging worships and in the Catholics’ ancient rites; through it new beliefs were spread and heresy countered; analysed by humanist theorists, it comforted and consoled miners, housewives and persecuted preachers; it was both the symbol of new, conflicting identities and the only surviving trace of a lost unity of faith. The music of the Reformations, thus, was music reformed, music reforming and the reform of music: this book shows what the Reformations sounded like, and how music became one of the protagonists in the religious conflicts of the sixteenth century.
Palestrina and the German Romantic Imagination
Author: James Garratt
Publisher: Cambridge University Press
Published: 2002-07-18
Total Pages: 334
ISBN-13: 1139433938
DOWNLOAD EBOOKFocusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival.
Catholic Music through the Ages
Author: Edward Schaefer, MSM, DMA
Publisher: LiturgyTrainingPublications
Published: 2022-01-07
Total Pages: 191
ISBN-13: 1618330187
DOWNLOAD EBOOKExamining the role of music in the liturgical life of the Church, Deacon Edward Schaefer seeks to promote a more dynamic balance between the expressive and formative qualities of liturgical music. He examines the structure of the Mass both before and after the Second Vatican Council, offering a brief overview of the history and development of liturgical music from the eighth century Carolingian Renaissance to the contemporary implementation of the reforms of the Second Vatican Council. Concluding with a thoughtful analysis of the current state of liturgical music, Deacon Schaefer provides a variety of musical examples which are easily accessed online or via the downloadable e-book.
The Oxford Handbook of the Protestant Reformations
Author: Ulinka Rublack
Publisher: Oxford University Press
Published: 2017
Total Pages: 849
ISBN-13: 0199646929
DOWNLOAD EBOOKThis handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online
Humanism and the Reform of Sacred Music in Early Modern England
Author: Hyun-Ah Kim
Publisher: Routledge
Published: 2016-05-13
Total Pages: 272
ISBN-13: 1317119592
DOWNLOAD EBOOKJohn Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
