A Check List of Alabama Imprints, 1807-1870
Author: Rhoda Coleman Ellison
Publisher:
Published: 1946
Total Pages: 170
ISBN-13:
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Author: Rhoda Coleman Ellison
Publisher:
Published: 1946
Total Pages: 170
ISBN-13:
DOWNLOAD EBOOKAuthor: Columbia University
Publisher:
Published: 1894
Total Pages: 636
ISBN-13:
DOWNLOAD EBOOKAuthor: Columbia University
Publisher:
Published: 1894
Total Pages: 632
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2002-09
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKEBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Author: Lyman Horace Weeks
Publisher:
Published: 1898
Total Pages: 64
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Congress
Publisher:
Published: 1950
Total Pages: 2072
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Congress
Publisher:
Published: 1928
Total Pages: 1762
ISBN-13:
DOWNLOAD EBOOKAuthor: John M. Curran
Publisher:
Published: 1919
Total Pages: 24
ISBN-13:
DOWNLOAD EBOOKAuthor: Lynne Blackman
Publisher: Univ of South Carolina Press
Published: 2018-06-20
Total Pages: 432
ISBN-13: 1611179556
DOWNLOAD EBOOKScholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Author: Carole C. Marks
Publisher: Delaware Heritage Press
Published: 1998
Total Pages: 256
ISBN-13: 9780924117121
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