Catalogue of the Library of the Boston Athenaeum, 1807-1871
Author: Boston Athenaeum
Publisher:
Published: 1876
Total Pages: 780
ISBN-13:
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Author: Boston Athenaeum
Publisher:
Published: 1876
Total Pages: 780
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1880
Total Pages: 718
ISBN-13:
DOWNLOAD EBOOKAuthor: Boston Athenaeum
Publisher:
Published: 1970
Total Pages: 538
ISBN-13:
DOWNLOAD EBOOKAuthor: Boston Athenaeum
Publisher:
Published: 1880
Total Pages: 746
ISBN-13:
DOWNLOAD EBOOKAuthor: Kenneth E. Carpenter
Publisher: Bowdoin College
Published: 1994
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKAuthor: Charles Ammi Cutter
Publisher: Littleton, Colo. : Libraries Unlimited
Published: 1977
Total Pages: 352
ISBN-13:
DOWNLOAD EBOOKAuthor: J. Paul Getty Museum
Publisher:
Published: 1988
Total Pages: 380
ISBN-13:
DOWNLOAD EBOOKAuthor: Bates Lowry
Publisher: Getty Publications
Published: 2000-02-03
Total Pages: 258
ISBN-13: 0892365366
DOWNLOAD EBOOKBy the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.
Author: Bruce Redford
Publisher: Getty Publications
Published: 2008-08-07
Total Pages: 240
ISBN-13: 0892369248
DOWNLOAD EBOOKBruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.
Author: Devoney Looser
Publisher: JHU Press
Published: 2008-08-01
Total Pages: 253
ISBN-13: 0801887054
DOWNLOAD EBOOKThis groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.