Catalogue of Paintings in the Wellington Museum
Author: Wellington Museum
Publisher:
Published: 1982
Total Pages: 184
ISBN-13:
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Author: Wellington Museum
Publisher:
Published: 1982
Total Pages: 184
ISBN-13:
DOWNLOAD EBOOKAuthor: Wellington Museum
Publisher: Paul Holberton Publishing
Published: 2009
Total Pages: 348
ISBN-13:
DOWNLOAD EBOOKSeldom has there been a gift of equal magnificence. In 1947 the 7th Duke of Wellington presented to the nation his London residence Apsley House together with a large part of its contents, the collection of the 1st Duke. Among the paintings are some of the finest canvases from the Spanish Royal Collection, captured by the 1st Duke of Wellington from Joseph Bonaparte in 1813. There are also important seventeenth-century Dutch paintings bought by the 1st Duke himself, as well as a series of French and British portraits of his illustrious contemporaries and depictions of battle scenes, which provide a visual record of the Napoleonic period. With entries updated from the 1982 catalogue by C.M. Kauffmann, the collection is published in colour for the first time. It contains detailed entries for 200 pictures including masterpieces by Correggio, Goya, Murillo, Velázquez, Sir David Wilkie, Jan Steen, Jan Brueghel the Elder and Rubens.
Author: C.M. Kauffmann
Publisher:
Published: 1976
Total Pages: 176
ISBN-13:
DOWNLOAD EBOOKAuthor: Christopher Wright
Publisher: Yale University Press
Published: 2006-01-01
Total Pages: 950
ISBN-13: 9780300117301
DOWNLOAD EBOOKThis book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Author: Simon Knell
Publisher: Routledge
Published: 2016-01-22
Total Pages: 274
ISBN-13: 1317432428
DOWNLOAD EBOOKAre national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.
Author: Wayne E. Franits
Publisher: Yale University Press
Published: 2004-01-01
Total Pages: 342
ISBN-13: 0300102372
DOWNLOAD EBOOKThe appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 1984
Total Pages: 362
ISBN-13: 0870993704
DOWNLOAD EBOOKA catalogue of 373 masterpieces from the Linsky's collection of European paintings, medieval and Renaissance objets d'art, sculpture, jewelry, furniture, carpets, clocks, gilt bronzes, and porcelains. -- Metropolitan Museum of Art website.
Author: Celestine Dars
Publisher: Visual Arts
Published: 1989
Total Pages: 1516
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1962
Total Pages: 952
ISBN-13:
DOWNLOAD EBOOKAuthor: Tom Stammers
Publisher: Cambridge University Press
Published: 2020-06-25
Total Pages: 375
ISBN-13: 1108807224
DOWNLOAD EBOOKOffering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.