Italian Renaissance sculpture
Italian Renaissance sculpture

Author: Gallerie Baratti

Publisher: Edizioni Polistampa

Published: 2013

Total Pages: 168

ISBN-13: 9788859613152

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The book is the catalog of the exhibition held in Florence on the occasion of the Biennale International Fair of Antiquariato (2013, 28 th edition). It contains 18 masterpieces of fifteenth and sixteenth-century Italian sculpture belonging to Baratti Galleries' collections (Milan). The works are different for materials (marble, stone, terracotta, wood, bronze) and area of origin, including sculptures by Donatello, Vincenzo Danti, Andrea Riccio and Filarete. "For those who perceive the evolution of artistic taste," as Gianluca Gentilini explains in the introductory text, "and are used to historical and artistic studies, as well as to exhibitions deriving from them, it is by now obvious that the critical engagement of new generations is especially characterized by a passionate, fruitful rediscovery of sculpture, with very significant outcomes in the knowledge, protection and enhancement of our heritage, that influence the dynamics of public and private international collectors".

Patronage and Italian Renaissance Sculpture
Patronage and Italian Renaissance Sculpture

Author: DavidJ. Drogin

Publisher: Routledge

Published: 2017-07-05

Total Pages: 286

ISBN-13: 1351554891

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The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.

Manual of Italian Renaissance Sculpture as Illustrated in the Collection of Casts at the Museum of Fine Arts, Boston
Manual of Italian Renaissance Sculpture as Illustrated in the Collection of Casts at the Museum of Fine Arts, Boston

Author: Benjamin Ives Gilman

Publisher: Palala Press

Published: 2016-05-20

Total Pages:

ISBN-13: 9781357861230

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Manual of Italian Renaissance Sculpture as Illustrated in the Collection of Casts at the Museum of Fine Arts, Boston
Manual of Italian Renaissance Sculpture as Illustrated in the Collection of Casts at the Museum of Fine Arts, Boston

Author: Boston Museum Of Fine Arts

Publisher: Palala Press

Published: 2016-05-12

Total Pages: 210

ISBN-13: 9781356450541

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Renaissance and Baroque Bronzes in and Around the Peter Marino Collection
Renaissance and Baroque Bronzes in and Around the Peter Marino Collection

Author: Charles Avery

Publisher: Sculpture

Published: 2013

Total Pages: 0

ISBN-13: 9780900785481

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The outstanding collection of European bronze sculptures formed by acclaimed architect Peter Marino, which focuses especially on French and Italian bronzes of the High Baroque, includes masterpieces by some of the greatest sculptors of their age, among them Ferdinando Tacca, Giovanni Battista Foggini, Robert Le Lorrain and Corneille van Clève. This volume of contributions to the symposium held in June 2010 testifying to the importance of the Marino Collection includes nine essays by distinguished scholars of sculpture. Charles Avery, author of major monographs on Giambologna and Bernini, discusses the impetus behind one of the most exciting models in the Marino Collection, a Hercules and Anteaus, after Maderno. Geneviève Bresc-Bautier, Director of the Louvre Sculpture Department, examines the discovery of a large number of small pieces of terracotta sculpture, thought to be from the workshop of Andrés-Charles Boulle, which was destroyed in 1720. Anthea Brook, who has published extensively on Ferdinando Tacca, considers the attribution of a pair of small Florentine bronze hunting gropus in the Marino Collection, making the case for Damiano Cappelli - a bronze-casting specialist in the workshop of Tacca - to be considered as a sculptor capable of creating his own designs. Rosario Coppel investigates the impressive collection of small bronzes of the 3rd Duke of Alcalá (1583-1637), who was Philips IV's extraordinary ambassador to Pope Urban VIII and later Viceroy and Captain General in Naples. Philippe Malgouyres, Curator of Bronzes, Ivories and Metals at the Louvre, discusses the bronze casts after Bernini sculpture, a little-studied subject in the wide field of Bernini studies. Jennifer Montagu, Senior Fellow of the Warburg Institute, attempts to put together and define the oeuvre of the unknown sculptor of the magnificient 15-figure group ofbronze hunters, their hounds and a bull, in the Suermondt Ludwig Museum in Aachen. Independent scholar Regina Seelig Teuwen extols Guillaume Berthelot as a sculptor of small bronzes, while Jeremy Warren, Collections and Academic Director at the Wallace Collection, discusses the challenges of cataloguing the Peter Marino Collection for the critically acclaimed 2010 exhibition.