Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection

Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection

Author: Dumbarton Oaks

Publisher: Dumbarton Oaks Research Library & Collection

Published: 2005

Total Pages: 450

ISBN-13:

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Marvin Ross's groundbreaking catalogue of jewelry in the Byzantine Collection at Dumbarton Oaks, first published in 1965, has long been out of print, but its enduring status led to a reprint--this time with color photographs and an addendum by Susan Boyd and Stephen Zwirn with 22 new objects acquired by Dumbarton Oaks since 1962.


A Home of the Humanities

A Home of the Humanities

Author: James N. Carder

Publisher: Harvard University Press

Published: 2010

Total Pages: 204

ISBN-13: 9780884023654

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Mildred and Robert Woods Bliss were consummate collectors and patrons. The illustrated essays in this volume reveal how the Blisses' wide-ranging interests in art, music, gardens, architecture, and interior design resulted in the creation of the Dumbarton Oaks Research Library and Collection--what they came to call their "home of the humanities."


Byzantine Art and Diplomacy in an Age of Decline

Byzantine Art and Diplomacy in an Age of Decline

Author: Cecily J. Hilsdale

Publisher: Cambridge University Press

Published: 2014-02-20

Total Pages: 425

ISBN-13: 1107729386

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The Late Byzantine period (1261–1453) is marked by a paradoxical discrepancy between economic weakness and cultural strength. The apparent enigma can be resolved by recognizing that later Byzantine diplomatic strategies, despite or because of diminishing political advantage, relied on an increasingly desirable cultural and artistic heritage. This book reassesses the role of the visual arts in this era by examining the imperial image and the gift as reconceived in the final two centuries of the Byzantine Empire. In particular it traces a series of luxury objects created specifically for diplomatic exchange with such courts as Genoa, Paris and Moscow alongside key examples of imperial imagery and ritual. By questioning how political decline refigured the visual culture of empire, Cecily J. Hilsdale offers a more nuanced and dynamic account of medieval cultural exchange that considers the temporal dimensions of power and the changing fates of empires.