Art in History/History in Art
Art in History/History in Art

Author: David Freedberg

Publisher: Getty Publications

Published: 1996-07-11

Total Pages: 458

ISBN-13: 0892362014

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Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.

The Silver Canvas
The Silver Canvas

Author: Bates Lowry

Publisher: Getty Publications

Published: 2000-02-03

Total Pages: 258

ISBN-13: 0892365366

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By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.

The J. Paul Getty Museum Journal
The J. Paul Getty Museum Journal

Author: The J. Paul Getty Museum

Publisher: Getty Publications

Published: 1989-11-02

Total Pages: 207

ISBN-13: 0892361433

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The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.

Dutch Paintings of the Seventeenth Century
Dutch Paintings of the Seventeenth Century

Author: National Gallery of Art (U.S.)

Publisher: Oxford University Press, USA

Published: 1995

Total Pages: 0

ISBN-13: 9780894682117

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Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.