Thou shalt not date thine teammates.The UNS Women's Lacrosse team doesn't have an official policy against inter-teammate relationships, but those words might as well be carved into stone tablets in the middle of the field. After witnessing way too much drama in the past, Captain Becca Moore is intent on keeping her players' love lives out of the locker room. Becca has no time or tolerance for any distractions from the game. Unfortunately, that's exactly what Hope Hastings has been since the day she showed up for tryouts: one walking, talking, charismatically dorky and way-too-kissable distraction. Hope knew she was headed straight to the danger zone from the moment she saw Becca's flame-red hair and surly captain smirk. She's spent the past two years writing off her attraction as a harmless crush, but starting a new semester fresh out of an awful relationship makes Hope realize just how far from harmless the heat between her and Becca really is.The friendships of a tight-knit team and their shot at the title are all lying on the line, but as Hope and Becca get closer to bending rules they've sworn never to break, they realize they've put their hearts on that line too. Losing has never been an option, but winning might cost more than they're willing to pay.Catch and Cradle is a New Adult F/F romance from Katia Rose that's filled with all the hilarity and heartache of finding your way through college while discovering love, friendship, and what it means to be yourself.
Meg Doyle did not intend to return home from college with a suitcase and nowhere else to go. Ideally, she would have rolled up to her tiny home town in a limousine and jumped out wearing a designer tuxedo. She would have shaken a few hands, signed a few autographs, and maybe kissed a few girls before riding off into the sunset of her glorious, post-grad future in set design. Instead, she's stuck spending the summer in her childhood bedroom, trawling the internet for job listings after a last minute internship cancellation in Europe. It's anything but triumphant. Her friends in the city won't stop reminding her what she's missing, her mom won't stop researching lesbian slang terms to seem more 'relatable, ' and around every corner in the small town of Chapel Creek, there's Connie Shipley. The girl Meg used to know better than anyone in the world. The girl she spent countless nights huddled under the blankets with for sleepovers and movie marathons. The girl who leaned in and kissed her four summers before. The girl who hasn't spoken to her since. ...Which makes it very inconvenient that Meg's heart still stops every single time she sees her. This Used to Be Easier is a New Adult, small town F/F romance from Katia Rose. It features a quirky cast of unforgettable characters, an endless supply of cheesy fishing puns, and the kind of love that lasts a lifetime, despite a few bumps along the way.
“A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly
Simon can only watch, helpless, as his family is killed and his friends captured by enemy Travelers-men and women who can summon mystical powers from otherworldly Territories. To top it off, another young man from Simon's village discovers that he's a savior prophesied to destroy evil and save the realm.Prophecy has nothing to say about Simon. He has no special powers, no magical weapons, and no guarantee that he'll survive. But he sets off anyway, alone, to gain the power he needs to oppose the Travelers and topple their ruthless Overlord. It may not be his destiny, but Simon's determined to rescue his fellow villagers from certain death.Because who cares about prophecy, really?
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. • On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.” • To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.” • To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.” • To Norman Mailer: “I am cuter than you are.” Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote. Praise for Kurt Vonnegut: Letters “Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review “[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR “Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday “These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
Written by Virginia Grohl, the mother of Dave Grohl—former Nirvana drummer and current frontman for the Foo Fighters—From Cradle to Stage shares stories and exclusive photos featuring mothers of rock icons, the icons themselves, and their Behind the Music-style relationships While the Grohl family had always been musical-the family sang together on long car trips, harmonizing to Motown and David Bowie-Virginia never expected her son to become a musician, let alone a rock star. But when she saw him perform in front of thousands of screaming fans for the first time, she knew that rock stardom was meant to be for her son. And as Virginia watched her son's star rise, she often wondered about the other mothers who raised sons and daughters who became rock stars. Were they as surprised as she was about their children's fame? Did they worry about their children's livelihood and wellbeing in an industry fraught with drugs and other dangers? Did they encourage their children's passions despite the odds against success, or attempt to dissuade them from their grandiose dreams? Do they remind their kids to pack a warm coat when they go on tour? Virginia decided to seek out other rock star mothers to ask these questions, and so began a two-year odyssey in which she interviewed such women as Verna Griffin, Dr. Dre's mother; Marianne Stipe, Michael Stipe of REM's mother; Janis Winehouse, Amy Winehouse's mother; Patsy Noah, Adam Levine's mother; Donna Haim, mother of the Haim sisters; Hester Diamond, Mike D of The Beastie Boys' mother. With exclusive family photographs and a foreword by Dave Grohl, From Cradle to Stage will appeal to mothers and rock fans everywhere.
Two teenage girls claim that they are pregnant virgins. But only one is carrying the child of Christ . . . and the other will deliver the son of Satan. In Boston, seventeen-year-old Kathleen is pregnant, but she swears she's a virgin. In Ireland, another teenage girl, Colleen, discovers she is in the same impossible condition. Cities all around the world are suddenly overwhelmed by epidemics, droughts, famines, floods, and worse. As terrifying forces of light and darkness begin to gather, Kathleen and Colleen find themselves at the center of the final battle for the very soul of humanity. Each of the girls must convince a young detective that she is the true mother of God . . . and that the other is carrying the devil. The stakes couldn't be higher in this page-turning thriller. You won't be able to put it down until the final reveal: which baby is the miracle . . . and which the monster?
There's a megalomaniac professor digging a hole outside his flat. His small stake in the amphetamine market in Brixton is being threatened by a mysterious Chinese man. And the Milk Marketing Board has taken out a contract on his life. Welcome to the bizarre, obsessive world of Alby Starvation. Albys doctor refuses to believe he's allergic to just about everything (which he is), especially milk. But when Alby soon discovers that his ongoing ailments are directly linked to the consumption of said product, he gives it up and is cured. Only thing is, he goes on to suggest this remedy to a number of other people suffering from milk allergies. In Millar's surreal backyard, the Milk Marketing Board sees sales slump to an all time low. So there's only one thing left to do: put out a contract on Alby Starvation. Now Alby must save both his life and his precious comic collection. In Martin Millar's surreal tale of the urban counter culture a world full of shoplifting, death threats, paranoia, and video game arcades Albys frantic struggle to avoid being shot falls somewhere between Irvine Welsh and Lock, Stock and Two Smoking Barrels.
No one knew where she had come from. A scrap of a girl clinging to a black cat with eerie yellow eyes. A lost child or an orphan, maybe. It was a miracle she had survived on Eden Mountain at all. Suddenly strange things began to happen in placid Ruger County, bizarre killings that the police couldn’t solve. Horrifying accidents that the people couldn’t comprehend. An insatiable beast was stalking their intimate hideaways, their swimming holes—and their children. No one noticed how quickly the little girl’s pale cheeks turned pink with health. How her frail body filled out with sleek, lithe muscles and feline grace. And no one noticed that at night her innocent blue eyes turned an eerie, evil yellow . . .
